User:BudjarnLambeth/Table of n-comma meantone generators: Difference between revisions
No edit summary |
m Remove “the largest this can generate is n tone” because that’s self evident and doesn’t need to be said, remove all the “important to negative harmony” because that was on almost every entry and cluttered the table making it hard to read, remove the unsourced claims about history that contradict everything I’ve ever read, remove extra added EDOs because this is about n-comma, not about EDOs, EDOs can have their own different table, other similar cleanup |
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{{Editable user page}} | {{Editable user page}} | ||
Here are all [[meantone]] tunings that can be written in the form "n-comma meantone", where n is a fraction between 0 and 1 with a denominator 18 or smaller. Also included are 5, 7 | Here are all [[meantone]] tunings that can be written in the form "n-comma meantone", where n is a fraction between 0 and 1 with a denominator 18 or smaller. Also included are 5, 7 and 12edo (to delineate MOS shapes), as well as a few other notable meantone tunings (e.g. 4/25-comma). | ||
The comma being divided here is the syntonic comma ([[81/80]]). | The comma being divided here is the syntonic comma ([[81/80]]). | ||
Temperaments that fall outside of the diamond monotone range will not provide most of the advantages that meantone usually provides, but they are included for completeness. | Temperaments that fall outside of the diamond monotone range will not provide most of the advantages that meantone usually provides, but they are included for completeness. | ||
Dozens of tunings on the table are significant to [[negative harmony temperaments|negative harmony temperament theory]], enough that labelling them all individually would clutter the table. | |||
{| class="wikitable" | {| class="wikitable" | ||
Line 12: | Line 14: | ||
|[[1/1-comma meantone]]||680.449||Close to [[30edo]] | |[[1/1-comma meantone]]||680.449||Close to [[30edo]] | ||
|- | |- | ||
|[[15/16-comma meantone]]||681.793|| | |||
|[[15/16-comma meantone]]||681.793 || | |||
|- | |- | ||
|[[14/15-comma meantone]]||681.883|| | |[[14/15-comma meantone]]||681.883||Close to [[44edo]] | ||
|- | |- | ||
|[[13/14-comma meantone]]||681.985|| | |[[13/14-comma meantone]]||681.985|| | ||
|- | |- | ||
|[[12/13-comma meantone]]||682.103|| | |[[12/13-comma meantone]]||682.103|| | ||
|- | |- | ||
|[[11/12-comma meantone]]||682.241|| | |[[11/12-comma meantone]]||682.241|| | ||
|- | |- | ||
|[[ | |[[12/11-comma meantone]]||682.404||Close to [[51edo]] | ||
|- | |- | ||
|[[9/10-comma meantone]]||682.599|| | |[[9/10-comma meantone]]||682.599|| | ||
|- | |- | ||
|[[8/9-comma meantone]]||682.838||Close to [[58edo]] | |[[8/9-comma meantone]]||682.838||Close to [[58edo]] | ||
|- | |- | ||
|[[7/8-comma meantone]]||683.137||Close to [[65edo]] | |||
|[[7/8-comma meantone]]||683.137|| Close to [[65edo]] | |||
|- | |- | ||
|[[13/15-comma meantone]]||683.316|| Close to [[72edo]] | |[[13/15-comma meantone]]||683.316||Close to [[72edo]] | ||
