Skip fretting system 48 2 13: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
Jeff Brown (talk | contribs)
start page
 
Yourmusic Productions (talk | contribs)
m formatting
 
(5 intermediate revisions by 3 users not shown)
Line 1: Line 1:
One way to play 48-edo on a 24-edo guitar is to tune each pair of adjacent strings 13\48 apart. (That's 325 cents, a bit sharp of 6:5.)
One way to play [[48-edo]] on a [[24-edo]] guitar is to tune each pair of adjacent strings 13\48 apart. (That's 325 cents, a bit sharp of 6:5.)


48-edo improves on 24-edo's 5:4 a little, its 7:4 a lot, and its 23:16 and 29:16 enormously. Among the possible [[skip fretting]] systems for 48-edo, this one is especially convenient in that every 11-limit ratio spans at most 3 frets. In fact, so does every ratio in the 2.3.5.7.11.29 group.
48-edo improves on 24-edo's 5:4 a little, its 7:4 a lot, and its 23:16 and 29:16 enormously. Among the possible [[skip fretting]] systems for 48-edo, the (48,2,13) system is especially convenient in that every 11-limit ratio spans at most 3 frets. In fact, so does every ratio in the 2.3.5.7.11.29 group. Since it makes it particularly easy to play music composed in [[doublewide]] temperament, it could also be called a doublewide guitar.  


Here is where all the primes intervals lie. From these, the location of any other interval can be added by summing the string-fret positions of its factors as vectors. So, for instance, since 3%2 lies at (string 2, fret 1) and 5%4 lies at (string 1, fret 1), their product 15%8 lies at (string 3, fret 2).
Here is where all the primes intervals lie.  


0 steps = 1 % 1   : string 0 fret  0
{| class="wikitable"
48 steps = 2 % 1   : string 4 fret -2
! note
28 steps = 3 % 2   : string 2 fret  1
! fretboard position
15 steps = 5 % 4   : string 1 fret  1
|-
39 steps = 7 % 4   : string 3 fret  0
| 0 steps = 1 % 1
22 steps = 11 % 8 : string 2 fret -2
| string 0 fret  0
34 steps = 13 % 8 : string 2 fret  4
|-
4 steps = 17 % 16 : string 0 fret  2
| 48 steps = 2 % 1
12 steps = 19 % 16 : string 0 fret  6
| string 4 fret -2
25 steps = 23 % 16 : string 1 fret  6
|-
41 steps = 29 % 16 : string 3 fret  1
| 28 steps = 3 % 2
46 steps = 31 % 16 : string 4 fret -3
| string 2 fret  1
|-
| 15 steps = 5 % 4
| string 1 fret  1
|-
| 39 steps = 7 % 4
| string 3 fret  0
|-
| 22 steps = 11 % 8
| string 2 fret -2
|-
| 34 steps = 13 % 8
| string 2 fret  4
|-
| 4 steps = 17 % 16
| string 0 fret  2
|-
| 12 steps = 19 % 16
| string 0 fret  6
|-
| 25 steps = 23 % 16
| string 1 fret  6
|-
| 41 steps = 29 % 16
| string 3 fret  1
|-
| 46 steps = 31 % 16
| string 4 fret -3
|}
 
From these, the location of a compound intervals N can be added by vector-summing the string-fret positions of N's factors. For instance, since 3%2 lies at (string 2, fret 1) and 5%4 lies at (string 1, fret 1), their product 15%8 lies at (string 3, fret 2).
 
[[Category:Skip fretting]] [[Category:48edo]]

Latest revision as of 11:22, 7 November 2023

One way to play 48-edo on a 24-edo guitar is to tune each pair of adjacent strings 13\48 apart. (That's 325 cents, a bit sharp of 6:5.)

48-edo improves on 24-edo's 5:4 a little, its 7:4 a lot, and its 23:16 and 29:16 enormously. Among the possible skip fretting systems for 48-edo, the (48,2,13) system is especially convenient in that every 11-limit ratio spans at most 3 frets. In fact, so does every ratio in the 2.3.5.7.11.29 group. Since it makes it particularly easy to play music composed in doublewide temperament, it could also be called a doublewide guitar.

Here is where all the primes intervals lie.

note fretboard position
0 steps = 1 % 1 string 0 fret 0
48 steps = 2 % 1 string 4 fret -2
28 steps = 3 % 2 string 2 fret 1
15 steps = 5 % 4 string 1 fret 1
39 steps = 7 % 4 string 3 fret 0
22 steps = 11 % 8 string 2 fret -2
34 steps = 13 % 8 string 2 fret 4
4 steps = 17 % 16 string 0 fret 2
12 steps = 19 % 16 string 0 fret 6
25 steps = 23 % 16 string 1 fret 6
41 steps = 29 % 16 string 3 fret 1
46 steps = 31 % 16 string 4 fret -3

From these, the location of a compound intervals N can be added by vector-summing the string-fret positions of N's factors. For instance, since 3%2 lies at (string 2, fret 1) and 5%4 lies at (string 1, fret 1), their product 15%8 lies at (string 3, fret 2).