27edo: Difference between revisions

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== Theory ==

27edo divides the [[octave]] in 27 equal parts each exactly 44{{frac|4|9}} [[cent]]s in size. However, since the harmonics ~~that are approximated~~ well (3, 5, 7, 13, and 19) are all tuned sharp of just, 27edo is a prime candidate for [[stretched and compressed tuning|octave compression]]. The local zeta peak around 27 is at 27.086614, which corresponds to a step size of 44.3023 cents. More generally, narrowing the steps to between 44.2 and 44.35 cents would be better in theory, which in turn narrows the octaves by 2.5 to 6.6 cents.

27edo divides the [[octave]] in 27 equal parts each exactly 44{{frac|4|9}} [[cent]]s in size. However, since the harmonics whose intervals it approximates well (3, 5, 7, 13, and 19) are all tuned sharp of just, 27edo is a prime candidate for [[stretched and compressed tuning|octave compression]]. The local zeta peak around 27 is at 27.086614, which corresponds to a step size of 44.3023 cents. More generally, narrowing the steps to between 44.2 and 44.35 cents would be better in theory, which in turn narrows the octaves by 2.5 to 6.6 cents.

However, assuming just octaves, 27edo's fifth and harmonic seventh are both sharp by nine cents, and the major third is the same 400 cent major third as [[12edo]], sharp by 13.7 cents. The result is that [[6/5]], [[7/5]], and especially [[7/6]] are all tuned more accurately than this. It can be considered the superpythagorean counterpart of [[19edo]], as its 5th is audibly indistinguishable from 1/3 [[septimal comma]] superpyth in the same way that 19edo is audibly indistinguishable from [[1/3 syntonic comma meantone]], resulting in three of them reaching a near perfect minor third and major sixth in both, with 19edo reaching a near-perfect [[6/5]] and 27edo reaching a near-perfect [[7/6]].

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27edo, with its 400 cent major third, tempers out the lesser diesis, [[128/125]], and the septimal comma, [[64/63]], and hence [[126/125]] as well. These it shares with 12edo, making some relationships familiar, and they both support the [[augene]] temperament. It shares with [[22edo]] tempering out the allegedly Bohlen-Pierce comma [[245/243]] as well as 64/63, so that they both support the [[superpyth]] temperament, with four quite sharp "superpythagorean" fifths giving a sharp [[9/7]] in place of meantone's 5/4.

Though 27edo's [[7-limit]] tuning is not highly accurate, it nonetheless is the smallest equal division to represent the 7-odd-limit both [[consistent]]ly and distinctly – that is, everything in the [[7-odd-limit]] diamond is uniquely represented by a certain number of steps of 27edo. It also represents the 13th harmonic very well, and performs quite decently as a 2.3.5.7.13 temperament. It also approximates [[19/10]], [[19/12]], and [[19/14]], so 0-7-13-25 does quite well as a 10:12:14:19 chord, with the major seventh 25\27 being less than one cent off from 19/10. Octave-inverted, these also form a quite convincing approximation of the main Bohlen-Pierce triad, 3:5:7, making 27 the smallest edo that can simulate tritave harmony, although it rapidly becomes quite rough if extended to the 9 and above, unlike a true tritave based system.

Though 27edo's [[7-limit]] tuning is not highly accurate, it nonetheless is the smallest equal division to represent the 7-odd-limit both [[consistent]]ly and distinctly – that is, everything in the [[7-odd-limit]] diamond is uniquely represented by a certain number of steps of 27edo. It also represents the 13th harmonic very well, and performs quite decently as a 2.3.5.7.13.19 (no-11s, no-17s 19-limit) temperament. It also approximates [[19/10]], [[19/12]], and [[19/14]], so 0-7-13-25 does quite well as a 10:12:14:19 chord, with the major seventh 25\27 being less than one cent off from 19/10. Octave-inverted, these also form a quite convincing approximation of the main Bohlen-Pierce triad, 3:5:7, making 27 the smallest edo that can simulate tritave harmony, although it rapidly becomes quite rough if extended to the 9 and above, unlike a true tritave based system.

Its step, as well as the octave-inverted and octave-equivalent versions of it, has some of the highest [[harmonic entropy]] possible and thus is, in theory, one of the most dissonant intervals possible, assuming the relatively common values of ''a'' = 2 and ''s'' = 1%. This property is shared with all edos between around 24 and 30. Intervals smaller than this tend to be perceived as unison and are more consonant as a result; intervals larger than this have less "tension" and thus are also more consonant.

