Chords of magic: Difference between revisions

TallKite (talk | contribs)
added more chord names, added an interval chart
TallKite (talk | contribs)
more chord names
Line 7: Line 7:
The chord names use ups and downs as described on the pergens page. The generator is vM3 and the enharmonic interval is ^<sup>5</sup>dd2. To simplify the names, lifts and drops are also used. One lift is 41 generators, octave-reduced. (41 because 41edo is a near-optimal tuning of magic.) Thus /1 = ^d2 = 20¢ - 8.2c, i.e. an up minus a tempered pythagorean comma. /C = ^Dbb and \C = vB#. ^C = /B# and vC = \Dbb.
The chord names use ups and downs as described on the pergens page. The generator is vM3 and the enharmonic interval is ^<sup>5</sup>dd2. To simplify the names, lifts and drops are also used. One lift is 41 generators, octave-reduced. (41 because 41edo is a near-optimal tuning of magic.) Thus /1 = ^d2 = 20¢ - 8.2c, i.e. an up minus a tempered pythagorean comma. /C = ^Dbb and \C = vB#. ^C = /B# and vC = \Dbb.
{| class="wikitable center-all"
{| class="wikitable center-all"
!genspan
!Genspan
|0
|0
|1
|1
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^/A1
^/A1
|}
|}
'''''To do: complete the tables'''''
== Triads ==
== Triads ==


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| otonal
| otonal
|^/(^b5)
|^/(^b5)
|1/1-9/7-10/7
|1-9/7-10/7
|-
|-
| 26
| 26
Line 269: Line 271:
| marvel
| marvel
|v,7no5
|v,7no5
|1/1-5/4-16/9
|1-5/4-16/9
|-
|-
| 27
| 27
Line 283: Line 285:
| utonal
| utonal
|^/,9no5
|^/,9no5
|1/1-9/8-9/7
|1-9/8-9/7
|-
|-
| 29
| 29
Line 310: Line 312:
| 1-16/11-7/4
| 1-16/11-7/4
| keenanismic
| keenanismic
|
|^m(v\b5)
|
|1-6/5-11/8
|-
|-
| 33
| 33
Line 324: Line 326:
| 1-7/5-7/4
| 1-7/5-7/4
| utonal
| utonal
|
|v\7(\b5)no3
|
|
|-
|-
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| swetismic
| swetismic
|
|
|1/1-9/7-7/5
|1-9/7-7/5
|-
|-
| 37
| 37
Line 511: Line 513:
| 1-5/4-14/9-9/5
| 1-5/4-14/9-9/5
| magic
| magic
|
|v^7(vv#5)
|
|
|-
|-
Line 533: Line 535:
| ambitonal
| ambitonal
|^m7
|^m7
|<u>or</u> 1/1-5/4-3/2-5/3 = v6
|<u>or</u> 1-5/4-3/2-5/3 = v6
|-
|-
| 5
| 5
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| 1-5/4-16/11-9/5
| 1-5/4-16/11-9/5
| supermagic
| supermagic
|
|v^7(^^b5)
|
|
|-
|-
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| 1-6/5-16/11-9/5
| 1-6/5-16/11-9/5
| ptolemismic
| ptolemismic
|
|^m7(^^b5)
|
|
|-
|-
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| 1-7/6-16/11-9/5
| 1-7/6-16/11-9/5
| magic
| magic
|
|v\m,^7(^^b5)
|
|
|-
|-
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| 1-5/4-14/9-9/8
| 1-5/4-14/9-9/8
| apollo
| apollo
|
|v,9(vv#5)
|
|
|-
|-
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| 1-5/4-16/11-9/8
| 1-5/4-16/11-9/8
| sensamagic11
| sensamagic11
|
|v,9(^^b5)
|
|
|-
|-
Line 595: Line 597:
| 1-5/4-9/5-9/8
| 1-5/4-9/5-9/8
| ptolemismic
| ptolemismic
|
|v^7,9no5
|
|<u>or</u> v9(^7)no5
|-
|-
| 14
| 14
Line 602: Line 604:
| 1-14/9-9/5-9/8
| 1-14/9-9/5-9/8
| sensamagic11
| sensamagic11
|
|^9(vv#5)no3
|
|<u>or</u> ^7(vv#5)sus2
|-
|-
| 15
| 15
Line 609: Line 611:
| 1-3/2-9/5-9/8
| 1-3/2-9/5-9/8
| utonal
| utonal
|^7sus2
|^9no3
|<u>or</u> 2,^m7
|<u>or</u> ^7sus2 <u>or</u> 2,^7
|-
|-
| 16
| 16
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| 1-6/5-3/2-7/4
| 1-6/5-3/2-7/4
| keenanismic
| keenanismic
|^m,v\7
|^mv\7
|
|
|-
|-
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| 1-14/9-7/6-7/4
| 1-14/9-7/6-7/4
| utonal
| utonal
|
|v\m7(vv#5)
|
|
|-
|-
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| 1-7/6-16/11-7/4
| 1-7/6-16/11-7/4
| keenanismic
| keenanismic
|
|v\m7(^^b5)
|
|
|-
|-
Line 771: Line 773:
| otonal
| otonal
|v\7sus2
|v\7sus2
|<u>or</u> 2,v\7
|<u>or</u> 2,v\7 <u>or</u> v\9no3
|-
|-
| 39
| 39