Maximal evenness: Difference between revisions
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In particular, within every [[edo]], one can specify such a scale for every smaller number of notes. In terms of sub-edo representation, a maximally even scale is the closest the parent edo can get to representing the smaller edo. | In particular, within every [[edo]], one can specify such a scale for every smaller number of notes. In terms of sub-edo representation, a maximally even scale is the closest the parent edo can get to representing the smaller edo. | ||
== | == Formal definition == | ||
Mathematically, if ''n'' < ''m'', a ''maximally even (sub)set of size n'' in '''Z'''/''m'''''Z''' is any translate of the set | Mathematically, if ''n'' < ''m'', a ''maximally even (sub)set of size n'' in '''Z'''/''m'''''Z''' is any translate of the set | ||
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It is easy to show that using round() (rounding half-integers up) gives an equivalent definition; floor() does too, since ME(''n'', ''m'') is a MOS and thus achiral. | It is easy to show that using round() (rounding half-integers up) gives an equivalent definition; floor() does too, since ME(''n'', ''m'') is a MOS and thus achiral. | ||
== Concoctic scales == | |||
From the MOS theory standpoint, the generator of the scale is a modular multiplicative inverse of it's number of notes and the EDO size. | From the MOS theory standpoint, the generator of the scale is a modular multiplicative inverse of it's number of notes and the EDO size. A maximal even scale whose generator is equal to it's note amount is called [[concoctic]]. Major and minor scales in standard Western music are such - the generator is a perfect fifth of 7 semitones, as inferred through Pythagorean tuning, and the scale has 7 notes in it. | ||
== Sound perception == | == Sound perception == |