Armodue theory: Difference between revisions
Wikispaces>hstraub **Imported revision 161347963 - Original comment: ** |
Wikispaces>hstraub **Imported revision 162126595 - Original comment: ** |
||
| Line 1: | Line 1: | ||
<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2010-09- | : This revision was by author [[User:hstraub|hstraub]] and made on <tt>2010-09-13 03:47:31 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>162126595</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
| Line 10: | Line 10: | ||
//(summary translation from the italian site// [[http://www.armodue.com/ricerche.htm|Armodue]] ) | //(summary translation from the italian site// [[http://www.armodue.com/ricerche.htm|Armodue]] ) | ||
Not only referring to the 16-edo equal temperament, but also to half-equal and Lou Harrison's Just intonation 16 note scale, natural octave division of <span style="font-family: Verdana; font-size: small; line-height: normal;">Andrián Pertout, | Not only referring to the 16-edo equal temperament, but also to half-equal and Lou Harrison's Just intonation 16 note scale, natural octave division of <span style="font-family: Verdana; font-size: small; line-height: normal;">Andrián Pertout, and 16-to-31 overtone scale, </span>Armodue is proposed as __totally new notation and theory system__. | ||
Attempting of making | Attempting of making the approach to Armodue as easy as possible, but conscious they had to give new names to the notes that constitute the system, | ||
the italian creators of <span style="background-position: 100% 50%; cursor: pointer; padding-right: 10px;">[[@http://armodue.com/|Armodue]]</span> system called them numbering from 1 to 9: | the italian creators of <span style="background-position: 100% 50%; cursor: pointer; padding-right: 10px;">[[@http://armodue.com/|Armodue]]</span> system called them numbering from 1 to 9: | ||
| Line 22: | Line 21: | ||
For composing in Armodue it's useful | For composing in Armodue it's useful to use a **tetragram** (staff with 4 lines) | ||
|| [[image:http://www.armodue.com/TETR-%5B1%5D.jpg caption="copyright Armodue, used with permission"]] || | || [[image:http://www.armodue.com/TETR-%5B1%5D.jpg caption="copyright Armodue, used with permission"]] || | ||
| Line 28: | Line 27: | ||
If for the execution of a musical piece we need to write on two or more tetragrams, the notes will be written in the same way for every tetragram. | |||
In other words, the "1" note will be written immediately under the first line __in every tenth__. | In other words, the "1" note will be written immediately under the first line __in every tenth__. | ||
| Line 40: | Line 39: | ||
The clefs 1,2,3... refers to the tenths: first, second, third... | The clefs 1,2,3... refers to the tenths: first, second, third... | ||
So, in the illustrated example above, first tetragram (from top) refers to the 3rd tenth (central tenth, corresponding | So, in the illustrated example above, the first tetragram (from top) refers to the 3rd tenth (central tenth, corresponding to the octave C3-C4), | ||
the second tetragram to the 5th tenth and the third to the 2nd. If we need to write simultaneously on several staves, we will draws normal braces. | the second tetragram to the 5th tenth and the third to the 2nd. If we need to write simultaneously on several staves, we will draws normal braces. | ||
The keyboard conceived by Armodue authors has the same disposition | The keyboard conceived by Armodue authors has the same disposition as Goldsmith's one (except the curvature): | ||
|| [[image:http://www.armodue.com/Tastiera.jpg caption="copyright Armodue, used by permission"]] || | || [[image:http://www.armodue.com/Tastiera.jpg caption="copyright Armodue, used by permission"]] || | ||
|| copyright Armodue, used by permission || | || copyright Armodue, used by permission || | ||
| Line 53: | Line 52: | ||
<em>(summary translation from the italian site</em> <a class="wiki_link_ext" href="http://www.armodue.com/ricerche.htm" rel="nofollow">Armodue</a> )<br /> | <em>(summary translation from the italian site</em> <a class="wiki_link_ext" href="http://www.armodue.com/ricerche.htm" rel="nofollow">Armodue</a> )<br /> | ||
<br /> | <br /> | ||
Not only referring to the 16-edo equal temperament, but also to half-equal and Lou Harrison's Just intonation 16 note scale, natural octave division of <span style="font-family: Verdana; font-size: small; line-height: normal;">Andrián Pertout, | Not only referring to the 16-edo equal temperament, but also to half-equal and Lou Harrison's Just intonation 16 note scale, natural octave division of <span style="font-family: Verdana; font-size: small; line-height: normal;">Andrián Pertout, and 16-to-31 overtone scale, </span>Armodue is proposed as <u>totally new notation and theory system</u>.<br /> | ||
<br /> | <br /> | ||
Attempting of making | Attempting of making the approach to Armodue as easy as possible, but conscious they had to give new names to the notes that constitute the system,<br /> | ||
the italian creators of <span style="background-position: 100% 50%; cursor: pointer; padding-right: 10px;"><a class="wiki_link_ext" href="http://armodue.com/" rel="nofollow" target="_blank">Armodue</a></span> system called them numbering from 1 to 9:<br /> | the italian creators of <span style="background-position: 100% 50%; cursor: pointer; padding-right: 10px;"><a class="wiki_link_ext" href="http://armodue.com/" rel="nofollow" target="_blank">Armodue</a></span> system called them numbering from 1 to 9:<br /> | ||
<br /> | <br /> | ||
| Line 65: | Line 63: | ||
<br /> | <br /> | ||
<br /> | <br /> | ||
For composing in Armodue it's useful | For composing in Armodue it's useful to use a <strong>tetragram</strong> (staff with 4 lines)<br /> | ||
<br /> | <br /> | ||
| Line 82: | Line 80: | ||
<br /> | <br /> | ||
<br /> | <br /> | ||
If for the execution of a musical piece we need to write on two or more tetragrams, the notes will be written in the same way for every tetragram.<br /> | |||
In other words, the &quot;1&quot; note will be written immediately under the first line <u>in every tenth</u>.<br /> | In other words, the &quot;1&quot; note will be written immediately under the first line <u>in every tenth</u>.<br /> | ||
<br /> | <br /> | ||
| Line 105: | Line 103: | ||
<br /> | <br /> | ||
The clefs 1,2,3... refers to the tenths: first, second, third...<br /> | The clefs 1,2,3... refers to the tenths: first, second, third...<br /> | ||
So, in the illustrated example above, first tetragram (from top) refers to the 3rd tenth (central tenth, corresponding | So, in the illustrated example above, the first tetragram (from top) refers to the 3rd tenth (central tenth, corresponding to the octave C3-C4),<br /> | ||
the second tetragram to the 5th tenth and the third to the 2nd. If we need to write simultaneously on several staves, we will draws normal braces.<br /> | the second tetragram to the 5th tenth and the third to the 2nd. If we need to write simultaneously on several staves, we will draws normal braces.<br /> | ||
<br /> | <br /> | ||
The keyboard conceived by Armodue authors has the same disposition | The keyboard conceived by Armodue authors has the same disposition as Goldsmith's one (except the curvature):<br /> | ||