User:Eliora/Concoctic scale: Difference between revisions
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A '''concoctic scale''' (name proposed by Eliora) is a [[maximally even]] scale which has the same number of notes as its MOS [[generator]]. | |||
12edo 5L2s diatonic scale, the predominantly used scale in the world's music today, is an example. | 12edo 5L2s diatonic scale, the predominantly used scale in the world's music today, is an example. | ||
== Mathematical derivation == | == Mathematical derivation == | ||
The length of a | The length of a maximally even scale's generator can be determined through a '''modular multiplicative inverse''' of the note amount and the tuning size<ref>https://individual.utoronto.ca/kalendis/leap/index.htm</ref>. | ||
<math>ax \equiv 1\mod N</math>, | <math>ax \equiv 1\mod N</math>, | ||
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12edo keyboard layout predominantly in use in the world today features 7 white keys and 5 black keys. In direction-conscious manner, the diatonic scale of 7 keys is obtained by stacking the generator, 7\12 fifth 7 times. Likewise, the pentatonic of black keys is obtained by stacking the 5\12 perfect fourth 5 times. And such scale is generated with the first formula. | 12edo keyboard layout predominantly in use in the world today features 7 white keys and 5 black keys. In direction-conscious manner, the diatonic scale of 7 keys is obtained by stacking the generator, 7\12 fifth 7 times. Likewise, the pentatonic of black keys is obtained by stacking the 5\12 perfect fourth 5 times. And such scale is generated with the first formula. | ||
On the other hand, in [[25edo]], stacking 18\25 will lead to | On the other hand, in [[25edo]], stacking 18\25 will lead to maximally even scale of 7 note "black keys", and stacking 7\25 will result in a 18-note scale of "white keys". This is the EDO that only has the scale through the second formula. | ||
=== Observations === | === Observations === | ||
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|16/15 | |16/15 | ||
| | | | ||
|Forms the Father. | |Forms the [[Father]]. | ||
|- | |- | ||
|10 | |10 | ||
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|[[25/24]] | |[[25/24]] | ||
| | | | ||
|Forms the Dicot. | |Forms the [[Dicot]]. | ||
|- | |- | ||
|12 | |12 | ||
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|[[25/24]] c.II | |[[25/24]] c.II | ||
| | | | ||
|Forms Huxley and | |Forms [[Lovecraft]], [[Huxley]] and [[Subklei]], but with a fair error. | ||
|- | |- | ||
|20 | |20 | ||
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[[Godzilla|81/80 c.II]] | [[Godzilla|81/80 c.II]] | ||
| | | | ||
|Contorted Passion, contorted Helmholtz and Godzilla. | |Contorted [[Passion]], contorted [[Helmholtz (temperament)|Helmholtz]] and [[Godzilla]]. | ||
|- | |- | ||
|25 | |25 | ||
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|[[32805/32768]] | |[[32805/32768]] | ||
| | | | ||
|Forms the Helmholtz. | |Forms the [[Helmholtz (temperament)|Helmholtz]]. | ||
|- | |- | ||
|30 | |30 | ||
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|64000/59049 | |64000/59049 | ||
| | | | ||
|Forms the Satriyo. | |Forms the [[Satriyo]]. | ||
|- | |- | ||
|33 | |33 | ||
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[[Orson|[-21, 3, 7⟩]] | [[Orson|[-21, 3, 7⟩]] | ||
| | | | ||
|31\40 forms the [[Orwell]] or Orson. | |31\40 forms the [[Orwell]] or [[Orson]]. | ||
|- | |- | ||
|41 | |41 | ||
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|15625/15552 c.IV | |15625/15552 c.IV | ||
| | | | ||
|One step short of 53edo's perfect fifth. | |One step short of [[53edo]]'s perfect fifth. | ||
|- | |- | ||
|55 | |55 | ||