Kite Guitar Scales: Difference between revisions
→5L3s scales: completed the table |
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41edo contains an exact [[5L 3s]] scale with steps 77277272, but it's very awkward to play. 41edo can approximate 5L3s with L = 6\41 or 8\41 and s = 3\41. This gives rise to five patterns, each of which has 8 modes. The LLsLLsLs mode of each pattern: | 41edo contains an exact [[5L 3s]] scale with steps 77277272, but it's very awkward to play. 41edo can approximate 5L3s with L = 6\41 or 8\41 and s = 3\41. This gives rise to five patterns, each of which has 8 modes. The LLsLLsLs mode of each pattern: | ||
* | * upper pattern: 8 6 3 6 6 3 6 3 | ||
* | * up pattern: 6 8 3 6 6 3 6 3 | ||
* down pattern: 6 6 3 8 6 3 6 3 | |||
* downer pattern: 6 6 3 6 8 3 6 3 | |||
* sym pattern: 6 6 3 6 6 3 8 3 (sym = [[wikipedia:Inversion_(music)#Inversional_equivalency|inversionally symmetric]]) | * sym pattern: 6 6 3 6 6 3 8 3 (sym = [[wikipedia:Inversion_(music)#Inversional_equivalency|inversionally symmetric]]) | ||
Each pattern contains three P5's except the sym pattern which has only two. Modes that contain a P5 from the tonic are '''bolded'''. | Each pattern contains three P5's except the sym pattern which has only two. Modes that contain a P5 from the tonic are '''bolded'''. | ||
{| class="wikitable" | {| class="wikitable" | ||
|+'''modes of 41edo's pseudo-5L3s (Kite guitar moves are +3, +4, -5)''' | |+'''modes of 41edo's pseudo-5L3s (Kite guitar moves are +3, +4, -5)''' | ||
! | ! | ||
! | !upper | ||
! | !up | ||
!down | |||
!downer | |||
!sym | !sym | ||
|- | |- | ||
!#1 | !#1 | ||
|8 6 3 6 6 3 6 3 | |||
|6 8 3 6 6 3 6 3 | |||
|6 6 3 8 6 3 6 3 | |6 6 3 8 6 3 6 3 | ||
|6 6 3 6 8 3 6 3 | |6 6 3 6 8 3 6 3 | ||
|6 6 3 6 6 3 8 3 | |6 6 3 6 6 3 8 3 | ||
|- | |- | ||
!#2 | !#2 | ||
|'''6 6 3 6 3 8 6 3''' | |||
|'''6 6 3 6 3 6 8 3''' | |||
|8 6 3 6 3 6 6 3 | |8 6 3 6 3 6 6 3 | ||
|6 8 3 6 3 6 6 3 | |6 8 3 6 3 6 6 3 | ||
|6 6 3 8 3 6 6 3 | |6 6 3 8 3 6 6 3 | ||
|- | |- | ||
!#3 | !#3 | ||
|6 3 8 6 3 6 6 3 | |||
|6 3 6 8 3 6 6 3 | |||
|'''6 3 6 6 3 8 6 3''' | |'''6 3 6 6 3 8 6 3''' | ||
|'''6 3 6 6 3 6 8 3''' | |'''6 3 6 6 3 6 8 3''' | ||
|8 3 6 6 3 6 6 3 | |8 3 6 6 3 6 6 3 | ||
|- | |- | ||
!#4 | !#4 | ||
|'''6 3 6 6 3 6 3 8''' | |||
|8 3 6 6 3 6 3 6 | |||
|6 3 8 6 3 6 3 6 | |6 3 8 6 3 6 3 6 | ||
|6 3 6 8 3 6 3 6 | |6 3 6 8 3 6 3 6 | ||
|'''6 3 6 6 3 8 3 6''' | |'''6 3 6 6 3 8 3 6''' | ||
|- | |- | ||
!#5 | !#5 | ||
|6 3 6 3 8 6 3 6 | |||
|'''6 3 6 3 6 8 3 6''' | |||
|'''6 3 6 3 6 6 3 8''' | |'''6 3 6 3 6 6 3 8''' | ||
|8 3 6 3 6 6 3 6 | |8 3 6 3 6 6 3 6 | ||
|6 3 8 3 6 6 3 6 | |6 3 8 3 6 6 3 6 | ||
|- | |- | ||
!#6 | !#6 | ||
|3 8 6 3 6 6 3 6 | |||
|3 6 8 3 6 6 3 6 | |||
|3 6 6 3 8 6 3 6 | |3 6 6 3 8 6 3 6 | ||
|'''3 6 6 3 6 8 3 6''' | |'''3 6 6 3 6 8 3 6''' | ||
|'''3 6 6 3 6 6 3 8''' | |'''3 6 6 3 6 6 3 8''' | ||
|- | |- | ||
