16edo: Difference between revisions
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The second approach is to preserve the *harmonic* meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 16edo "on the fly". | The second approach is to preserve the *harmonic* meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 16edo "on the fly". | ||
Alternatively, one can use Armodue nine-nominal notation; see [[ | Alternatively, one can use Armodue nine-nominal notation; see [[Armodue theory]] | ||
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