72edo: Difference between revisions
Tristanbay (talk | contribs) →Theory: Added more info about the tonal/temperament structure of 72edo Tags: Mobile edit Mobile web edit |
m Add link to orphaned page |
||
| Line 11: | Line 11: | ||
Each step of 72edo is called a ''[[morion]]'' (plural ''moria)''. This produces a twelfth-tone tuning, with the whole tone measuring 200 cents, the same as in [[12edo]]. 72edo is also a superset of [[24edo]], a common and standard tuning of [[Arabic, Turkish, Persian music|Arabic music]], and has itself been used to tune Turkish music. | Each step of 72edo is called a ''[[morion]]'' (plural ''moria)''. This produces a twelfth-tone tuning, with the whole tone measuring 200 cents, the same as in [[12edo]]. 72edo is also a superset of [[24edo]], a common and standard tuning of [[Arabic, Turkish, Persian music|Arabic music]], and has itself been used to tune Turkish music. | ||
Composers that used 72edo include [[Ivan Wyschnegradsky]], [[Julián Carrillo]] (who is better associated with [[96edo]]), [[Ezra Sims]], [[ | Composers that used 72edo include [[Ivan Wyschnegradsky]], [[Julián Carrillo]] (who is better associated with [[96edo]]), [[Georg Friedrich Haas]], [[Ezra Sims]], [[Rick Tagawa]], [[James Tenney]], and the jazz musician [[Joe Maneri]]. | ||
== Theory == | == Theory == | ||