|- | |- | ||
|[[6/7-comma meantone]]||683.521||Close to [[79edo]] | |[[6/7-comma meantone]]||683.521||Close to [[79edo]] | ||
Line 48: | Line 38: | ||
|[[11/13-comma meantone]]||683.757||Close to [[86edo]] | |[[11/13-comma meantone]]||683.757||Close to [[86edo]] | ||
|- | |- | ||
|[[ | |[[5/6-comma meantone]]||684.033|| | ||
| | |||
| | |||
| | |||
|- | |- | ||
| | |[[9/11-comma meantone]]||684.359|| | ||
|- | |- | ||
|[[ | |[[13/16-comma meantone]]||684.481|| | ||
|- | |- | ||
|[[ | |[[4/5-comma meantone]]||684.75|| | ||
|684. | |||
| | |||
|- | |- | ||
|[[ | |[[11/14-comma meantone]]||685.057|| | ||
|- | |- | ||
|[[ | |[[7/9-comma meantone]]||685.228|| | ||
|- | |- | ||
|[[ | |[[10/13-comma meantone]]||685.412||Everything up to this point generates 9 and 16 tone MOS scales. | ||
|- | |- | ||
|[[ | |[[7edo]]||685.714||The largest MOS scale this can generate is 7 tone. '''Lower boundary of 5-limit diamond monotone.''' | ||
|- | |- | ||
|[[ | |[[3/4-comma meantone]]||685.825||Everything from this point onwards generates 12 and 19 tone MOS scales. | ||
|- | |- | ||
|[[11/15-comma meantone]]||686.184|| | |||
|[[11/15-comma meantone]]||686.184 | | |||
| | |||
|- | |- | ||
|[[8/11-comma meantone]]||686.314|| | |[[8/11-comma meantone]]||686.314|| | ||
|- | |- | ||
|[[ | |[[5/7-comma meantone]]||686.593|| | ||
|686. | |||
| | |||
|- | |- | ||
|[[ | |[[7/10-comma meantone]]||686.901|| | ||
|- | |- | ||
|[[ | |[[9/13-comma meantone]]||687.066|| | ||
| | |||
| | |||
|- | |- | ||
|[[11/16-comma meantone]]||687.169|| | |||
|[[11/16-comma meantone]]||687.169|| | |||
|- | |- | ||
|[[2/3-comma meantone]]||687.617||Close to [[89edo]] | |[[2/3-comma meantone]]||687.617||Close to [[89edo]] | ||
|- | |- | ||
|[[ | |[[9/14-comma meantone]]||688.129||Close to [[75edo]] | ||
|688. | |||
|Close to [[75edo]] | |||
|- | |- | ||
|[[7/11-comma meantone]]||688.269||Close to [[68edo]] | |[[7/11-comma meantone]]||688.269||Close to [[68edo]] | ||
Line 126: | Line 76: | ||
|[[5/8-comma meantone]]||688.514||Close to [[61edo]] | |[[5/8-comma meantone]]||688.514||Close to [[61edo]] | ||
|- | |- | ||
|[[8/13-comma meantone]]||688.720||Close to [[54edo]] | |||
|[[8/13-comma meantone]]||688.720|| | |||
|- | |- | ||
|[[ | |[[3/5-comma meantone]]||689.051|| | ||
| | |||
| | |||
|- | |- | ||
|[[ | |[[7/12-comma meantone]]||689.410||Close to [[47edo]] | ||
|- | |- | ||
|[[ | |[[4/7-comma meantone]]||689.666||Close to [[87edo]] | ||
|689. | |||
| | |||
|- | |- | ||
|[[ | |[[9/16-comma meantone]]||689.858|| | ||
|- | |- | ||
|[[ | |[[5/9-comma meantone]]||690.007||Close to [[40edo]] | ||
|- | |- | ||
|[[6/11-comma meantone]]||690.224|| | |||
|[[6/11-comma meantone]]||690.224|| | |||
|- | |- | ||
|[[7/13-comma meantone]]||690.375||Close to [[73edo]] | |[[7/13-comma meantone]]||690.375||Close to [[73edo]] | ||
|- | |- | ||
|[[8/15-comma meantone]]||690.485|| | |[[8/15-comma meantone]]||690.485||Close to [[33edo]] | ||
|- | |- | ||
