22edo: Difference between revisions
m Added category "Todo:Complete table", because the "sagittal" section of the table comparing notation systems needs to be completed, and I don't feel confident enough in my understanding of sagittal to try it myself (I think I'd probably get some of it wrong) |
m Link to wiki article about Bosanquet. |
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== Theory == | == Theory == | ||
=== History === | === History === | ||
The idea of dividing the octave into 22 steps of equal size seems to have originated with nineteenth century music theorist [ | The idea of dividing the octave into 22 steps of equal size seems to have originated with nineteenth century music theorist [https://en.wikipedia.org/wiki/Robert_Holford_Macdowall_Bosanquet| R. H. M. Bosanquet]. Inspired by the division of the octave into 22 unequal parts in the [[Indian|music theory of India]], Bosanquet noted that such an equal division was capable of representing 5-limit music with tolerable accuracy. In this he was followed in the twentieth century by theorist José Würschmidt, who noted it as a possible next step after [[19edo|19 equal temperament]], and J. Murray Barbour in his classic survey of tuning history, ''Tuning and Temperament''. | ||
=== Overview to JI approximation quality === | === Overview to JI approximation quality === | ||
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=== Subsets and supersets === | === Subsets and supersets === | ||
As 22 is divisible by 11, a 22edo instrument can play any music in 11edo, in the same way that 12edo can play 6edo (the whole tone scale). 11edo is interesting for sounding melodically very similar to 12edo (whole steps, half steps and minor thirds in the familiar 1:2:3 ratio), but harmonically very different, in particular because it lacks perfect fifths/fourths and 5-limit major thirds/minor sixths. Similarly, 22edo is melodically similar to 24edo as both contain quarter-tones and minor, neutral, and major seconds; but 22edo offers much better all-around harmonies than 24. In [[Sagittal notation]], 11 can be notated as every other note of 22. | As 22 is divisible by 11, a 22edo instrument can play any music in 11edo, in the same way that 12edo can play 6edo (the whole tone scale). 11edo is interesting for sounding melodically very similar to 12edo (whole steps, half steps and minor thirds in the familiar 1:2:3 ratio), but harmonically very different, in particular because it lacks perfect fifths/fourths and 5-limit major thirds/minor sixths. Similarly, 22edo is melodically similar to 24edo as both contain quarter-tones and minor, neutral, and major seconds; but 22edo offers much better all-around harmonies than 24. In [[Sagittal notation]], 11 can be notated as every other note of 22. | ||
== Intervals == | == Intervals == | ||