34edo: Difference between revisions
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Likewise the 16-cent flat 27\34 approximate 7/4 can be musically useful especially in [[kleismic]] or [[4L 3s]] contexts (with generator a 9\34 minor third). On the other hand, the slightly worse and sharper 7/4, 28\34, sounds more like the "dominant seventh" found in blues and jazz – which some listeners are accustomed to. ([[68edo]] contains a copy of 34edo and has the intervals 7/4 and 11/8 tuned nearly just.) | Likewise the 16-cent flat 27\34 approximate 7/4 can be musically useful especially in [[kleismic]] or [[4L 3s]] contexts (with generator a 9\34 minor third). On the other hand, the slightly worse and sharper 7/4, 28\34, sounds more like the "dominant seventh" found in blues and jazz – which some listeners are accustomed to. ([[68edo]] contains a copy of 34edo and has the intervals 7/4 and 11/8 tuned nearly just.) | ||
=== | === Interval mappings === | ||
{{Q-odd-limit intervals|34}} | {{Q-odd-limit intervals|34}} | ||
{{Q-odd-limit intervals|34.1|header=none|title=15-odd-limit intervals by 34d | {{Q-odd-limit intervals|34.1|apx=val|header=none|title=15-odd-limit intervals by 34d mapping}} | ||
== Tuning by ear == | == Tuning by ear == | ||