5L 2s: Difference between revisions
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{{MOS intro}} | {{MOS intro}} | ||
Among the most well-known forms of this scale are the diatonic scale of [[12edo]], the Pythagorean diatonic scale, and scales produced by meantone systems. | |||
==Name == | |||
[[TAMNAMS]] suggests the temperament-agnostic name '''diatonic''' for this scale, which commonly refers to a scale with 5 whole steps and 2 small steps. Under TAMNAMS and for all scale pattern pages on the wiki, '''the term ''diatonic'' exclusively refers to 5L 2s'''. | |||
The term ''diatonic'' may also refer to scales produced using [[Tetrachord|tetrachords]], [[just intonation]], or in general have more than one size of whole tone. Such scales, such as [[Zarlino]], [[blackdye]] and [[diasem]], are specifically called ''[[Detempering|detempered]] diatonic scales'' (for an RTT-based philosophy) or ''deregularized diatonic scales'' (for an RTT-agnostic philosophy). The terms ''diatonic-like'' or ''diatonic-based'' may also be used to refer such scales, depending on what's contextually the most appropriate. | |||
==Notation== | |||
===Intervals === | |||
Intervals are identical to that of standard notation. As such, the usual [[Interval quality|interval qualities]] of major/minor and augmented/perfect/diminished apply here. | |||
{| class="wikitable" | |||
! rowspan="2" |Interval class | |||
! colspan="2" |Large variety | |||
! colspan="2" | Small variety | |||
|- | |||
!Size | |||
!Quality | |||
! Size | |||
!Quality | |||
|- | |||
|'''1st (unison)''' | |||
| 0 | |||
|Perfect | |||
|0 | |||
|Perfect | |||
|- | |||
|2nd | |||
| L | |||
|Major | |||
|s | |||
|Minor | |||
|- | |||
|3rd | |||
|2L | |||
| Major | |||
|L + s | |||
|Minor | |||
|- | |||
|4th | |||
|3L | |||
|Augmented | |||
|2L + 1s | |||
|Perfect | |||
|- | |||
|5th | |||
| 3L + 1s | |||
|Perfect | |||
|2L + 2s | |||
| Diminished | |||
|- | |||
|6th | |||
|4L + 1s | |||
|Major | |||
|3L + 2s | |||
|Minor | |||
|- | |||
| 7th | |||
| 5L + 1s | |||
| Major | |||
|4L + 2s | |||
|Minor | |||
|- | |||
|'''8th (octave)''' | |||
|5L + 2s | |||
| Perfect | |||
|5L + 2s | |||
|Perfect | |||
|} | |||
===Note names === | |||
Note names are identical to that of standard notation. Thus, the basic (12edo) gamut for 5L 2s is the following: | |||
== | {{MOS gamut|Scale Signature=5L 2s}} | ||
The 5L 2s | ==Theory == | ||
===Introduction to step sizes===<!-- The 5L 2s page already had an introduction to step sizes, but this may be worth moving to its own page. --> | |||
:''Main article: [[Scale tree]] and [[TAMNAMS#Step ratio spectrum]]'' | |||
The familiar pattern of 5 whole steps and 2 half steps, commonly written as WWHWWWH for the major scale, has step sizes of 2 (whole step) and 1 (half step), producing [[12edo]]. This can be generalized into the form LLsLLLs, with whole-number sizes for the large steps and small steps, denoted as "L" and "s" respectively. | |||
Different edos are produced by using different ratios of step sizes. A few examples are shown below. | |||
{| class="wikitable" | |||
|+ | |||
!Step ratio (L:s) | |||
!Step pattern | |||
!EDO | |||
!Selected multiples | |||
|- | |||
|1:1 | |||
|1 1 1 1 1 1 1 | |||
|[[7edo]] | |||
|[[14edo]], [[21edo]], etc. | |||
|- | |||
|4:3 | |||
| 4 4 3 4 4 4 3 | |||
|[[26edo]] | |||
| | |||
|- | |||
|3:2 | |||
|3 3 2 3 3 3 2 | |||
|[[19edo]] | |||
|[[38edo]] | |||
|- | |||
|5:3 | |||
|5 5 3 5 5 5 3 | |||
|[[31edo]] | |||
| | |||
|- | |||
|2:1 | |||
|2 2 1 2 2 2 1 | |||
|[[12edo]] (standard tuning) | |||
|[[24edo]], [[36edo]], etc. | |||
|- | |||
|5:2 | |||
|5 5 2 5 5 5 2 | |||
|[[29edo]] | |||
| | |||
|- | |||
|3:1 | |||
|3 3 1 3 3 3 1 | |||
|[[17edo]] | |||
|[[34edo]] | |||
|- | |||
|4:1 | |||
|4 4 1 4 4 4 1 | |||
|[[22edo]] | |||
| | |||
|- | |||
|1:0 | |||
|1 1 0 1 1 1 0 | |||
|[[5edo]] | |||
|[[10edo]], [[15edo]], etc. | |||
