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31edo solfege: Difference between revisions

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==Uniform Solfege==
See [[Uniform solfege]] for a full explanation.
{| class="wikitable center-all"
|+
![[31edo]]
!edosteps
! colspan="2" |solfege names
! colspan="4" |[[Ups and downs notation|ups and downs]] names
|-
!unisons
|0-1
| colspan="2" |Da Du
| colspan="2" |P1 ^1
| colspan="2" |C ^C
|-
!2nds
|2-6
|Fro Fra
|Ro Ra Ru
|vm2 m2
| ~2 M2 ^M2
|vDb Db
|vD D ^D
|-
!3rds
|7-11
|No Na
|Mo Ma Mu
|vm3 m3
|~3 M3 ^M3
| vEb Eb
| vE E ^E
|-
! 4ths
|12-14
| colspan="2" |Fo Fa Fu/Po
| colspan="2" |v4 P4 ^4
| colspan="2" |vF F ^F/vF#
|-
!tritones
|15-16
| colspan="2" |Pa/Sho Pu/Sha
| colspan="2" | A4/vd5 ^A4/d5
| colspan="2" |F#/vGb ^F#/Gb
|-
! 5ths
|17-19
| colspan="2" |So Sa Su
| colspan="2" |v5 P5 ^5
| colspan="2" |vG G ^G
|-
!6ths
|20-24
|Flo Fla
|Lo La Lu
|vm6 m6
|~6 M6 ^M6
|vAb Ab
|vA A ^A
|-
!7ths
|25-29
|Tho Tha
|To Ta Tu
|vm7 m7
| ~7 M7 ^M7
| vBb Bb
|vB B ^B
|-
!8ves
|30-31
| colspan="2" |Do Da
| colspan="2" |v8 P8
| colspan="2" |vC C
|}
Extra names: Fru=Ro, Nu=Mo, Shu=So, Flu=Lo, Thu=To
circle of 5ths: '''Da''' Sa Ra La Ma Ta Pa/Sho Fro Flo No Tho Fo '''Do''' So Ro Lo Mo To Po/Fu '''Du''' Su Ru Lu Mu Tu Pu/Sha Fra Fla Na Tha Fa '''Da'''
== Consistent Solfege ==
{| class="wikitable"
![[31edo]]
!solfege names
![[Ups and downs notation|ups and downs]] names
!edosteps
|-
!1sns
|Do Du
|P1 ^1
|0-1
|-
!2nds
|Ruh Re Ru Ra Ri
|vm2 m2 ~2 M2 ^M2
|2-6
|-
!3rds
|Muh Me Mu Ma Mi
|vm3 m3 ~3 M3 ^M3
|7-11
|-
!4ths
|Fuh Fo/Fe Fu
|v4 P4 ^4
|12-14
|-
!tritones
|Fa/Suh Fi/Se
|A4/vd5 ^A4/d5
|15-16
|-
!5ths
|Su So/Sa Si
|v5 P5 ^5
|17-19
|-
!6ths
|Luh Le Lu La Li
|vm6 m6 ~6 M6 ^M6
|20-24
|-
!7ths
|Tuh Te Tu Ta Ti
|vm7 m7 ~7 M7 ^M7
|25-29
|-
!8ves
|Duh Do (Du)
|v8 P8 (^8)
|30-31 (32)
|}
=== Example scales ===
{| class="wikitable"
|+
!Major scale
|Do
|Ra
|Ma
|Fo
|So
|La
|Ta
|Do
|-
!Minor scale
|Do
|Ra
|Me
|Fo
|So
|Le
|Te
|Do
|-
!Upmajor scale
|Do
|Ra
|Mi
|Fo
|So
|Li
|Ti
|Do
|-
!Downminor scale
|Do
|Ra
|Muh
|Fo
|So
|Luh
|Tuh
|Do
|-
!Mid scale
|Do
|Ra
|Mu
|Fo
|So
|Lu
|Tu
|Do
|}
The system shown preserved vowels in perfect fifths in any scale that only uses notes from [[meantone]][7] modes, [[mohajira]][7] modes, and substitutions of meantone intervals with corresponding [[7-limit|septimal]] (7-limit) [[subminor]] or [[supermajor]] intervals, allowing for any diatonic type scale to be simple as easy to learn, as the inconsistencies of So-Ra and Te-Fo can be smoothed out by the fact that Ra can also be called Ro, for perfect second, or [[9/8]], and Fo is also Fe, as it's the "minor fourth", as [[4/3]] is tempered together with [[27/20]]. These [[comma]]s being [[tempered]] allows the system to preserve a surprising amount of consistency, being extremely easy to learn. Du is used for the up unison because it helps consistency, is generally used as a [[quartertone]] in scales like [[Centaurus]], and because it allows the also common augmented and upaugmented unisons to be named, with Da and Di.
The system is built on this consistency, and preserves the standard minor intervals names, as well as -a as the standard major from La, and Ti as the strongest leading tone, here being the upmajor seventh. The remaining vowels of -uh for sub and -u for neutral are used because they correspond to the vowel sounds from their respective words.
=== Expanding the System ===
To expand into intervals that surpass these, such as the ^A5, we will extend to Augmented, Diminished, Upaugmented, and Downdiminished intervals. The vowels for these are -ah (short a sound), -ih (for the short i in diminished), oy, and ow (for down) respectively. They work similarly to the others, and are first used in the second set of unisons, allowing the M7-A4 and d5-m2 perfect fifths and others of the sort to still use consistent vowels, as they show up in diatonic scales.
If intervals are used solely for their 3-limit role, such as the M2 or in some cases the M6, the names Ro and Lo may be used, for perfect second or perfect sixth, as Ra can be thought of to imply 10/9, while Ro would imply 9/8, similarly to Lo and 27/16. In other cases, Mo would be 32/27 and To would be 16/9. A situation where this naming scheme may be used would be in Harrison Major, P1 M2 ^M3 P4 P5 M6 ^M7 P8, where the M6 is used so that the ii chord has a perfect fifth, while the vi chord has a [[Wolf interval|wolf fifth]] in order to be used as a "wolf tonic" to prevent tonicization.
==Kite Giedraitis's solfege==
==Kite Giedraitis's solfege==


