4:5:6:7: Difference between revisions
m Bcmills moved page Harmonic seventh chord to 4:5:6:7 over redirect: moving chord-specific pages to harmonic names |
No edit summary |
||
| Line 2: | Line 2: | ||
{{Infobox Chord|4:5:6:7|Name=harmonic seventh, barbershop seventh}} | {{Infobox Chord|4:5:6:7|Name=harmonic seventh, barbershop seventh}} | ||
'''4:5:6:7''' (1⁄1–5⁄4–3⁄2–[[7/4|7⁄4]]), the '''harmonic seventh chord''', is a [[consonant]] [[tetrad]] in [[7-limit]] harmony, often used as a tuning target for the [[dominant seventh chord]] in barbershop music[https://en.wikipedia.org/wiki/Harmonic_seventh_chord#Barbershop_seventh]. | |||
It is a [[dyadic chord]] in the [[odd limit|7-odd limit]], with its most complex interval a [[7/5]] tritone. | It is a [[dyadic chord]] in the [[odd limit|7-odd limit]], with its most complex interval a [[7/5]] tritone. | ||
[[Category:Dominant seventh chords]] | [[Category:Dominant seventh chords]] | ||
[[Category:Dyadic chords]] | [[Category:Dyadic chords]] | ||