User:Inthar/13edo: Difference between revisions
Created page with "This page describes User:Inthar's approach to 13edo, mainly based on oneirotonic (5L 3s). == Standing assumptions == The Fox-Raven absolute pitch system is used in..." |
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|- | |- | ||
| | LLLsLsLs | | | LLLsLsLs | ||
| style="text-align:center;" | 7|0 | | style="text-align:center;" | 7|0 #3d | ||
| | Dylydian (Dylathian # | | | Dylydian (Dylathian #3d) | ||
|- | |- | ||
| | LLsLsLsL | | | LLsLsLsL | ||
| style="text-align:center;" | 6|1 | | style="text-align:center;" | 6|1 b7d | ||
| | Illarmixian (Illarnekian | | | Illarmixian (Illarnekian b7d) | ||
|- | |- | ||
| | LsLLLsLs | | | LsLLLsLs | ||
| style="text-align:center;" | 5|2 | | style="text-align:center;" | 5|2 #5d | ||
| | Celdorian (Celephaïsian # | | | Celdorian (Celephaïsian #5d) | ||
|- | |- | ||
| | sLLLsLsL | | | sLLLsLsL | ||
| style="text-align:center;" | 4|3 | | style="text-align:center;" | 4|3 b1d | ||
| | Ulphrygian (Ultharian | | | Ulphrygian (Ultharian b1d) | ||
|- | |- | ||
| | LsLsLLLs | | | LsLsLLLs | ||
| style="text-align:center;" | 3|4 | | style="text-align:center;" | 3|4 #7d | ||
| | Mnionian (Mnarian # | | | Mnionian (Mnarian #7d) | ||
|- | |- | ||
| | sLsLLLsL | | | sLsLLLsL | ||
| style="text-align:center;" | 0|7 | | style="text-align:center;" | 0|7 #6d | ||
| | Sardorian (Sarnathian # | | | Sardorian (Sarnathian #6d) | ||
|- | |- | ||
| | LsLsLsLL | | | LsLsLsLL | ||
| style="text-align:center;" | 3|4 | | style="text-align:center;" | 3|4 b6d | ||
| | Mnaeolian (Mnarian | | | Mnaeolian (Mnarian b6d) | ||
|- | |- | ||
| | sLsLsLLL | | | sLsLsLLL | ||
| style="text-align:center;" | 0|7 | | style="text-align:center;" | 0|7 #5d | ||
| | Sarlocrian (Sarnathian | | | Sarlocrian (Sarnathian b5d) | ||
|} | |} | ||
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In [[18edo]], the augmented 3-mosstep (LLL) is a 600¢ tritone, which can be used as a dissonance. | In [[18edo]], the augmented 3-mosstep (LLL) is a 600¢ tritone, which can be used as a dissonance. | ||
==== | ==== Modes of the harmonic Mnarian scale ==== | ||
We call the scale LsLsLsLAs (with A = L + chroma) the ''harmonic Mnarian'' scale. The table below shows the modes of Harmonic Mnarian. | |||
{| class="wikitable" | |||
|- | |||
| style="text-align:center;" | '''Mode''' | |||
| style="text-align:center;" | [[Modal UDP Notation|'''UDP''']] | |||
| style="text-align:center;" | '''Name''' | |||
|- | |||
| | LsLsLsAs | |||
| style="text-align:center;" | 3|4 b6d #7d | |||
| | Mnarian b6d #7d | |||
|- | |||
| | sLsLsAsL | |||
| style="text-align:center;" | 0|7 b5d #7d | |||
| | Sarnathian b5d #7d | |||
|- | |||
| | LsLsAsLs | |||
| style="text-align:center;" | 3|4 #5d #7d | |||
| | Mnarian #5d #7d | |||
|- | |||
| | sLsAsLsL | |||
| style="text-align:center;" | 0|7 #4d #6d | |||
| | Sarnathian #4d #6d | |||
|- | |||
| | LsAsLsLs | |||
| style="text-align:center;" | 5|3 #3d #5d | |||
| | Celephaïsian #3d #5d | |||
|- | |||
| | sAsLsLsL | |||
| style="text-align:center;" | 4|3 b1d #3d | |||
| | Ultharian b1d #3d | |||
|- | |||
| | AsLsLsLs | |||
| style="text-align:center;" | 7|0 #1d #3d | |||
| | Dylathian #1d #3d | |||
|- | |||
| | sLsLsLsA | |||
| style="text-align:center;" | 0|7 b5d b7d | |||
| | Sarnathian b5d b7d | |||
|} | |||
== 13edo oneiro chordal theory == | == 13edo oneiro chordal theory == | ||