[[Kite Giedraitis|Kite's]] solfege is nicknamed "Do Re Me" for harmonics 8:9:10. It uses the conventional consonants D, R, M, F, S, L and T. It uses unconventional vowels. For each degree, the sequence runs [[wikipedia:Front_vowel|front]] to [[wikipedia:Back_vowel|back]] (i.e. bright to dim) -i -e -a -o -u for upmajor-major-mid-minor-downminor. Kite's [[24edo solfege]] #1 is a subset of this solfege.
[[Kite Giedraitis|Kite's]] solfege (not to be confused with the above-mentioned uniform solfege for 31edo, also by Kite) uses the conventional consonants D, R, M, F, S, L and T. It uses unconventional vowels. For each degree, the sequence runs [[wikipedia:Front_vowel|front]] to [[wikipedia:Back_vowel|back]] (i.e. bright to dim) -i -e -a -o -u for upmajor-major-mid-minor-downminor. Kite's [[24edo solfege]] is a subset of this solfege.
{| class="wikitable" style="text-align:center"
{| class="wikitable" style="text-align:center"
|+
|+
Line 14: Line 208:
|0-1
|0-1
|-
|-
!2nds
! 2nds
|Ru Ro Ra Re Ri
|Ru Ro Ra Re Ri
|vm2 m2 ~2 M2 ^M2
| vm2 m2 ~2 M2 ^M2
|2-6
| 2-6
|-
|-
!3rds
!3rds
|Mu Mo Ma Me Mi
|Mu Mo Ma Me Mi
|vm3 m3 ~3 M3 ^M3
|vm3 m3 ~3 M3 ^M3
|7-11
| 7-11
|-
|-
!4ths
!4ths
|Fu Fo Fa
|Fu Fo Fa
|v4 P4 ^4
| v4 P4 ^4
|12-14
|12-14
|-
|-
!tritones
!tritones
|Fe/Su Fi/So
|Fe/Su Fi/So
| A4/vd5 ^A4/d5
|A4/vd5 ^A4/d5
|15-16
|15-16
|-
|-
!5ths
! 5ths
|Sa Se Si
|Sa Se Si
|v5 P5 ^5
|v5 P5 ^5
|17-19
| 17-19
|-
|-
!6ths
!6ths
|Lu Lo La Le Li
| Lu Lo La Le Li
|vm6 m6 ~6 M6 ^M6
|vm6 m6 ~6 M6 ^M6
|20-24
|20-24
Line 47: Line 241:
|Tu To Ta Te Ti
|Tu To Ta Te Ti
|vm7 m7 ~7 M7 ^M7
|vm7 m7 ~7 M7 ^M7
|25-29
| 25-29
|-
|-
!8ves
! 8ves
|Du Do (Da)
|Du Do
|v8 P8 (^8)
|v8 P8
|30-31 (32)
|30-31
|}
|}
Beware: Mi, Fa, So, La and Ti all have new meanings!
Beware: Mi, Fa, So, La and Ti all have new meanings!
Line 100: Line 294:
|-
|-
!Mid scale
!Mid scale
| Do
|Do
|Re
|Re
|Ma
|Ma
Line 106: Line 300:
|Se
|Se
|La
|La
| Ta
|Ta
|Do
|Do
|}
|}
Line 118: Line 312:


Once this is fully internalized, add in the other 4 vowels.
Once this is fully internalized, add in the other 4 vowels.
===The circle of fifths===
===The circle of fifths===
The 5 vowels create 5 chains of fifths. The 2 tritones with duplicate names each connect 2 pairs of chains. Thus there are only 3 fifths that don't rhyme:  
The 5 vowels create 5 [[chain of fifths|chains of fifths]]. The 2 [[tritone]]s with duplicate names each connect 2 pairs of chains. Thus there are only 3 fifths that don't rhyme:  


*Do - Se (P1 to P5)
*Do - Se (P1 to P5)
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(read left-to-right, top-row-to-bottom-row)
(read left-to-right, top-row-to-bottom-row)
!1sn
!1sn
!5th
! 5th
!2nd
! 2nd
! 6th
!6th
!3rd
!3rd
!7th
!7th
Line 172: Line 367:
|-
|-
|So
|So
|Ro
| Ro
| Lo
|Lo
| Mo
|Mo
|To
|To
|Fo
|Fo
Line 181: Line 376:


However going a 5th up from an aug or upaug 4th would go to an aug or upaug 8ve, which doesn't exist in this solfege. Therefore one must rename the 4th as a dim 5th, then go up to a minor 2nd. Thus Fe + 5th = Su + 5th = Ru. Dim 5ths may also need renaming: So + 4th = Fi + 4th = Ti.
However going a 5th up from an aug or upaug 4th would go to an aug or upaug 8ve, which doesn't exist in this solfege. Therefore one must rename the 4th as a dim 5th, then go up to a minor 2nd. Thus Fe + 5th = Su + 5th = Ru. Dim 5ths may also need renaming: So + 4th = Fi + 4th = Ti.
==Andrew Heathwaite's solfege==
==Andrew Heathwaite's solfege==
[[Andrew Heathwaite]]'s solfege is a subset of his [[41edo]] solfege. It expands on the conventional Do - Di/Ra - Re - Ri/Me - Mi - Fa - Fi/Se - So - Si/Le - La - Li/Te - Ti - Do. As a result there are 6 different vowel sequences.
[[Andrew Heathwaite]]'s solfege is a subset of his [[41edo]] solfege. It expands on the conventional Do - Di/Ra - Re - Ri/Me - Mi - Fa - Fi/Se - So - Si/Le - La - Li/Te - Ti - Do. As a result there are 6 different vowel sequences.
{| class="wikitable" style="text-align:center"
{| class="wikitable" style="text-align:center"
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!edosteps
!edosteps
|-
|-
! unisons
!unisons
| Do Di
|Do Di
|P1 ^1
|P1 ^1
|0-1
| 0-1
|-
|-
! 2nds
!2nds
|Ro Ra Ru Re Ri
|Ro Ra Ru Re Ri
|vm2 m2 ~2 M2 ^M2
|vm2 m2 ~2 M2 ^M2
|2-6
|2-6
|-
|-
!3rds
! 3rds
|Ma Me Mu Mi Mo
|Ma Me Mu Mi Mo
|vm3 m3 ~3 M3 ^M3
|vm3 m3 ~3 M3 ^M3
|7-11
|7-11
|-
|-
! 4ths
!4ths
|Fe Fa Fu Fi
|Fe Fa Fu Fi
| v4 P4 ^4 A4
|v4 P4 ^4 A4
|12-15
|12-15
|-
|-
!5ths
!5ths
|Se Su So (or Sol) Si
|Se Su So (or Sol) Si
|d5 v5 P5 ^5
| d5 v5 P5 ^5
|16-19
|16-19
|-
|-
! 6ths
!6ths
|Lo Le Lu La Li
|Lo Le Lu La Li
|vm6 m6 ~6 M6 ^M6
