User talk:Aura: Difference between revisions

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:: Surprisingly, the going has been easier for 19L 2s than for 11L 2s, despite having had longer to work on figuring out a temperament for 11L 2s. So maybe figuring this out for 19L 2s will teach me how to do it for 11L 2s, although working with the 11th harmonic seems to be just inherently weird.

:: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:52, 6 April 2025 (UTC)

::: Yes, working with the 11/8 paramajor fourth is inherently weird- it takes either the 16/15 diatonic semitone or the 5/4 major third to set it up, and it really seems to like being a chord root in a 1/1-25/22-14/11-3/2 chord. Have you tried working with this stuff? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 11:29, 6 April 2025 (UTC)

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 :: Surprisingly, the going has been easier for 19L&nbsp;2s than for 11L&nbsp;2s, despite having had longer to work on figuring out a temperament for 11L&nbsp;2s.  So maybe figuring this out for 19L&nbsp;2s will teach me how to do it for 11L&nbsp;2s, although working with the 11th harmonic seems to be just inherently weird.
 :: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:52, 6 April 2025 (UTC)
+::: Yes, working with the 11/8 paramajor fourth is inherently weird- it takes either the 16/15 diatonic semitone or the 5/4 major third to set it up, and it really seems to like being a chord root in a 1/1-25/22-14/11-3/2 chord.  Have you tried working with this stuff? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 11:29, 6 April 2025 (UTC)