User:Moremajorthanmajor/TAMNAMS Extension: Difference between revisions
| Line 1,063: | Line 1,063: | ||
!Reasoning or ideas | !Reasoning or ideas | ||
|- | |- | ||
|1L 2s <5/4, 9/7>* | |1L 2s <5/4, 9/7 (21/16), 13/10*>* | ||
|Second magitonic or mystic antrial | |Second magitonic or mystic antrial | ||
| colspan="2" rowspan="2" |use compound | | colspan="2" rowspan="2" |use compound | ||
| rowspan="2" |Linear combination of undivided major third and equal multiples of whole tone, by analogy with magic temperament having a major third generator | | rowspan="2" |Linear combination of undivided major third and equal multiples of whole tone, by analogy with magic temperament having a major third generator | ||
|- | |- | ||
|2L 1s <5/4, 9/7>* | |2L 1s <5/4, 9/7 (21/16), 13/10*>* | ||
|Second magitonic or mystic trial | |Second magitonic or mystic trial | ||
|- | |- | ||
| Line 1,086: | Line 1,086: | ||
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|1L 3s<7/5, 10/7, 11/8*, 3/2><ref>Partial detemperament of subaric temperament</ref>* | |1L 3s<7/5, 10/7, 11/8*, 3/2><ref>Partial detemperament of subaric temperament</ref>* | ||
|hard lydianic antetric | |(hard) lydianic antetric | ||
| colspan="2" |use compound | | colspan="2" |use compound | ||
|Linear combination of Lydian tetrachord and undivided tritone, analogous to 3:1 step ratio of hard mosses | |Linear combination of Lydian tetrachord and undivided tritone, analogous to 3:1 step ratio of hard mosses | ||
| Line 1,097: | Line 1,097: | ||
|- | |- | ||
|3L 1s<7/5, 10/7, 11/8*><ref>Partial detemperament of hedgehog temperament</ref>* | |3L 1s<7/5, 10/7, 11/8*><ref>Partial detemperament of hedgehog temperament</ref>* | ||
|hard lydianic tetric | |(hard) lydianic tetric | ||
| colspan="2" |use compound | | colspan="2" |use compound | ||
|Linear combination of Lydian tetrachord and undivided tritone, analogous to 3:1 step ratio of hard mosses | |Linear combination of Lydian tetrachord and undivided tritone, analogous to 3:1 step ratio of hard mosses | ||
|- | |- | ||
|3L 1s <3/2> | |3L 1s <3/2> | ||
|phrygianic[4], hard lydianic tetric | |phrygianic[4], (hard) lydianic tetric | ||
|phryg- | |phryg- | ||
|phryg | |phryg | ||
| Line 1,124: | Line 1,124: | ||
|Linear combination of Hindu pentachord and undivided augmented fifth | |Linear combination of Hindu pentachord and undivided augmented fifth | ||
|- | |- | ||
|3L 2s <8/5, 14/9, 11/7*, 13/8*> | |3L 2s <8/5, 14/9 (32/21), 11/7*, 13/8*> | ||
|aeolianic, phrygianic[5] | |aeolianic, phrygianic[5] | ||
|aeol-, phryg- | |aeol-, phryg- | ||
| Line 1,218: | Line 1,218: | ||
|Regularisation of Persian/Arabic Mahur scale | |Regularisation of Persian/Arabic Mahur scale | ||
|- | |- | ||
|7L 2s <5/2, 18/7, 13/5*> | |7L 2s <5/2, 18/7 (21/8), 13/5*> | ||
|armodecadic | |armodecadic | ||
|ardec- | |ardec- | ||
| Line 1,272: | Line 1,272: | ||
|Canonical macrochromatic scale | |Canonical macrochromatic scale | ||
|- | |- | ||
|8L 4s <16/5, 28/9, 22/7*, 13/4*><ref name=":0" /> | |8L 4s <16/5, 28/9 (64/21), 22/7*, 13/4*><ref name=":0" /> | ||
|m-chromatic bastonic | |m-chromatic bastonic | ||
| | | | ||
| Line 1,404: | Line 1,404: | ||
|Canonical enneadecatonic macroenharmonic scale | |Canonical enneadecatonic macroenharmonic scale | ||
|- | |- | ||
|13L 6s <32/5, 56/9, 44/7*, 13/2*> | |13L 6s <32/5, 56/9 (128/21), 44/7*, 13/2*> | ||
| | | | ||
| | | | ||
| Line 1,530: | Line 1,530: | ||
!Reasoning or ideas | !Reasoning or ideas | ||
|- | |- | ||
|18L 8s <64/5, 112/9, 88/7*, 13/1*><ref name=":0" /> | |18L 8s <64/5, 112/9 (256/21), 88/7*, 13/1*><ref name=":0" /> | ||
|Petrushkatonic (minor) | |Petrushkatonic (minor) | ||
| rowspan="2" |petrushka- | | rowspan="2" |petrushka- | ||
| Line 1,552: | Line 1,552: | ||
!Reasoning or ideas | !Reasoning or ideas | ||
|- | |- | ||
|2L 3s<7/5, 10/7, 11/8*> | |2L 3s<7/5, 10/7, 11/8*><ref>Partial detemperament of lime temperaments </ref> | ||
|soft lydianic pentic | |(soft) lydianic pentic | ||
| colspan="2" rowspan="2" |use compound | | colspan="2" rowspan="2" |use compound | ||
| rowspan="2" |Linear combination of Lydian tetrachord and equal multiples of sesquitone, analogous to 3:2 step ratio of soft mosses | | rowspan="2" |Linear combination of Lydian tetrachord and equal multiples of sesquitone, analogous to 3:2 step ratio of soft mosses | ||
|- | |- | ||
|3L 2s<7/5, 10/7, 11/8*> | |3L 2s<7/5, 10/7, 11/8*><ref>Partial detemperament of lemon temperaments</ref> | ||
|soft lydianic anpentic | |(soft) lydianic anpentic | ||
|} | |} | ||