5L 2s: Difference between revisions

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{{MOS intro}}
{{MOS intro}}
One way of distinguishing the diatonic scale is by considering it a [[MOS scale|moment of symmetry]] scale. Among the most well-known variants of this MOS proper are [[12edo|12EDO]]'s diatonic scale along with both the Pythagorean diatonic scale and the various meantone systems. Other similar scales referred to by the term "diatonic" can be arrived at different ways – for example, through just intonation procedures, or with tetrachords. However, it should be noted that at least the majority of the other scales that fall under this category – such as the just intonation scales that use more than one size of whole tone – are actually JI detemperings or tempered approximations of them that both closely resemble and are derived from this MOS.
Among the most well-known forms of this scale are the diatonic scale of [[12edo]], the Pythagorean diatonic scale, and scales produced by meantone systems.
==Name ==
[[TAMNAMS]] suggests the temperament-agnostic name '''diatonic''' for this scale, which commonly refers to a scale with 5 whole steps and 2 small steps. Under TAMNAMS and for all scale pattern pages on the wiki, '''the term ''diatonic'' exclusively refers to 5L 2s'''.


==On the term ''diatonic''==
The term ''diatonic'' may also refer to scales produced using [[Tetrachord|tetrachords]], [[just intonation]], or in general have more than one size of whole tone. Such scales, such as [[Zarlino]], [[blackdye]] and [[diasem]], are specifically called ''[[Detempering|detempered]] diatonic scales'' (for an RTT-based philosophy) or ''deregularized diatonic scales'' (for an RTT-agnostic philosophy). The terms ''diatonic-like'' or ''diatonic-based'' may also be used to refer such scales, depending on what's contextually the most appropriate.
In [[TAMNAMS]] (which is the convention on all pages on scale patterns on the wiki), [[diatonic]] exclusively refers to 5L 2s. Other diatonic-based scales (specifically with 3 step sizes or more), such as [[Zarlino]], [[blackdye]] and [[diasem]], are called ''[[Detempering|detempered]]'' (if the philosophy is [[RTT]]-based) or ''deregularized'' (RTT-agnostic) ''diatonic scales''. The adjectives ''diatonic-like'' or ''diatonic-based'' may also be used to refer to diatonic-based scales, depending on what's contextually the most appropriate.
==Notation==
===Intervals ===
Intervals are identical to that of standard notation. As such, the usual [[Interval quality|interval qualities]] of major/minor and augmented/perfect/diminished apply here.
{| class="wikitable"
! rowspan="2" |Interval class
! colspan="2" |Large variety
! colspan="2" | Small variety
|-
!Size
!Quality
! Size
!Quality
|-
|'''1st (unison)'''
| 0
|Perfect
|0
|Perfect
|-
|2nd
| L
|Major
|s
|Minor
|-
|3rd
|2L
| Major
|L + s
|Minor
|-
|4th
|3L
|Augmented
|2L + 1s
|Perfect
|-
|5th
| 3L + 1s
|Perfect
|2L + 2s
| Diminished
|-
|6th
|4L + 1s
|Major
|3L + 2s
|Minor
|-
| 7th
| 5L + 1s
| Major
|4L + 2s
|Minor
|-
|'''8th (octave)'''
|5L + 2s
| Perfect
|5L + 2s
|Perfect
|}
===Note names ===
Note names are identical to that of standard notation. Thus, the basic (12edo) gamut for 5L 2s is the following:


==Substituting step sizes==
{{MOS gamut|Scale Signature=5L 2s}}
The 5L 2s MOS scale has this generalized form.
==Theory ==
===Introduction to step sizes===<!-- The 5L 2s page already had an introduction to step sizes, but this may be worth moving to its own page. -->
:''Main article: [[Scale tree]] and [[TAMNAMS#Step ratio spectrum]]''
The familiar pattern of 5 whole steps and 2 half steps, commonly written as WWHWWWH for the major scale, has step sizes of 2 (whole step) and 1 (half step), producing [[12edo]]. This can be generalized into the form LLsLLLs, with whole-number sizes for the large steps and small steps, denoted as "L" and "s" respectively.


*L L L s L L s
Different edos are produced by using different ratios of step sizes. A few examples are shown below.
{| class="wikitable"
|+
!Step ratio (L:s)
!Step pattern
!EDO
!Selected multiples
|-
|1:1
|1 1 1 1 1 1 1
|[[7edo]]
|[[14edo]], [[21edo]], etc.
|-
|4:3
| 4 4 3 4 4 4 3
|[[26edo]]
|
|-
|3:2
|3 3 2 3 3 3 2
|[[19edo]]
|[[38edo]]
|-
|5:3
|5 5 3 5 5 5 3
|[[31edo]]
|
|-
|2:1
|2 2 1 2 2 2 1
|[[12edo]] (standard tuning)
|[[24edo]], [[36edo]], etc.
|-
|5:2
|5 5 2 5 5 5 2
|[[29edo]]
|
|-
|3:1
|3 3 1 3 3 3 1
|[[17edo]]
|[[34edo]]
|-
|4:1
|4 4 1 4 4 4 1
|[[22edo]]
|
|-
|1:0
|1 1 0 1 1 1 0
|[[5edo]]
|[[10edo]], [[15edo]], etc.
|}Edos that are multiples of the examples above can be reached by entering non-simplified step ratios. For example, edos that are multiples of 12 are reached by using larger values whose ratio simplifies to 2:1, such as 4:2 for [[24edo]].


Insert 2 for L and 1 for s and you'll get the 12EDO diatonic of standard practice.
All step ratios lie on a spectrum from 1:1 to 1:0, referred to on the wiki as a scale tree. The step ratios 1:1 and 1:0 represent the limits for valid step ratios. A step ratio that approaches 1:1, where the large and small step are equal to one another, approaches [[7edo]], and a step ratio that approaches 1:0, where the small step "collapses" to zero, approaches [[5edo]].


*2 2 2 1 2 2 1
TAMNAMS has names for regions of this spectrum based on whether they are "soft" (between 1:1 and 2:1) or "hard" (between 2:1 and 1:0).
===Temperament interpretations===
:''Main article: [[5L 2s/Temperaments]]''
5L 2s has several rank-2 temperament interpretations, such as:
*[[Meantone]], with generators around 696.2¢. This includes:
**[[Flattone]], with generators around 693.7¢.
*[[Schismic]], with generators around 702¢.
*[[Parapyth]], with generators around 704.7¢.
*[[Archy]], with generators around 709.3¢. This includes:
** Supra, with generators around 707.2¢
**Superpyth, with generators around 710.3¢
** Ultrapyth, with generators around 713.7¢.


When L=3, s=1, you have [[17edo|17EDO]]: 3 3 3 1 3 3 1
==Tuning ranges==
===Simple tunings===
[[17edo]] and [[19edo]] are the smallest edos that offer a greater variety of pitches than 12edo. Note that any enharmonic equivalences that 12edo has no longer hold for either 17edo or 19edo, as shown in the table below.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=2/1; 3/1; 3/2|Genchain Extend=7}}
===Parasoft tunings===
:''Main article: [[Flattone]]''
Parasoft tunings (4:3 to 3:2) correspond to flattone temperaments, characterized by flattened perfect 5ths ([[3/2]], flat of 702¢) to produce major 3rds that are flatter than [[5/4]] (386¢).


When L=3, s=2, you have [[19edo|19EDO]]: 3 3 3 2 3 3 2
Edos include [[19edo]], [[26edo]], [[45edo]], and [[64edo]].{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/2; 4/3; 7/5; 10/7|Genchain Extend=0, 5}}
===Hyposoft tunings ===
:''Main article: [[Meantone]]''
Hyposoft tunings (3:2 to 2:1) correspond to meantone temperaments, characterized by flattened perfect 5ths (flat of 702¢) to produce diatonic major 3rds that approximate 5/4 (386¢).


When L=4, s=1, you have [[22edo|22EDO]]: 4 4 4 1 4 4 1
Edos include [[19edo]], [[31edo]], [[43edo]], and [[50edo]].{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/2; 5/3; 7/4; 8/5|Genchain Extend=0, 5}}
===Hypohard tunings===
:''Main article: [[Pythagorean tuning]] and [[Schismatic family#Schismatic aka Helmholtz|schismatic temperament]]''
The range of hypohard tunings can be divided into a minihard range (2:1 to 5:2) and quasihard range (5:2 to 3:1).
==== Minihard tunings====
Minihard tunings correspond to Pythagorean tuning and schismatic temperament, characterized by having a perfect 5th that is as close to just (701.96¢) as possible, resulting in a major 3rd of [[81/64]] (407¢).


When L=4, s=3, you have [[26edo|26EDO]]: 4 4 4 3 4 4 3
Edos include [[41edo]] and [[53edo]].{{MOS degrees|Scale Signature=5L 2s|Step Ratio=7/3; 9/4|Genchain Extend=0, 5}}
==== Quasihard tunings ====
Quasihard tunings correspond to "neogothic" or "parapyth" systems whose perfect 5th is slightly sharper than just, resulting in major 3rds that are sharper than 81/64 and minor 3rds that are slightly flat of [[32/27]] (294¢).


When L=5, s=1, you have [[27edo|27EDO]]: 5 5 5 1 5 5 1
Edos include [[17edo]], [[29edo]], and [[46edo]]. 17edo is considered to be on the sharper end of the neogothic spectrum, with a major 3rd that is more discordant than flatter neogothic tunings.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/1; 5/2; 8/3|Genchain Extend=0, 5}}
 
===Parahard and ultrahard tunings===
When L=5, s=2, you have [[29edo|29EDO]]: 5 5 5 2 5 5 2
:''Main article: [[Archy]]''
 
Parahard (3:1 to 4:1) and ultrahard tunings (4:1 to 1:0) correspond to archy systems, with perfect 5ths that are significantly sharper than than 702¢.
When L=5, s=3, you have [[31edo|31EDO]]: 5 5 5 3 5 5 3
 
When L=5, s=4, you have [[33edo|33EDO]]: 5 5 5 4 5 5 4
 
So you have scales where L and s are nearly equal, which approach [[7edo|7EDO]]:
 
*1 1 1 1 1 1 1
 
And you have scales where s becomes so small it approaches zero, which would give us [[5edo|5EDO]]:
 
* 1 1 1 0 1 1 0 = 1 1 1 1 1
 
== Tuning ranges==
===Parasoft to ultrasoft===
"Flattone" systems, such as [[26edo|26EDO]].
 
===Hyposoft===
"Meantone" (more properly "septimal meantone") systems, such as [[31edo|31EDO]].
 
===Hypohard===
The near-just part of the region is of interest mainly for those interested in [[Pythagorean tuning]] and large, accurate EDO systems based on close-to-Pythagorean fifths, such as [[41edo|41EDO]] and [[53edo|53EDO]]. This class of tunings is called [[schisma|schismic]] temperament; these tunings can approximate 5-limit harmonies very accurately by [[tempering out]] a small comma called the [[schisma]]. (Technically, 12EDO tempers out the schisma and thus is a schismic tuning, but it is nowhere near as accurate as schismic tunings can be.)
 
The sharp-of-just part of this range includes so-called "[[neogothic]]" or "parapyth" systems, which tune the diatonic major third slightly sharply of [[81/64]] (around 414 to 423 cents) and the diatonic minor third slightly flatly of [[32/27]] (around 282 to 290 cents). Good neogothic EDOs include [[29edo|29EDO]] and [[46edo|46EDO]]. [[17edo|17EDO]] is often considered the sharper end of the neogothic spectrum; its major third at 423 cents is considerably more discordant than in flatter neogothic tunings.
 
