Interseptimal interval: Difference between revisions
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Note the two additional interseptimal regions. The boundary ratios are mostly either 81/80 or 64/63 away from a 3-limit interval. The exceptions are 7/5 and 10/7, which are only a [[5120/5103|Saruyo]] comma away from the 3-limit diminished 5th and augmented 4th respectively. | Note the two additional interseptimal regions. The boundary ratios are mostly either 81/80 or 64/63 away from a 3-limit interval. The exceptions are 7/5 and 10/7, which are only a [[5120/5103|Saruyo]] comma away from the 3-limit diminished 5th and augmented 4th respectively. | ||
Interseptimal intervals are now easily named. However there are now hard-to-name "interpental" intervals which would be neutral intervals in the heptatonic framework, containing such ratios as 12/11, 11/9, etc. This is because interseptimal intervals are the neutral intervals with respect to the parent [[mos]] [[2L 3s]] of the diatonic mos [[5L 2s]] | Interseptimal intervals are now easily named. However there are now hard-to-name "interpental" intervals which would be neutral intervals in the heptatonic framework, containing such ratios as 12/11, 11/9, etc. This is because interseptimal intervals are the neutral intervals with respect to the parent [[mos]] [[2L 3s]] of the diatonic mos [[5L 2s]]. | ||
So composing in a pentatonic framework may allow interseptimal intervals to play much more pivotal roles than usual. | So composing in a pentatonic framework may allow interseptimal intervals to play much more pivotal roles than usual. | ||