User:Holger Stoltenberg/embed: Difference between revisions
m 1st line edited |
Test to embed audio |
||
| Line 36: | Line 36: | ||
[[Adam Neely]]; The 7 Levels of Jazz Harmony, <br> | [[Adam Neely]]; The 7 Levels of Jazz Harmony, <br> | ||
'''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}} | '''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}} | ||
Fig.5 shows a comparison of four augmented chords that sound quite different: | |||
[[File:Fig-5 tonal space 753i aug.png|480px|center]] | |||
<center><small><u>Fig.5</u>: Selection of different augmented chords </small></center> | |||
Revision as of 16:51, 12 January 2026
** This page is used to check out the embedding of media **
The fret marks guide the player to 12edo intervals, while the intervals between the strings are often tuned differently (i.e. just intervals, meantone tuning, various best-practice tunings)
Audio only
Link to Wikipedia source
Link with single brackets: steelguitar
_used_in_playing_steel_guitar.jpg)
- ↑ Video 1 - Webressource and licensing:
DaveB11th, CC BY 4.0 , via Wikimedia Commons
The original video is 3:14 minutes long. For demonstration purposes, an excerpt from 0:01 to 01:55 is shown here. - ↑ Eagledj, CC BY-SA 4.0 , via Wikimedia Commons
_used_in_playing_steel_guitar.jpg){kind=link}
7 Levels of Jazz Harmony
Neely-intonalism
In 2020 music educator Adam Neely picked up the term intonalism and used it in his Seven Levels of Jazz Harmony, with a somewhat different and rather ambiguous intent, where he seemed to describe the use of a tempered scale (often 12edo) for the lead melody of a piece. The current melody note at any given point in time is then treated as a reference pitch, and the current backing chord uses pure just intonation, tuned relative to the current reference pitch. In a sense this is an inverse form of adaptive just intonation where the bass line adjusts to a tempered scale and the melody and harmony notes tune to it.
To distinguish this form of intonalism from the other, you could call it Neely-intonalism.[idiosyncratic term]
Intonalism [9:12], Xenharmonic [10:46]
Fig.5 shows a comparison of four augmented chords that sound quite different:
