Extraclassical tonality: Difference between revisions

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In [[16edo]], and especially in [[7L 2s|armotonic]], arto and tendo chords may be used by using the minor 2-mosstep and major 3-mosstep in chords. These are intervals of 225 and 450{{c}}, and also serve as simple [[slendric]] intervals. Indeed, playing the chord with both arto and tendo intervals results in the same chord as stacking 3 slendric generators.
In [[16edo]], and especially in [[7L 2s|armotonic]], arto and tendo chords may be used by using the minor 2-mosstep and major 3-mosstep in chords. These are intervals of 225 and 450{{c}}, and also serve as simple [[slendric]] intervals. Indeed, playing the chord with both arto and tendo intervals results in the same chord as stacking 3 slendric generators.


In diatonic edos sharper than [[27edo]], the native diatonic major and minor triads are, in fact, arto and tendo; the chromatic scale [[5L 7s]] makes for a good MOS to allow arto/tendo cross-tonality in these systems.   
In diatonic edos sharper than, and even in, [[22edo]], the native diatonic major and minor triads begin to border on arto and tendo; the chromatic scale [[5L 7s]] makes for a good MOS to allow arto/tendo cross-tonality in these systems.   


[[24edo]] allows both arto/tendo and minor/major chords to be used.   
[[24edo]] allows both arto/tendo and minor/major chords to be used.