|[[1/2-comma meantone]]||691.202||Close to [[92edo]], [[59edo]]. Historically significant (see [[historical temperaments]]). Everything up to this point does not meet the original historical definition of meantone (the whole tone being between 10/9 and 9/8). | |||
|[[1/2-comma meantone]]||691.202||Close to [[92edo]]. Historically significant (see [[historical temperaments]]). Everything up to this point does not meet the original historical definition of meantone (the whole tone being between 10/9 and 9/8) | |||
|- | |- | ||
|[[7/15-comma meantone]]||691.919||Close to [[85edo]] | |[[7/15-comma meantone]]||691.919||Close to [[85edo]] | ||
|- | |- | ||
|[[6/13-comma meantone]]||692.029 | |[[6/13-comma meantone]]||692.029|| | ||
|- | |- | ||
|[[ | |[[5/11-comma meantone]]||692.179|| | ||
|692. | |||
| | |||
|- | |- | ||
|[[4/9-comma meantone]]||692.397|| | |[[4/9-comma meantone]]||692.397||Close to [[26edo]] | ||
|- | |- | ||
|[[7/16-comma meantone]]||692.546|| | |[[7/16-comma meantone]]||692.546|| | ||
|- | |- | ||
|[[3/7-comma meantone]]||692.738|| | |[[3/7-comma meantone]]||692.738|| | ||
|- | |- | ||
|[[5/12-comma meantone]]||692.994||Close to [[71edo]] | |[[5/12-comma meantone]]||692.994||Close to [[71edo]] | ||
Line 188: | Line 114: | ||
|[[2/5-comma meantone]]||693.352||Close to [[45edo]] | |[[2/5-comma meantone]]||693.352||Close to [[45edo]] | ||
|- | |- | ||
|[[7/18-comma meantone]]||693.591 | |[[7/18-comma meantone]]||693.591|| | ||
|- | |- | ||
|[[ | |[[5/13-comma meantone]]||693.683||Close to [[64edo]] | ||
|693. | |||
|Close to [[64edo]] | |||
|- | |- | ||
|[[3/8-comma meantone]]||693.890||Close to [[83edo]] | |[[3/8-comma meantone]]||693.890||Close to [[83edo]] | ||
|- | |- | ||
|[[4/11-comma meantone]]|| 694.134||Almost exactly 1/3-''Pythagorean'' comma meantone | |[[4/11-comma meantone]]||694.134||Almost exactly 1/3-''Pythagorean'' comma meantone | ||
|- | |- | ||
|[[ | |[[5/14-comma meantone]]||694.274|| | ||
|694. | |||
| | |||
|- | |- | ||
|[[ | |[[6/17-comma meantone]]||694.365|| | ||
|- | |- | ||
| | |[[1/3-comma meantone]]||694.786||Close to [[19edo]]. Historically significant (see [[historical temperaments]]). | ||
|694. | |||
| | |||
|- | |- | ||
|[[5/16-comma meantone]]||695.234 || | |[[5/16-comma meantone]]||695.234|| | ||
|- | |- | ||
|[[4/13-comma meantone]]||695.338|| | |[[4/13-comma meantone]]||695.338|| | ||
|- | |- | ||
|[[3/10-comma meantone]]||695.503||Close to [[88edo]] | |||
|[[3/10-comma meantone]]||695.503|| | |||
|- | |- | ||
|[[5/17-comma meantone]]||695.630|| | |[[5/17-comma meantone]]||695.630|| | ||
|- | |- | ||
|[[7 | |[[2/7-comma meantone]]||695.810||Close to [[69edo]]. Historically significant (see [[historical temperaments]]). | ||
|695. | |||
|Close to [[69edo]]. | |||
|- | |- | ||
|[[ | |[[5/18-comma meantone]]||695.981||Close to [[50edo]]. Historically significant (see [[historical temperaments]]). | ||
|- | |- | ||
|[[3/11-comma meantone]]||696.090||Close to [[50edo]] | |||
|[[3/11-comma meantone]]||696.090|| | |||
|- | |- | ||