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 {{EDO intro|27}}
 == Theory ==
-edo divides the [[octave]] in 27 equal parts each exactly 44{{frac|4|9}} [[cent]]s in size. However, since the harmonics that are approximated well (3, 5, 7, 13, and 19) are all tuned sharp of just, 27edo is a prime candidate for [[stretched and compressed tuning|octave compression]]. The local zeta peak around 27 is at 27.086614, which corresponds to a step size of 44.3023 cents. More generally, narrowing the steps to between 44.2 and 44.35 cents would be better in theory, which in turn narrows the octaves by 2.5 to 6.6 cents.
+edo divides the [[octave]] in 27 equal parts each exactly 44{{frac|4|9}} [[cent]]s in size. However, since the harmonics whose intervals it approximates well (3, 5, 7, 13, and 19) are all tuned sharp of just, 27edo is a prime candidate for [[stretched and compressed tuning|octave compression]]. The local zeta peak around 27 is at 27.086614, which corresponds to a step size of 44.3023 cents. More generally, narrowing the steps to between 44.2 and 44.35 cents would be better in theory, which in turn narrows the octaves by 2.5 to 6.6 cents.
 However, assuming just octaves, 27edo's fifth and harmonic seventh are both sharp by nine cents, and the major third is the same 400 cent major third as [[12edo]], sharp by 13.7 cents. The result is that [[6/5]], [[7/5]], and especially [[7/6]] are all tuned more accurately than this. It can be considered the superpythagorean counterpart of [[19edo]], as its 5th is audibly indistinguishable from 1/3 [[septimal comma]] superpyth in the same way that 19edo is audibly indistinguishable from [[1/3 syntonic comma meantone]], resulting in three of them reaching a near perfect minor third and major sixth in both, with 19edo reaching a near-perfect [[6/5]] and 27edo reaching a near-perfect [[7/6]].
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 edo, with its 400 cent major third, tempers out the lesser diesis, [[128/125]], and the septimal comma, [[64/63]], and hence [[126/125]] as well. These it shares with 12edo, making some relationships familiar, and they both support the [[augene]] temperament. It shares with [[22edo]] tempering out the allegedly Bohlen-Pierce comma [[245/243]] as well as 64/63, so that they both support the [[superpyth]] temperament, with four quite sharp "superpythagorean" fifths giving a sharp [[9/7]] in place of meantone's 5/4.
-Though 27edo's [[7-limit]] tuning is not highly accurate, it nonetheless is the smallest equal division to represent the 7-odd-limit both [[consistent]]ly and distinctly – that is, everything in the [[7-odd-limit]] diamond is uniquely represented by a certain number of steps of 27edo. It also represents the 13th harmonic very well, and performs quite decently as a 2.3.5.7.13 temperament. It also approximates [[19/10]], [[19/12]], and [[19/14]], so 0-7-13-25 does quite well as a 10:12:14:19 chord, with the major seventh 25\27 being less than one cent off from 19/10. Octave-inverted, these also form a quite convincing approximation of the main Bohlen-Pierce triad, 3:5:7, making 27 the smallest edo that can simulate tritave harmony, although it rapidly becomes quite rough if extended to the 9 and above, unlike a true tritave based system.
+Though 27edo's [[7-limit]] tuning is not highly accurate, it nonetheless is the smallest equal division to represent the 7-odd-limit both [[consistent]]ly and distinctly – that is, everything in the [[7-odd-limit]] diamond is uniquely represented by a certain number of steps of 27edo. It also represents the 13th harmonic very well, and performs quite decently as a 2.3.5.7.13.19 (no-11s, no-17s 19-limit) temperament. It also approximates [[19/10]], [[19/12]], and [[19/14]], so 0-7-13-25 does quite well as a 10:12:14:19 chord, with the major seventh 25\27 being less than one cent off from 19/10. Octave-inverted, these also form a quite convincing approximation of the main Bohlen-Pierce triad, 3:5:7, making 27 the smallest edo that can simulate tritave harmony, although it rapidly becomes quite rough if extended to the 9 and above, unlike a true tritave based system.
 Its step, as well as the octave-inverted and octave-equivalent versions of it, has some of the highest [[harmonic entropy]] possible and thus is, in theory, one of the most dissonant intervals possible, assuming the relatively common values of ''a'' = 2 and ''s'' = 1%. This property is shared with all edos between around 24 and 30. Intervals smaller than this tend to be perceived as unison and are more consonant as a result; intervals larger than this have less "tension" and thus are also more consonant.