===Parahard to ultrahard===
"Archy" systems such as [[17edo|17EDO]], [[22edo|22EDO]], and [[27edo|27EDO]].  


Edos include [[17edo]], [[22edo]], [[27edo]], and [[32edo]], among others.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/1; 4/1; 5/1; 6/1|Genchain Extend=0, 5}}
==Modes==
==Modes==
Diatonic modes have standard names from classical music theory:  
Diatonic modes have standard names from classical music theory:  


{{MOS modes}}
{{MOS modes}}
Each mode has the following scale degrees, reached by raising or lowering certain naturals by a chroma.
{| class="wikitable"
! colspan="2" |Mode
! colspan="8" |Scale degree (on C)
|-
!UDP
!Step pattern
!1st
!2nd
!3rd
!4th
!5th
!6th
!7th
!8th
|-
|<nowiki>6|0</nowiki>
|LLLsLLs
|Perfect (C)
|Major (D)
|Major (E)
|Augmented (F#)
|Perfect (G)
|Major (A)
|Major (B)
|Perfect (C)
|-
|<nowiki>5|1</nowiki>
|LLsLLLs
|Perfect (C)
|Major (D)
|Major (E)
|Perfect (F)
|Perfect (G)
|Major (A)
|Major (B)
|Perfect (C)
|-
|<nowiki>4|2</nowiki>
|LLsLLsL
|Perfect (C)
|Major (D)
|Major (E)
|Perfect (F)
|Perfect (G)
|Major (A)
|Minor (Bb)
|Perfect (C)
|-
|<nowiki>3|3</nowiki>
|LsLLLsL
|Perfect (C)
|Major (D)
|Minor (Eb)
|Perfect (F)
|Perfect (G)
|Major (A)
|Minor (Bb)
|Perfect (C)
|-
|<nowiki>2|4</nowiki>
|LsLLsLL
|Perfect (C)
|Major (D)
|Minor (Eb)
|Perfect (F)
|Perfect (G)
|Minor (Ab)
|Minor (Bb)
|Perfect (C)
|-
|<nowiki>1|5</nowiki>
|sLLLsLL
|Perfect (C)
|Minor (Db)
|Minor (Eb)
|Perfect (F)
|Perfect (G)
|Minor (Ab)
|Minor (Bb)
|Perfect (C)
|-
|<nowiki>0|6</nowiki>
|sLLsLLL
|Perfect (C)
|Minor (Db)
|Minor (Eb)
|Perfect (F)
|Diminished (Gb)
|Minor (Ab)
|Minor (Bb)
|Perfect (C)
|}
==Scales==
===Subset and superset scales===
5L 2s has a parent scale of [[2L 3s]], a pentatonic scale, meaning 2L 3s is a subset. 5L 2s also has the two child scales, which are supersets of 5L 2s:
*[[7L 5s]], a chromatic scale produced using soft-of-basic step ratios.
*[[5L 7s]], a chromatic scale produced using hard-of-basic step ratios.
12edo also contains 5L 2s as the equalized form of both 5L 7s and 7L 5s.
===MODMOS scales and muddles===
{{main| 5L 2s MODMOSes }} ''and [[5L 2s Muddles]]''