|[[ | |[[7/26-comma meantone]]||696.165||Close to [[golden meantone]]. Historically significant (see [[historical temperaments]]). | ||
|- | |- | ||
|[[ | |[[4/15-comma meantone]]||696.220||Close to [[81edo]], close to [[golden meantone]] | ||
|- | |- | ||
|[[ | |[[Quarter-comma meantone|1/4-comma meantone]]||696.578||Close to [[31edo]]. Historically significant (see [[historical temperaments]]). | ||
|696. | |||
| | |||
|- | |- | ||
|[[4/17-comma meantone]]||696.895|| | |[[4/17-comma meantone]]||696.895|| | ||
Line 264: | Line 154: | ||
|[[2/9-comma meantone]]||697.176||Close to 5-limit and undecimal CTE tunings. Historically significant (see [[historical temperaments]]). | |[[2/9-comma meantone]]||697.176||Close to 5-limit and undecimal CTE tunings. Historically significant (see [[historical temperaments]]). | ||
|- | |- | ||
|[[3/14-comma meantone]]||697.346||Close to [[74edo]]. Historically significant (see [[historical temperaments]]). | |||
|[[3/14-comma meantone]]||697.346|| | |||
|- | |- | ||
| | |[[1/5-comma meantone]]||697.654||Close to [[43edo]]. Historically significant (see [[historical temperaments]]). | ||
| | |||
| | |||
|- | |- | ||
|[[ | |[[3/16-comma meantone]]||697.923|| | ||
|- | |- | ||
|[[ | |[[2/11-comma meantone]]||698.045||Close to [[55edo]] | ||
|698. | |||
| | |||
|- | |- | ||
|[[3/17-comma meantone]]|| | |[[3/17-comma meantone]]||699.425|| | ||
|- | |- | ||
|[[1/6-comma meantone]]||698.371||Historically significant (see [[historical temperaments]]). | |[[1/6-comma meantone]]||698.371||Close to [[67edo]]. Historically significant (see [[historical temperaments]]). | ||
|- | |- | ||
|[[4/25-comma meantone]]||698.514||Close to [[67edo]]. Historically significant (see [[historical temperaments]]). | |[[4/25-comma meantone]]||698.514||Close to [[67edo]]. Historically significant (see [[historical temperaments]]). | ||
|- | |- | ||
|[[2/13-comma meantone]]||698.646|| | |||
|[[2/13-comma meantone]]||698.646|| | |||
|- | |- | ||
|[[1/7-comma meantone]]||698.883||Close to [[91edo]]. Historically significant (see [[historical temperaments]]). | |[[1/7-comma meantone]]||698.883||Close to [[79edo]], [[91edo]]. Historically significant (see [[historical temperaments]]). | ||
|- | |- | ||
|[[2/15-comma meantone]]||699.088|| | |[[2/15-comma meantone]]||699.088|| | ||
|- | |- | ||
|[[1/8-comma meantone]]||699.267|| | |[[1/8-comma meantone]]||699.267|| | ||
|- | |- | ||
|[[2/17-comma meantone]]||699.425|| | |[[2/17-comma meantone]]||699.425|| | ||
|- | |- | ||
|[[1/9-comma meantone]]||699.565|| | |[[1/9-comma meantone]]||699.565|| | ||
|- | |- | ||
|[[1/10-comma meantone]]||699.804|| | |[[1/10-comma meantone]]||699.804|| | ||
|- | |- | ||
|[[1/11-comma meantone]]||700.000||Everything up to this point generates 12 and 19 | |[[1/11-comma meantone]]||700.000||Everything up to this point generates 12 and 19 tone MOS scales. | ||
|- | |- | ||
|[[12edo]]||700.000||The largest MOS scale this can generate is 12 tone. Historically significant (see [[historical temperaments]].) | |[[12edo]]||700.000||The largest MOS scale this can generate is 12 tone. Historically significant (see [[historical temperaments]].) | ||