|}Edos that are multiples of the examples above can be reached by entering non-simplified step ratios. For example, edos that are multiples of 12 are reached by using larger values whose ratio simplifies to 2:1, such as 4:2 for [[24edo]]. | |||
All step ratios lie on a spectrum from 1:1 to 1:0, referred to on the wiki as a scale tree. The step ratios 1:1 and 1:0 represent the limits for valid step ratios. A step ratio that approaches 1:1, where the large and small step are equal to one another, approaches [[7edo]], and a step ratio that approaches 1:0, where the small step "collapses" to zero, approaches [[5edo]]. | |||
TAMNAMS has names for regions of this spectrum based on whether they are "soft" (between 1:1 and 2:1) or "hard" (between 2:1 and 1:0). | |||
===Temperament interpretations=== | |||
:''Main article: [[5L 2s/Temperaments]]'' | |||
5L 2s has several rank-2 temperament interpretations, such as: | |||
*[[Meantone]], with generators around 696.2¢. This includes: | |||
**[[Flattone]], with generators around 693.7¢. | |||
*[[Schismic]], with generators around 702¢. | |||
*[[Parapyth]], with generators around 704.7¢. | |||
*[[Archy]], with generators around 709.3¢. This includes: | |||
** Supra, with generators around 707.2¢ | |||
**Superpyth, with generators around 710.3¢ | |||
** Ultrapyth, with generators around 713.7¢. | |||
==Tuning ranges== | |||
===Simple tunings=== | |||
[[17edo]] and [[19edo]] are the smallest edos that offer a greater variety of pitches than 12edo. Note that any enharmonic equivalences that 12edo has no longer hold for either 17edo or 19edo, as shown in the table below.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=2/1; 3/1; 3/2|Genchain Extend=7}} | |||
===Parasoft tunings=== | |||
:''Main article: [[Flattone]]'' | |||
Parasoft tunings (4:3 to 3:2) correspond to flattone temperaments, characterized by flattened perfect 5ths ([[3/2]], flat of 702¢) to produce major 3rds that are flatter than [[5/4]] (386¢). | |||
Edos include [[19edo]], [[26edo]], [[45edo]], and [[64edo]].{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/2; 4/3; 7/5; 10/7|Genchain Extend=0, 5}} | |||
===Hyposoft tunings === | |||
:''Main article: [[Meantone]]'' | |||
Hyposoft tunings (3:2 to 2:1) correspond to meantone temperaments, characterized by flattened perfect 5ths (flat of 702¢) to produce diatonic major 3rds that approximate 5/4 (386¢). | |||
Edos include [[19edo]], [[31edo]], [[43edo]], and [[50edo]].{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/2; 5/3; 7/4; 8/5|Genchain Extend=0, 5}} | |||
===Hypohard tunings=== | |||
:''Main article: [[Pythagorean tuning]] and [[Schismatic family#Schismatic aka Helmholtz|schismatic temperament]]'' | |||
The range of hypohard tunings can be divided into a minihard range (2:1 to 5:2) and quasihard range (5:2 to 3:1). | |||
==== Minihard tunings==== | |||
Minihard tunings correspond to Pythagorean tuning and schismatic temperament, characterized by having a perfect 5th that is as close to just (701.96¢) as possible, resulting in a major 3rd of [[81/64]] (407¢). | |||
Edos include [[41edo]] and [[53edo]].{{MOS degrees|Scale Signature=5L 2s|Step Ratio=7/3; 9/4|Genchain Extend=0, 5}} | |||
==== Quasihard tunings ==== | |||
Quasihard tunings correspond to "neogothic" or "parapyth" systems whose perfect 5th is slightly sharper than just, resulting in major 3rds that are sharper than 81/64 and minor 3rds that are slightly flat of [[32/27]] (294¢). | |||
Edos include [[17edo]], [[29edo]], and [[46edo]]. 17edo is considered to be on the sharper end of the neogothic spectrum, with a major 3rd that is more discordant than flatter neogothic tunings.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/1; 5/2; 8/3|Genchain Extend=0, 5}} | |||
===Parahard and ultrahard tunings=== | |||
:''Main article: [[Archy]]'' | |||
Parahard (3:1 to 4:1) and ultrahard tunings (4:1 to 1:0) correspond to archy systems, with perfect 5ths that are significantly sharper than than 702¢. | |||
