97/64: Difference between revisions
Jump to navigation
Jump to search
No edit summary |
CompactStar (talk | contribs) add a shorter name as I remember some complaints on the long latinate names |
||
| Line 1: | Line 1: | ||
{{Infobox Interval | {{Infobox Interval | ||
| Name = nonacesimoseptimal harmonic fifth | | Name = nonacesimoseptimal harmonic fifth, harmonic 5edo-esque fifth | ||
| Color name = 97o5 | | Color name = 97o5 | ||
}} | }} | ||
'''97/64''', the '''nonacesimoseptimal harmonic fifth''' is a wide fifth very close to that of [[5edo]], and is the first octave-reduced harmonic after [[3/2]] that is (just barely) a diatonic fifth. The diatonic scale it generates is incredibly close to collapsed, with the "minor second" being less than a cent wide. | '''97/64''', the '''nonacesimoseptimal harmonic fifth''' or '''harmonic 5edo-esque fifth''' is a wide fifth very close to that of [[5edo]], and is the first octave-reduced harmonic after [[3/2]] that is (just barely) a diatonic fifth. The diatonic scale it generates is incredibly close to collapsed, with the "minor second" being less than a cent wide. | ||
== See also == | == See also == | ||
Revision as of 02:21, 25 October 2024
| Interval information |
harmonic 5edo-esque fifth
reduced harmonic
97/64, the nonacesimoseptimal harmonic fifth or harmonic 5edo-esque fifth is a wide fifth very close to that of 5edo, and is the first octave-reduced harmonic after 3/2 that is (just barely) a diatonic fifth. The diatonic scale it generates is incredibly close to collapsed, with the "minor second" being less than a cent wide.