|vm6 m6 ~6 M6 ^M6
Line 227: Line 422:
|-
|-
!8ves
!8ves
|Da Do (Di)
|Da Do
|v8 P8 (^8)
|v8 P8
|30-31 (32)
|30-31
|}
|}
See also: [[17edo Solfege]], [[22edo Solfege]], [[29edo solfege|29edo Solfege]] and [[41edo solfege|41edo Solfege]].
See also: [[17edo Solfege]], [[22edo Solfege]], [[29edo solfege|29edo Solfege]] and [[41edo solfege|41edo Solfege]].


For intervals that appear in the diatonic scale, the traditional solfege names are grandfathered in. While this makes it easier to learn the new syllables as extensions of the old ones — if you are trained with the old ones to begin with — it also makes for many irregularities.
For intervals that appear in the [[diatonic scale]], the traditional solfege names are grandfathered in. While this makes it easier to learn the new syllables as extensions of the old ones — if you are trained with the old ones to begin with — it also makes for many irregularities.


The syllables '''do, re, mi, fa, so[l], la, ti''' have the same meaning as traditional major and perfect intervals. The names for minor intervals are also retained: '''ra, me, le, te''', as well as the augmented fourth, '''fi''', and diminished fifth, '''se'''. Some traditional names for chromatically-altered intervals appear here, but altered by a semisharp or semiflat, rather than a full sharp or flat: '''di''' for a semiaugmented unison, '''da''' for a semidiminished unison, '''ri''' for a semiaugmented second, '''fe''' for a semidiminished fourth, '''si''' for a semiaugmented fifth, and '''li''' for a semiaugmented sixth. The remaining syllables flesh out the septimal and undecimal intervals which are not represented in 12edo.
The syllables '''do, re, mi, fa, so[l], la, ti''' have the same meaning as traditional major and perfect intervals. The names for minor intervals are also retained: '''ra, me, le, te''', as well as the augmented fourth, '''fi''', and diminished fifth, '''se'''. Some traditional names for chromatically-altered intervals appear here, but altered by a semisharp or semiflat, rather than a full sharp or flat: '''di''' for a semiaugmented unison, '''da''' for a semidiminished unison, '''ri''' for a semiaugmented second, '''fe''' for a semidiminished fourth, '''si''' for a semiaugmented fifth, and '''li''' for a semiaugmented sixth. The remaining syllables flesh out the septimal and undecimal intervals which are not represented in 12edo.
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|Sol
|Sol
|La
|La
| Ti
|Ti
|Do
|Do
|-
|-
Line 337: Line 532:
!Downminor scale
!Downminor scale
|Do
|Do
| Re
|Re
|Ma
|Ma
|Fa
|Fa
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