|- | |- | ||
|[[1/12-comma meantone]]||700.163||Everything from this point onwards generates 12 and 17 | |[[1/12-comma meantone]]||700.163||Everything from this point onwards generates 12 and 17 tone MOS scales. | ||
|- | |- | ||
|[[1/13-comma meantone]]||700.301|| | |[[1/13-comma meantone]]||700.301|| | ||
|- | |- | ||
|[[1/14-comma meantone]]||700.419|| | |[[1/14-comma meantone]]||700.419|| | ||
|- | |- | ||
|[[1/15-comma meantone]]||700.521|| | |[[1/15-comma meantone]]||700.521|| | ||
|- | |- | ||
|[[1/16-comma meantone]]||700.611|| | |[[1/16-comma meantone]]||700.611|| | ||
|- | |- | ||
|[[1/17-comma meantone]]||700.690|| | |[[1/17-comma meantone]]||700.690|| | ||
|- | |- | ||
|[[1/18-comma meantone]]||700.760|| | |[[1/18-comma meantone]]||700.760|| | ||
|- | |- | ||
|0/1-comma meantone||701.955||[[Pythagorean tuning]]. Historically significant (see [[historical temperaments]].) | |0/1-comma meantone||701.955||[[Pythagorean tuning]]. Historically significant (see [[historical temperaments]].) Everything from this point onwards does not meet the original historical definition of meantone (the whole tone being between 10/9 and 9/8). | ||
|- | |- | ||
|[[-1/18-comma meantone]] | |[[-1/18-comma meantone]] | ||
Line 336: | Line 206: | ||
| | | | ||
|- | |- | ||
| | |[[-1/17-comma meantone]] | ||
|703.220 | |703.220 | ||
| | | | ||
Line 346: | Line 216: | ||
|[[-1/15-comma meantone]] | |[[-1/15-comma meantone]] | ||
|703.389 | |703.389 | ||
|Close to 11/13 third-kleisma temperament | |Close to 11/13 third-kleisma temperament. | ||
|- | |- | ||
|[[-1/14-comma meantone]] | |[[-1/14-comma meantone]] | ||
|703.491 | |703.491 | ||
|Close to [[29edo]] | |Close to [[29edo]]. | ||
|- | |- | ||
|[[-1/13-comma meantone]] | |[[-1/13-comma meantone]] | ||
Line 358: | Line 228: | ||
|[[-1/12-comma meantone]] | |[[-1/12-comma meantone]] | ||
|703.747 | |703.747 | ||
| | | | ||
|- | |- | ||
|[[-1/11-comma meantone]] | |[[-1/11-comma meantone]] | ||
|703.910 | |703.910 | ||
| | |About as sharp of [[Pythagorean tuning]] as [[12edo]] is flat. | ||
|- | |- | ||
|[[-1/10-comma meantone]] | |[[-1/10-comma meantone]] | ||
Line 374: | Line 240: | ||
|[[-1/9-comma meantone]] | |[[-1/9-comma meantone]] | ||
|704.344 | |704.344 | ||
|Close to [[46edo]], 11/7 quarter-kleisma temperament | |Close to [[46edo]], 11/7 quarter-kleisma temperament. | ||
|- | |- | ||
|[[ | |[[-2/17-comma meantone]] | ||
|704.483 | |704.483 | ||
| | | | ||
Line 390: | Line 256: | ||
|[[-1/7-comma meantone]] | |[[-1/7-comma meantone]] | ||
|705.027 | |705.027 | ||
|Close to [[80edo]] | |Close to [[80edo]]. | ||
|- | |- | ||
|[[-2/13-comma meantone]] | |[[-2/13-comma meantone]] | ||
Line 400: | Line 266: | ||
| | | | ||
|- | |- | ||
| | |[[-4/25-comma meantone]] | ||
|705.396 | |705.396 | ||
| | | | ||
|- | |- | ||
|[[-1/6-comma meantone]] | |[[-1/6-comma meantone]] | ||
|705.538 | |705.538 | ||
| | | | ||
|- | |- | ||
