Fractional sharp notation: Difference between revisions
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VERY WIP (I'll move it to the main namespace if it's finished.) | |||
As in the original chain-of-fifths notation, the sharp and flat accidentals are always taken to raise and lower by an augmented union or chromatic semitone. | The '''fractional sharp notation''' (FSN) is a notation developed by [[User:CompactStar|CompactStar]] that is an extension of [[chain-of-fifths notation]], supporting a wide range of [[EDO]] and [[rank-2 temperament]] systems. It represents all intervals with conventional accidentals, but with sharps and flats extended to have an arbitrary rational amount, denoted by a superscript, such as #<sup>1/2</sup> for half-sharp, except for in the case of single and double accidentals. If ASCII compatibility is required, superscripts can be substituted for carets–in this case, #^(a/b) is preferred over #^a/b for clarity. | ||
As in the original chain-of-fifths notation, the sharp and flat accidentals are always taken to raise and lower by an augmented union or chromatic semitone. For interval naming, augmented and diminished are expanded to fractional values: a/b-augmented (abbreviated as a/b-A, as in [[User:M-yac/Neutral_Intervals_and_the_FJS#Generalizing|semi-neutral FJS]]) is a/b of a chromatic semitone above a major or perfect interval, and a/b-diminished (abbreviated as a/b-d) is a/b of a chromatic semitone below a minor or perfect interval. Additionally, for intervals between minor and major, a/b-augmented minor is used for a/b chromatic semitones above a minor interval, and a/b-diminished major is used for a/b chromatic semitones below a major interval (this was suggested by [[User:Frostburn|Frostburn]]). 1/2-augmented minor and 1/2-diminished major are identical, corresponding to halfway between minor and major, so both are replaced with the more conventional term "neutral" (abbreviated as lowercase n). | |||
== For EDOs == | == For EDOs == | ||
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== For rank-2 temperaments == | == For rank-2 temperaments == | ||
A few [[rank-2 temperament]]s can be notated, but only ones which have a period of an unsplit octave, and in which the [[generator]] can be expressed as an FSN interval category. For example, [[neutral]] temperament can have the generator notated as n3, and [[porcupine]] temperament can have the generator notated as 1/3-dM2, because the difference between the generator and [[9/8]] (represented by [[81/80]]) is equated to 1/3 of an [[2187/2048|apotome]] in porcupine. [[Semaphore]] is an example of a temperament which does not qualify, because there is no FSN category that implies a semifourth. | A few [[rank-2 temperament]]s can be notated, but only ones which have a period of an unsplit octave, and in which the [[generator]] can be expressed as an FSN interval category. For example, [[neutral]] temperament can have the generator notated as n3, and [[porcupine]] temperament can have the generator notated as 1/3-dM2, because the difference between the generator and [[9/8]] (represented by [[81/80]], [[45/44]] and etc.) is equated to 1/3 of an [[2187/2048|apotome]] in porcupine. [[Semaphore]] is an example of a temperament which does not qualify, because there is no FSN category that implies a semifourth. | ||
== Examples == | == Examples == | ||
[[17edo]]: | [[17edo]]: | ||
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| 1/2-aug unison, minor 2nd | | 1/2-aug unison, minor 2nd | ||
| 1/2-A1, m2 | | 1/2-A1, m2 | ||
| D | | D#<sup>1/2</sup>, Eb | ||
|- | |- | ||
| 2 | | 2 | ||