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13edo oneiro enjoys two main (rooted) delta-rational sonorities analogous to major and minor triads: 0-(185)-369-646 ("delta-rational major triad" or just "major"/"Maj") and 0-277-738-923 ("delta-rational minor tetrad" or just "minor"/"min"). One of these chords are on the root in the 6 brightest modes of oneirotonic. In the two darkest modes, I think 0-277-738-1015 or 0-738-1015-277 works well. The chord 0-277-738 will be called "minor triad" or "mintri", and 0-277-646-923 will be called "minor diminished" or "mindim". | 13edo oneiro enjoys two main (rooted) delta-rational sonorities analogous to major and minor triads: 0-(185)-369-646 ("delta-rational major triad" or just "major"/"Maj") and 0-277-738-923 ("delta-rational minor tetrad" or just "minor"/"min"). One of these chords are on the root in the 6 brightest modes of oneirotonic. In the two darkest modes, I think 0-277-738-1015 or 0-738-1015-277 works well. The chord 0-277-738 will be called "minor triad" or "mintri", and 0-277-646-923 will be called "minor diminished" or "mindim". | ||
[https:// | [https://luphoria.com/xenpaper/#(bpm%3A60)(osc%3Asawtooth2)%7B13edo%7D%0A%7Br179hz%7D%0A(env%3A1811)%0A%23_0_2_3_5_7_8_10_12_13%0A%5B%600_%608_3_8_10_'0%5D-%0A%5B%602_5_10_12_'2%5D-%0A%5B%603_5_7_10_'0_'3%5D-%0A%5B%605_8_13_'2_'5%5D-%0A%5B%607_10_13_'3_'7%5D-%0A%5B%608_10_12_'2_'8%5D-%0A%5B%6010_'0_'5_'7_'10%5D-%0A%5B%6012_'2_'5_'8_'12%5D-%0A%5B0_'3_8_10_'13%5D- A progression on the ascending Celephaïsian scale] | ||
[https:// | [https://luphoria.com/xenpaper/#(bpm%3A60)(osc%3Asawtooth2)%7B13edo%7D%0A%7Br274.988hz%7D%0A(env%3A1811)%0A%23_0_2_3_5_6_8_10_12_13%0A%5B%600_%608_0_3_10_%270%5D-%0A%5B%602_%6010_2_5_10%5D12%0A%5B%603_0_3_6_13_%273%5D-%0A%5B%605_2_8_13_15_%278%5D%275%0A%5B%606_0_3_8_10_%276%5D-%0A%5B%608_2_5_10_%275%5D-%0A%5B%6010_0_6_8_%273%5D-%0A%5B%6012_5_8_12_%272%5D-%0A%5B0_3_8_10_12_13%5D- A progression on the ascending Melodic Mnarian scale] | ||
Adding 923 and 1108 to chords works well, and for jazzy extensions one can add 185, 461, and 646 to the upper octave. | Adding 923 and 1108 to chords works well, and for jazzy extensions one can add 185, 461, and 646 to the upper octave. | ||
[https:// | [https://luphoria.com/xenpaper/#(bpm%3A240)(osc%3Asawtooth2)%7B13edo%7D%0A%7Br360hz%7D%0A(env%3A1847)%0A%23_0_2_3_5_6_8_10_11~12_13%0A%5B%600_%608_0%5D_3_6_8-----........%0A%5B%600_%608_0%5D_3_8_10-----.......13%0A%5B%60%608_%608_11%5D_%6011_2_3---6_3-2-3-5-%0A%5B%605_5_8_11_13_8%5D-_11_13----_13_'2------%0A%5B%600_%608_0%5D_3_6_8-----........%0A%5B%600_%608_0%5D_3_8_10-----.....'3'2'0%0A%5B%603_3_6_8_0_11%5D-13_%5B%602_5_8%5D-_11-_8_%5B0_10%5D-_%5B%6011_8%5D_%5B%6010_6%5D-%5B%6011_8%5D_%5B%6010_6%5D_%5B%608_5%5D%0A%5B%603_%606_%6011_3%5D-_%5B%602_5%5D-_%5B%600_3%5D-.._%0A%5B%608_%608_%6010_%6012_2%5D_%608_%6010_%6012---- A Mnarian loop with an &8 leading tone at the end] | ||
[https:// | [https://luphoria.com/xenpaper/#(bpm%3A30)(osc%3Asawtooth2)%0A%7Br200Hz%7D%7B13edo%7D%0A(env%3A1846)%0A%5B0_4_7_10_%272_%276_%279_%2712%5D-.._%23_Dylydian%0A%5B0_5_9_%270_%272_%274_%277_%2710_%2712%5D-.._%23_Dylathian%0A%5B0_5_8_10_%270_%272_%274_%277_%2712%5D-.._%23_Illarnekian%0A%5B0_3_8_10_%272_%275_%277_%2712%5D-.._%23_Celepha%C3%AFsian%0A%5B0_5_9_%273_%277_%2710_%2712_%27%272%5D-.._%23_Celdorian%0A%5B0_3_6_8_%2711_%272_%275_10%5D-.._%23_Mnarian%0A%5B0_3_6_8_10_%272_%275_%2712%5D-.._%23_Mnionian Some motherchords of oneiro modes] | ||
=== Functional chords on each degree === | === Functional chords on each degree === | ||
Celephaisian | Celephaisian | ||
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=== Alterations === | === Alterations === | ||
=== Modulations === | === Modulations === | ||
[[Category:13edo]] | |||
[[Category:Method]] | |||
[[Category:Approaches to tuning systems]] | |||