|[[-3/17-comma meantone]] | |[[-3/17-comma meantone]] | ||
|705.750 | |705.750 | ||
| | |About as sharp of [[Pythagorean tuning]] as [[55edo]] is flat. | ||
|- | |- | ||
|[[-2/11-comma meantone]] | |[[-2/11-comma meantone]] | ||
|705.865 | |705.865 | ||
|Everything up to this point generates | |Everything up to this point generates 17 and 29 tone MOS scales. | ||
|- | |- | ||
|[[17edo]] | |[[17edo]] | ||
|705.882 | |705.882 | ||
| | |Vaguely resembles Middle Eastern neutral third scales. | ||
|- | |- | ||
|[[-3/16-comma meantone]] | |[[-3/16-comma meantone]] | ||
|705.987 | |705.987 | ||
|Everything from this point onwards generates | |Everything from this point onwards generates 17 and 22 tone MOS scales. | ||
|- | |- | ||
|[[-1/5-comma meantone]] | |[[-1/5-comma meantone]] | ||
|706.256 | |706.256 | ||
| | |About as sharp of [[Pythagorean tuning]] as [[43edo]] is flat. | ||
|- | |- | ||
|[[-3/14-comma meantone]] | |[[-3/14-comma meantone]] | ||
|706.563 | |706.563 | ||
| | | | ||
|- | |- | ||
|[[-2/9-comma meantone]] | |[[-2/9-comma meantone]] | ||
|706.734 | |706.734 | ||
| | | | ||
|- | |- | ||
|[[-3/13-comma meantone]] | |[[-3/13-comma meantone]] | ||
Line 454: | Line 308: | ||
|[[-4/17-comma meantone]] | |[[-4/17-comma meantone]] | ||
|707.015 | |707.015 | ||
| | |About as sharp of [[Pythagorean tuning]] as [[74edo]] is flat. | ||
|- | |- | ||
|[[Negative Quarter-comma meantone]] | |||
|707.332 | |||
| | | | ||
|- | |- | ||
|[[ | |[[-4/15-comma meantone]] | ||
|707.690 | |707.690 | ||
| | |About as sharp of [[Pythagorean tuning]] as [[Golden meantone]] is flat. | ||
|- | |- | ||
|[[-7/26-comma meantone]] | |[[-7/26-comma meantone]] | ||
|707.745 | |707.745 | ||
| | | | ||
|- | |- | ||
|[[-3/11-comma meantone]] | |[[-3/11-comma meantone]] | ||
|707.820 | |707.820 | ||
|Almost exactly -1/4-''Pythagorean'' comma meantone | |Almost exactly -1/4-''Pythagorean'' comma meantone | ||
|- | |- | ||
|[[-5/18-comma meantone]] | |[[-5/18-comma meantone]] | ||
|707.930 | |707.930 | ||
| | |About as sharp of [[Pythagorean tuning]] as [[50edo]] is flat. | ||
|- | |- | ||
|[[-2/7-comma meantone]] | |[[-2/7-comma meantone]] | ||
|708.100 | |708.100 | ||
| | | | ||
|- | |- | ||
|[[-7/24-comma meantone]] | |[[-7/24-comma meantone]] | ||
Line 506: | Line 344: | ||
|[[-3/10-comma meantone]] | |[[-3/10-comma meantone]] | ||
|708.407 | |708.407 | ||
| | |About sharp of [[Pythagorean tuning]] as [[19edo|Lucy tuning]] is flat. Nearly as sharp of [[Pythagorean tuning]] as [[88edo]] is flat. | ||
|- | |- | ||
|[[-4/13-comma meantone]] | |[[-4/13-comma meantone]] | ||
Line 518: | Line 352: | ||
|[[-5/16-comma meantone]] | |[[-5/16-comma meantone]] | ||
|708.675 | |708.675 | ||
| | | | ||
|- | |- | ||
|[[-1/3-comma meantone]] | |[[-1/3-comma meantone]] | ||
|709.124 | |709.124 | ||
| | |Close to [[22edo]]. About as sharp of [[Pythagorean tuning]] as [[19edo]] is flat. | ||
|- | |- | ||
|[[-6/17-comma meantone]] | |[[-6/17-comma meantone]] | ||
Line 542: | Line 368: | ||
|[[-4/11-comma meantone]] | |[[-4/11-comma meantone]] | ||
