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MissMagenta (talk | contribs) Created page with "Equal divisions of the Komornik–Loreti Seventh, which is the Komornik–Loreti constant used as a musical interval." |
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Equal divisions of the Komornik–Loreti Seventh, which is the Komornik–Loreti constant used as a musical interval. | Equal divisions of the Komornik–Loreti Seventh, which is the Komornik–Loreti constant used as a musical interval. | ||
== Correspondence of EDN to EDO == | |||
{| class="wikitable" | |||
|+ | |||
!Tuning | |||
!Equivalent edo | |||
!Comment | |||
|- | |||
|2edn | |||
| | |||
|A stack of two major sixths | |||
|- | |||
|3edn | |||
|[[2edo]] | |||
| | |||
|- | |||
|4edn | |||
| | |||
| rowspan="2" |Neither are equivalent with [[3edo]] | |||
|- | |||
|5edn | |||
| | |||
|- | |||
|6edn | |||
|[[4edo]] | |||
|With a stretch | |||
|- | |||
|7edn | |||
|[[5edo]] | |||
| | |||
|- | |||
|8edn | |||
| | |||
|Entirely misses 2/1, falling halfway between 5edo and 6edo | |||
|- | |||
|9edn | |||
|[[6edo]] | |||
|With a considerable stretch | |||
|- | |||
|10edn | |||
|[[7edo]] | |||
| | |||
|- | |||
|11edn | |||
| | |||
| rowspan="2" |Neither are equivalent to 8edo | |||
|- | |||
|12edn | |||
| | |||
|- | |||
|13edn | |||
|[[9edo]] | |||
| | |||
|- | |||
|14edn | |||
| | |||
| rowspan="2" |Neither are equivalent to 10edo | |||
|- | |||
|15edn | |||
| | |||
|- | |||
|16edn | |||
|[[11edo]] | |||
| | |||
|- | |||
|17edn | |||
|[[12edo]] | |||
|With a noticeable stretch, given the dominance of 12edo this is more likely to sound like out of tune 12edo than it's own tuning | |||
|- | |||
|18edn | |||
| | |||
|Entirely misses 2/1, falling halfway between 12 and 13edo | |||
|- | |||
|19edn | |||
|[[13edo]] | |||
|Noticeably compressed | |||
|- | |||
|20edn | |||
|[[14edo]] | |||
|Noticeably stretched | |||
|- | |||
|21edn | |||
| | |||
|Entirely misses 2/1, falling halfway between 14edo and 15edo | |||
|- | |||
|22edn | |||
| | |||
|Cannot be considered equivalent to [[15edo]] | |||
|- | |||
|23edn | |||
|[[16edo]] | |||
| | |||
|- | |||
|24edn | |||
|[[17edo]] | |||
|Some equivalences can be spotted due to 17edo's fame but it's a heavy stretch amounting to 40% | |||
|} | |||
Revision as of 21:16, 10 August 2024
Equal divisions of the Komornik–Loreti Seventh, which is the Komornik–Loreti constant used as a musical interval.
Correspondence of EDN to EDO
| Tuning | Equivalent edo | Comment |
|---|---|---|
| 2edn | A stack of two major sixths | |
| 3edn | 2edo | |
| 4edn | Neither are equivalent with 3edo | |
| 5edn | ||
| 6edn | 4edo | With a stretch |
| 7edn | 5edo | |
| 8edn | Entirely misses 2/1, falling halfway between 5edo and 6edo | |
| 9edn | 6edo | With a considerable stretch |
| 10edn | 7edo | |
| 11edn | Neither are equivalent to 8edo | |
| 12edn | ||
| 13edn | 9edo | |
| 14edn | Neither are equivalent to 10edo | |
| 15edn | ||
| 16edn | 11edo | |
| 17edn | 12edo | With a noticeable stretch, given the dominance of 12edo this is more likely to sound like out of tune 12edo than it's own tuning |
| 18edn | Entirely misses 2/1, falling halfway between 12 and 13edo | |
| 19edn | 13edo | Noticeably compressed |
| 20edn | 14edo | Noticeably stretched |
| 21edn | Entirely misses 2/1, falling halfway between 14edo and 15edo | |
| 22edn | Cannot be considered equivalent to 15edo | |
| 23edn | 16edo | |
| 24edn | 17edo | Some equivalences can be spotted due to 17edo's fame but it's a heavy stretch amounting to 40% |