Dominant seventh sharp five chord: Difference between revisions
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{{Wikipedia|Augmented seventh chord}} | {{Wikipedia|Augmented seventh chord}} | ||
A '''dominant seventh sharp five chord''', or '''augmented seventh chord''', is a [[tetrad]] comprising a root, [[major]] third, [[interval quality|augmented]] fifth, and [[minor]] seventh. | |||
== In temperaments == | |||
In [[meantone]], , on which traditional tonal harmony is built, the minor seventh tempers together [[9/5]]~[[16/9]], giving a chord with an [[intervallic odd limit]] of 125: | |||
* (Meantone) 1/1 ‒ [[5/4]] ‒ [[25/16]] ‒ [[9/5]], with steps ~5/4, ~5/4, ~144/125 | |||
In [[augmented (temperament)|augmented temperament]] (including [[12edo]]), a ~[[25/16]] augmented fifth is equated with an ~[[8/5]] minor sixth. However, the chord is still [[25-odd-limit]] due to the [[36/25]]~[[45/32]] interval between the ~[[9/5]] minor seventh and ~[[5/4]] major third. | |||
* (Augmented) 1/1 ‒ [[5/4]] ‒ [[8/5]] ‒ [[9/5]], with steps ~5/4, ~5/4, ~9/8 | |||
<!-- TODO: marvel, starling, and/or archytas? --> | |||
== In just intonation == | |||
[[Category:Just intonation chords]] | [[Category:Just intonation chords]] | ||
[[Category:Dominant seventh sharp five chords| ]] | [[Category:Dominant seventh sharp five chords| ]] | ||
{{stub}} | |||
Revision as of 22:12, 15 September 2024
A dominant seventh sharp five chord, or augmented seventh chord, is a tetrad comprising a root, major third, augmented fifth, and minor seventh.
In temperaments
In meantone, , on which traditional tonal harmony is built, the minor seventh tempers together 9/5~16/9, giving a chord with an intervallic odd limit of 125:
In augmented temperament (including 12edo), a ~25/16 augmented fifth is equated with an ~8/5 minor sixth. However, the chord is still 25-odd-limit due to the 36/25~45/32 interval between the ~9/5 minor seventh and ~5/4 major third.
In just intonation
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