==Scales==
===Scala files===
* [[Meantone7]] – 19edo and 31edo tunings
*[[Meantone7]] – 19edo and 31edo tunings
* [[Nestoria7]] – 171edo tuning
*[[Nestoria7]] – 171edo tuning
*[[Pythagorean7]] – Pythagorean tuning
*[[Pythagorean7]] – Pythagorean tuning
*[[Garibaldi7]] – 94edo tuning
*[[Garibaldi7]] – 94edo tuning
* [[Cotoneum7]] – 217edo tuning
*[[Cotoneum7]] – 217edo tuning
*[[Pepperoni7]] – 271edo tuning
*[[Pepperoni7]] – 271edo tuning
*[[Supra7]] – 56edo tuning
*[[Supra7]] – 56edo tuning
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==Scale tree==
==Scale tree==
If 4\7 (four degrees of 7EDO) is at one extreme and 3\5 (three degrees of 5EDO) is at the other, all other possible 5L 2s scales exist in a continuum between them. You can chop this continuum up by taking [[Mediant|"freshman sums"]] of the two edges - adding together the numerators, then adding together the denominators (i.e. adding them together as if you would be adding the complex numbers analogous real and imaginary parts). Thus, between 4\7 and 3\5 you have (4+3)\(7+5) = 7\12, seven degrees of 12EDO.
{{Scale tree|depth=6|Comments=7/5:[[Flattone]] is in this region;21/13:[[Golden meantone]] (696.2145¢);5/3:[[Meantone]] is in this region;2/1:(Generators smaller than this are proper);9/4:The generator closest to a just [[3/2]] for EDOs less than 200;16/7:[[Garibaldi]] / [[Cassandra]];21/8:Golden neogothic (704.0956¢);8/3:[[Neogothic]] is in this region;4/1:[[Archy]] is in this region}}
 
If we carry this freshman-summing out a little further, new, larger [[EDO]]s pop up in our continuum.
 
Generator ranges:
*Bright generator: 685.7143 cents (4\7) to 720 cents (3\5)
*Dark generator: 480 cents (2\5) to 514.2857 cents (3\7)
 
{{Scale tree|depth=7|Comments=7/5:[[Flattone]] is in this region;21/13:[[Golden meantone]] (696.2145¢);5/3:[[Meantone]] is in this region;2/1:(Generators smaller than this are proper);9/4:The generator closest to a just [[3/2]] for EDOs less than 200;16/7:[[Garibaldi]] / [[Cassandra]];21/8:Golden neogothic (704.0956¢);8/3:[[Neogothic]] is in this region;4/1:[[Archy]] is in this region}}
 
Tunings above 7\12 on this chart are called "negative tunings" (as they lessen the size of the fifth) and include meantone systems such as 1/3-comma (close to 11\19) and 1/4-comma (close to 18\31). As these tunings approach 4\7, the majors become flatter and the minors become sharper.
 
Tunings below 7\12 on this chart are called "positive tunings" and they include Pythagorean tuning itself (well approximated by 31\53) as well as superpyth tunings such as 10\17 and 13\22. As these tunings approach 3\5, the majors become sharper and the minors become flatter. Around 13\22 through 16\27, the thirds fall closer to 7-limit than 5-limit intervals: 7:6 and 9:7 as opposed to 6:5 and 5:4.


=== Step ratio diagram ===
[[File:5L2s.jpg|alt=5L2s.jpg|5L2s.jpg]]
[[File:5L2s.jpg|alt=5L2s.jpg|5L2s.jpg]]


5L 2s contains the pentatonic MOS [[2L 3s]] and (with the sole exception of the 5L 2s of 12EDO) is itself contained in a dodecaphonic MOS: either [[7L 5s]] or [[5L 7s]], depending on whether the fifth is flatter than or sharper than 7\12 (700¢).
==See also==
 
==Related Scales ==
{{main| 5L 2s MODMOSes }} ''and [[5L 2s Muddles]]''
 
Because the diatonic scale is so widely used, it should be no surprise that there are a number of noteworthy scales of different sorts related to this MOS.
 
==Rank-2 temperaments ==
{{main| 5L 2s/Temperaments }}
 
== Approaches to Functional Harmony==
{{see also| Diatonic functional harmony}}


[[Category:Diatonic| ]] <!-- main article -->
* [[Diatonic functional harmony]]
[[Category:7-tone scales]]