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| aug unison, neutral 2nd | | aug unison, neutral 2nd | ||
| A1, n2 | | A1, n2 | ||
| D | | D#, Eb<sup>1/2</sup> | ||
|- | |- | ||
| 3 | | 3 | ||
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| neutral 3rd | | neutral 3rd | ||
| n3 | | n3 | ||
| F | | F#<sup>1/2</sup> | ||
|- | |- | ||
| 6 | | 6 | ||
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| major 3rd | | major 3rd | ||
| M3 | | M3 | ||
| F | | F# | ||
|- | |- | ||
| 7 | | 7 | ||
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| 1/2-aug 4th, dim 5th | | 1/2-aug 4th, dim 5th | ||
| 1/2-A4, d5 | | 1/2-A4, d5 | ||
| G | | G#<sup>1/2</sup>, Ab | ||
|- | |- | ||
| 9 | | 9 | ||
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| aug 4th, 1/2-dim 5th | | aug 4th, 1/2-dim 5th | ||
| A4, 1/2-d5 | | A4, 1/2-d5 | ||
| G | | G#, Ab<sup>1/2</sup> | ||
|- | |- | ||
| 10 | | 10 | ||
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| neutral 7th, dim octave | | neutral 7th, dim octave | ||
| n7, d8 | | n7, d8 | ||
| C | | C#<sup>1/2</sup>, Db | ||
|- | |- | ||
| 16 | | 16 | ||
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| major 7th, 1/2-dim octave | | major 7th, 1/2-dim octave | ||
| M7, 1/2-d8 | | M7, 1/2-d8 | ||
| C | | C#, Db<sup>1/2</sup> | ||
|- | |- | ||
| 17 | | 17 | ||
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| 1/3-aug unison, minor 2nd | | 1/3-aug unison, minor 2nd | ||
| 1/3-A1, m2 | | 1/3-A1, m2 | ||
| D | | D#<sup>1/3</sup>, Eb | ||
|- | |- | ||
| 2 | | 2 | ||
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| 2/3-aug unison, 1/3-aug minor 2nd | | 2/3-aug unison, 1/3-aug minor 2nd | ||
| 2/3-A1, 1/3-AM2 | | 2/3-A1, 1/3-AM2 | ||
| D | | D#<sup>2/3</sup>, Eb<sup>2/3</sup> | ||
|- | |- | ||
| 3 | | 3 | ||
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| aug unison, 1/3-dim major 2nd | | aug unison, 1/3-dim major 2nd | ||
| A1, 1/3-dM2 | | A1, 1/3-dM2 | ||
| D | | D#, Eb<sup>1/3</sup> | ||
|- | |- | ||
| 4 | | 4 | ||
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| 1/3-aug minor 3rd | | 1/3-aug minor 3rd | ||
| 1/3-Am3 | | 1/3-Am3 | ||
| F | | F#<sup>1/3</sup> | ||
|- | |- | ||
| 7 | | 7 | ||
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| 1/3-dim major 3rd | | 1/3-dim major 3rd | ||
| 1/3-dM3 | | 1/3-dM3 | ||
| F | | F#<sup>2/3</sup> | ||
|- | |- | ||
| 8 | | 8 | ||
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| major 3rd | | major 3rd | ||
| M3 | | M3 | ||
| F | | F# | ||
|- | |- | ||
| 9 | | 9 | ||
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| 1/3-aug 4th, dim 5th | | 1/3-aug 4th, dim 5th | ||
| 1/3-A4, d5 | | 1/3-A4, d5 | ||
| G | | G#<sup>1/3</sup>, Ab | ||
|- | |- | ||
| 11 | | 11 | ||
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| 2/3-aug 4th, 2/3-dim 5th | | 2/3-aug 4th, 2/3-dim 5th | ||
| 2/3-A4, 2/3-d5 | | 2/3-A4, 2/3-d5 | ||
| G | | G#<sup>2/3</sup>, Ab<sup>2/3</sup> | ||
|- | |- | ||
| 12 | | 12 | ||
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| aug 4th, 1/3-dim 5th | | aug 4th, 1/3-dim 5th | ||
| A4, 1/3-d5 | | A4, 1/3-d5 | ||
| G | | G#, Ab<sup>1/3</sup> | ||
|- | |- | ||
| 13 | | 13 | ||
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| 1/3-aug minor 7th | | 1/3-aug minor 7th | ||
| 1/3-Am7 | | 1/3-Am7 | ||
| C | | C#<sup>1/3</sup> | ||
|- | |- | ||
| 20 | | 20 | ||
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| 1/3-dim major 7th | | 1/3-dim major 7th | ||
| 1/3-dM7 | | 1/3-dM7 | ||
| C | | C#<sup>2/3</sup> | ||
|- | |- | ||
| 21 | | 21 | ||
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| major 7th | | major 7th | ||
| M7 | | M7 | ||
| C | | C# | ||
|- | |- | ||
| 22 | | 22 |