|709.775 | |709.775 | ||
|Almost exactly -1/3-''Pythagorean'' comma meantone | |Almost exactly -1/3-''Pythagorean'' comma meantone. | ||
|- | |- | ||
|[[-3/8-comma meantone]] | |[[-3/8-comma meantone]] | ||
Line 562: | Line 388: | ||
|[[-2/5-comma meantone]] | |[[-2/5-comma meantone]] | ||
|710.558 | |710.558 | ||
| | | | ||
|- | |- | ||
|[[-7/17-comma meantone]] | |[[-7/17-comma meantone]] | ||
Line 584: | Line 410: | ||
| | | | ||
|- | |- | ||
| | |[[-5/11-comma meantone]] | ||
|711.731 | |711.731 | ||
| | | | ||
Line 606: | Line 428: | ||
|[[-1/2-comma meantone]] | |[[-1/2-comma meantone]] | ||
|712.708 | |712.708 | ||
|Close to [[32edo]] | |Close to [[32edo]]. Everything from this point onwards does not meet the negative harmonic definition of meantone (the whole tone being between 9/8 and 729/640). | ||
|- | |- | ||
| | |[[-9/17-comma meantone]] | ||
|713.340 | |713.340 | ||
| | | | ||
|- | |- | ||
| | |[[-8/15-comma meantone]] | ||
|713.425 | |713.425 | ||
| | | | ||
Line 664: | Line 486: | ||
|Close to [[52edo]]. | |Close to [[52edo]]. | ||
|- | |- | ||
| | |[[-7/11-comma meantone]] | ||
|715.641 | |715.641 | ||
| | | | ||
Line 700: | Line 522: | ||
| | | | ||
|- | |- | ||
|[[ | |[[-12/17-comma meantone]] | ||
|717.136 | |717.136 | ||
|Close to [[82edo]]. | |Close to [[82edo]]. | ||
Line 720: | Line 542: | ||
| | | | ||
|- | |- | ||
|[[ | |[[-19/26-comma meantone]] | ||
|717.671 | |717.671 | ||
| | | | ||
|- | |- | ||
|[[ | |[[-11/15-comma meantone]] | ||
|717.726 | |717.726 | ||
| | | | ||
Line 730: | Line 552: | ||
|[[-3/4-comma meantone]] | |[[-3/4-comma meantone]] | ||
|718.085 | |718.085 | ||
| | |About as sharp of [[Pythagorean tuning]] as [[7edo]] is flat. | ||
|- | |- | ||
|[[-13/17-comma meantone]] | |[[-13/17-comma meantone]] | ||
Line 770: | Line 588: | ||
|[[-5/6-comma meantone]] | |[[-5/6-comma meantone]] | ||
|719.877 | |719.877 | ||
|Everything up to this point generates 12 and 17 | |Everything up to this point generates 12 and 17 tone MOS scales. | ||
|- | |- | ||
|[[5edo]]||720.000||The largest MOS scale this can generate is 5 tone. '''Upper boundary of 5-limit diamond monotone.''' | |[[5edo]]||720.000||The largest MOS scale this can generate is 5 tone. '''Upper boundary of 5-limit diamond monotone.''' |
Revision as of 01:56, 26 December 2024
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Here are all meantone tunings that can be written in the form "n-comma meantone", where n is a fraction between 0 and 1 with a denominator 18 or smaller. Also included are 5, 7 and 12edo (to delineate MOS shapes), as well as a few other notable meantone tunings (e.g. 4/25-comma).
The comma being divided here is the syntonic comma (81/80).
Temperaments that fall outside of the diamond monotone range will not provide most of the advantages that meantone usually provides, but they are included for completeness.
Dozens of tunings on the table are significant to negative harmony temperament theory, enough that labelling them all individually would clutter the table.