Armodue theory: Difference between revisions

Wikispaces>hstraub
**Imported revision 166722767 - Original comment: Explanation of eka**
Wikispaces>hstraub
**Imported revision 166722933 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2010-09-30 10:52:54 UTC</tt>.<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2010-09-30 10:53:27 UTC</tt>.<br>
: The original revision id was <tt>166722767</tt>.<br>
: The original revision id was <tt>166722933</tt>.<br>
: The revision comment was: <tt>Explanation of eka</tt><br>
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<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
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Consequently, the interval between a note at frequency n and other at frequency 2n is called **tenth**.
Consequently, the interval between a note at frequency n and other at frequency 2n is called **tenth**.


The basic (micro-)tone of Armodue, whatever concrete temperament is used, is always called **eka** (from Sanskrit eka: one, unit). In the chromatic Armodue scale, one eka always corresponds to the interval between any two conescutive notes.
The basic (micro-)tone of Armodue, whatever concrete temperament is used, is always called **eka** (from Sanskrit eka: one, unit). In the chromatic Armodue scale, one eka always corresponds to the interval between any two consecutive notes.


For composing in Armodue it's useful to use a **tetragram** (staff with 4 lines)
For composing in Armodue it's useful to use a **tetragram** (staff with 4 lines)
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Consequently, the interval between a note at frequency n and other at frequency 2n is called &lt;strong&gt;tenth&lt;/strong&gt;.&lt;br /&gt;
Consequently, the interval between a note at frequency n and other at frequency 2n is called &lt;strong&gt;tenth&lt;/strong&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The basic (micro-)tone of Armodue, whatever concrete temperament is used, is always called &lt;strong&gt;eka&lt;/strong&gt; (from Sanskrit eka: one, unit). In the chromatic Armodue scale, one eka always corresponds to the interval between any two conescutive notes.&lt;br /&gt;
The basic (micro-)tone of Armodue, whatever concrete temperament is used, is always called &lt;strong&gt;eka&lt;/strong&gt; (from Sanskrit eka: one, unit). In the chromatic Armodue scale, one eka always corresponds to the interval between any two consecutive notes.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For composing in Armodue it's useful to use a &lt;strong&gt;tetragram&lt;/strong&gt; (staff with 4 lines)&lt;br /&gt;
For composing in Armodue it's useful to use a &lt;strong&gt;tetragram&lt;/strong&gt; (staff with 4 lines)&lt;br /&gt;