!#7 | !#7 | ||
|'''3 6 6 3 6 3 8 6''' | |||
|'''3 6 6 3 6 3 6 8''' | |||
|3 8 6 3 6 3 6 6 | |3 8 6 3 6 3 6 6 | ||
|3 6 8 3 6 3 6 6 | |3 6 8 3 6 3 6 6 | ||
|3 6 6 3 8 3 6 6 | |3 6 6 3 8 3 6 6 | ||
|- | |- | ||
!#8 | !#8 | ||
|3 6 3 8 6 3 6 6 | |||
|3 6 3 6 8 3 6 6 | |||
|'''3 6 3 6 6 3 8 6''' | |'''3 6 3 6 6 3 8 6''' | ||
|'''3 6 3 6 6 3 6 8''' | |'''3 6 3 6 6 3 6 8''' | ||
|3 8 3 6 6 3 6 6 | |3 8 3 6 6 3 6 6 | ||
|} | |} | ||
Alternatively, one of the small steps can be 4-arrow (^m2 or A1). There are only four patterns that avoid adjacent odd numbers, which would make three consecutive notes on different strings: | Alternatively, one of the small steps can be 4-arrow (^m2 or A1). There are only four patterns that avoid adjacent odd numbers, which would make three consecutive notes on different strings: | ||
| Line 2,222: | Line 2,220: | ||
* up pattern: 7 6 3 6 6 3 6 4 | * up pattern: 7 6 3 6 6 3 6 4 | ||
* down pattern: 6 6 3 6 7 4 6 3 | * down pattern: 6 6 3 6 7 4 6 3 | ||
* | * up2 pattern: 6 7 4 6 6 3 6 3 | ||
* | * down2 pattern: 6 6 4 7 6 3 6 3 | ||
The last two patterns have 4 notes on just one string. | The last two patterns have 4 notes on just one string, awkwardly spanning 8 frets. Again, modes with a P5 from the tonic are '''bolded'''. The upper tetrachord of these modes is often a familiar diatonic one like 6 7 4 or 7 4 6 or 4 7 6. | ||
{| class="wikitable" | {| class="wikitable" | ||
|+'''modes of 41edo's pseudo-5L3s (Kite guitar moves +3, -3, -5, +2)''' | |+'''modes of 41edo's pseudo-5L3s (Kite guitar moves +3, -3, -5, +2)''' | ||
| Line 2,232: | Line 2,228: | ||
!up | !up | ||
!down | !down | ||
! | !up2 | ||
! | !down2 | ||
|- | |- | ||
!#1 | !#1 | ||
|7 6 3 6 6 3 6 4 | |7 6 3 6 6 3 6 4 | ||
|6 6 3 6 7 4 6 3 | |6 6 3 6 7 4 6 3 | ||
|7 | |6 7 4 6 6 3 6 3 | ||
|6 6 4 7 6 3 6 3 | |6 6 4 7 6 3 6 3 | ||
|- | |- | ||
!#2 | !#2 | ||
| | |6 6 3 6 4 7 6 3 | ||
| | |6 7 4 6 3 6 6 3 | ||
| | |'''6 6 3 6 3 6 7 4''' | ||
| | |7 6 3 6 3 6 6 4 | ||
|- | |- | ||
!#3 | !#3 | ||
| | |6 4 7 6 3 6 6 3 | ||
| | |'''6 3 6 6 3 6 7 4''' | ||
| | |6 3 6 7 4 6 6 3 | ||
| | |6 3 6 6 4 7 6 3 | ||
|- | |- | ||
!#4 | !#4 | ||
| | |'''6 3 6 6 3 6 4 7''' | ||
| | |6 3 6 7 4 6 3 6 | ||
| | |7 4 6 6 3 6 3 6 | ||
| | |6 4 7 6 3 6 3 6 | ||
|- | |- | ||
!#5 | !#5 | ||
| | |6 3 6 4 7 6 3 6 | ||
| | |7 4 6 3 6 6 3 6 | ||
| | |'''6 3 6 3 6 7 4 6''' | ||
| | |'''6 3 6 3 6 6 4 7''' | ||
|- | |- | ||
!#6 | !#6 | ||
| | |4 7 6 3 6 6 3 6 | ||
| | |'''3 6 6 3 6 7 4 6''' | ||
| | |3 6 7 4 6 6 3 6 | ||
| | |3 6 6 4 7 6 3 6 | ||
|- | |- | ||
!#7 | !#7 | ||
| | |'''3 6 6 3 6 4 7 6''' | ||
| | |3 6 7 4 6 3 6 6 | ||
| | |4 6 6 3 6 3 6 7 | ||
| | |4 7 6 3 6 3 6 6 | ||
|- | |- | ||
!#8 | !#8 | ||
| | |3 6 4 7 6 3 6 6 | ||
| | |4 6 3 6 6 3 6 7 | ||
| | |3 6 3 6 7 4 6 6 | ||
| | |'''3 6 3 6 6 4 7 6''' | ||
|} | |} | ||
[[Category:Kite Guitar]] | [[Category:Kite Guitar]] | ||