===Parahard | |||
Edos include [[17edo]], [[22edo]], [[27edo]], and [[32edo]], among others.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/1; 4/1; 5/1; 6/1|Genchain Extend=0, 5}} | |||
==Modes== | ==Modes== | ||
Diatonic modes have standard names from classical music theory: | Diatonic modes have standard names from classical music theory: | ||
{{MOS modes}} | {{MOS modes}} | ||
Each mode has the following scale degrees, reached by raising or lowering certain naturals by a chroma. | |||
{| class="wikitable" | |||
! colspan="2" |Mode | |||
! colspan="8" |Scale degree (on C) | |||
|- | |||
!UDP | |||
!Step pattern | |||
!1st | |||
!2nd | |||
!3rd | |||
!4th | |||
!5th | |||
!6th | |||
!7th | |||
!8th | |||
|- | |||
|<nowiki>6|0</nowiki> | |||
|LLLsLLs | |||
|Perfect (C) | |||
|Major (D) | |||
|Major (E) | |||
|Augmented (F#) | |||
|Perfect (G) | |||
|Major (A) | |||
|Major (B) | |||
|Perfect (C) | |||
|- | |||
|<nowiki>5|1</nowiki> | |||
|LLsLLLs | |||
|Perfect (C) | |||
|Major (D) | |||
|Major (E) | |||
|Perfect (F) | |||
|Perfect (G) | |||
|Major (A) | |||
|Major (B) | |||
|Perfect (C) | |||
|- | |||
|<nowiki>4|2</nowiki> | |||
|LLsLLsL | |||
|Perfect (C) | |||
|Major (D) | |||
|Major (E) | |||
|Perfect (F) | |||
|Perfect (G) | |||
|Major (A) | |||
|Minor (Bb) | |||
|Perfect (C) | |||
|- | |||
|<nowiki>3|3</nowiki> | |||
|LsLLLsL | |||
|Perfect (C) | |||
|Major (D) | |||
|Minor (Eb) | |||
|Perfect (F) | |||
|Perfect (G) | |||
|Major (A) | |||
|Minor (Bb) | |||
|Perfect (C) | |||
|- | |||
|<nowiki>2|4</nowiki> | |||
|LsLLsLL | |||
|Perfect (C) | |||
|Major (D) | |||
|Minor (Eb) | |||
|Perfect (F) | |||
|Perfect (G) | |||
|Minor (Ab) | |||
|Minor (Bb) | |||
|Perfect (C) | |||
|- | |||
|<nowiki>1|5</nowiki> | |||
|sLLLsLL | |||
|Perfect (C) | |||
|Minor (Db) | |||
|Minor (Eb) | |||
|Perfect (F) | |||
|Perfect (G) | |||
|Minor (Ab) | |||
|Minor (Bb) | |||
|Perfect (C) | |||
|- | |||
|<nowiki>0|6</nowiki> | |||
|sLLsLLL | |||
|Perfect (C) | |||
|Minor (Db) | |||
|Minor (Eb) | |||
|Perfect (F) | |||
|Diminished (Gb) | |||
|Minor (Ab) | |||
|Minor (Bb) | |||
|Perfect (C) | |||
|} | |||
==Scales== | |||
===Subset and superset scales=== | |||
5L 2s has a parent scale of [[2L 3s]], a pentatonic scale, meaning 2L 3s is a subset. 5L 2s also has the two child scales, which are supersets of 5L 2s: | |||
*[[7L 5s]], a chromatic scale produced using soft-of-basic step ratios. | |||
*[[5L 7s]], a chromatic scale produced using hard-of-basic step ratios. | |||
12edo also contains 5L 2s as the equalized form of both 5L 7s and 7L 5s. | |||
===MODMOS scales and muddles=== | |||
{{main| 5L 2s MODMOSes }} ''and [[5L 2s Muddles]]'' | |||
== | ===Scala files=== | ||
* [[Meantone7]] – 19edo and 31edo tunings | *[[Meantone7]] – 19edo and 31edo tunings | ||
* [[Nestoria7]] – 171edo tuning | *[[Nestoria7]] – 171edo tuning | ||
*[[Pythagorean7]] – Pythagorean tuning | *[[Pythagorean7]] – Pythagorean tuning | ||
*[[Garibaldi7]] – 94edo tuning | *[[Garibaldi7]] – 94edo tuning | ||
* [[Cotoneum7]] – 217edo tuning | *[[Cotoneum7]] – 217edo tuning | ||
*[[Pepperoni7]] – 271edo tuning | *[[Pepperoni7]] – 271edo tuning | ||
*[[Supra7]] – 56edo tuning | *[[Supra7]] – 56edo tuning | ||
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==Scale tree== | ==Scale tree== | ||
{{Scale tree|depth=6|Comments=7/5:[[Flattone]] is in this region;21/13:[[Golden meantone]] (696.2145¢);5/3:[[Meantone]] is in this region;2/1:(Generators smaller than this are proper);9/4:The generator closest to a just [[3/2]] for EDOs less than 200;16/7:[[Garibaldi]] / [[Cassandra]];21/8:Golden neogothic (704.0956¢);8/3:[[Neogothic]] is in this region;4/1:[[Archy]] is in this region}} | |||
{{Scale tree|depth= | |||
=== Step ratio diagram === | |||
[[File:5L2s.jpg|alt=5L2s.jpg|5L2s.jpg]] | [[File:5L2s.jpg|alt=5L2s.jpg|5L2s.jpg]] | ||
==See also== | |||
== | |||
= | |||
[[ | * [[Diatonic functional harmony]] | ||