Wikispaces>Andrew_Heathwaite |
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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | == Andrew Heathwaite's solfege == |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| |
| : This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2008-10-30 16:43:36 UTC</tt>.<br>
| |
| : The original revision id was <tt>44373989</tt>.<br>
| |
| : The revision comment was: <tt></tt><br>
| |
| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
| |
| <h4>Original Wikitext content:</h4>
| |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Expanding the "movable-do" solfege system for [[17edo]]: an aid for microtonal singing; a way of wrapping yr brain around a new sound system.
| |
|
| |
|
| Ordinary solfege syllables work very well in 17:
| | === Basic solfege === |
| | [[Andrew Heathwaite|Andrew]]'s solfege expands on the conventional Do - Di/Ra - Re - Ri/Me - Mi - Fa - Fi/Se - So - Si/Le - La - Li/Te - Ti - Do. Note that syllables usually treated as enharmonic equivalents become distinct pitches in 17edo. Note that Di (the A1) is wider than Ra (the m2). |
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| |
|
| || C || Db || C# || D || Eb || D# || E || F || Gb || F# || G || Ab || G# || A || Bb || A# || B || | | {| class="wikitable" style="text-align:center" |
| || do || ra || di || re || me || ri || mi || fa || se || fi || sol || le || si || la || te || li || do || | | |- |
| | ![[17edo]] |
| | ! 0 |
| | ! 1 |
| | ! 2 |
| | ! 3 |
| | ! 4 |
| | ! 5 |
| | ! 6 |
| | ! 7 |
| | ! 8 |
| | ! 9 |
| | ! 10 |
| | ! 11 |
| | ! 12 |
| | ! 13 |
| | ! 14 |
| | ! 15 |
| | ! 16 |
| | !17 |
| | |- |
| | !notes (fixed-do) |
| | | C |
| | | Db |
| | | C# |
| | | D |
| | | Eb |
| | | D# |
| | | E |
| | | F |
| | | Gb |
| | | F# |
| | | G |
| | | Ab |
| | | G# |
| | | A |
| | | Bb |
| | | A# |
| | | B |
| | |C |
| | |- |
| | !intervals (movable-do) |
| | |P1 |
| | |m2 |
| | |A1 |
| | |M2 |
| | |m3 |
| | |A2 |
| | |M3 |
| | |P4 |
| | |d5 |
| | |A4 |
| | |P5 |
| | |m6 |
| | |A5 |
| | |M6 |
| | |m7 |
| | |A6 |
| | |M7 |
| | |P8 |
| | |- |
| | !solfege |
| | |Do |
| | |Ra |
| | |Di |
| | |Re |
| | |Me |
| | |Ri |
| | |Mi |
| | |Fa |
| | |Se |
| | |Fi |
| | |So |
| | |Le |
| | |Si |
| | |La |
| | |Te |
| | |Li |
| | |Ti |
| | |Do |
| | |} |
|
| |
|
| Note that syllables usually treated as enharmonic equivalents become distinct pitches in 17 (eg. "ra" & "di"). Spelling matters here.
| | Listed as a circle of 5ths: Se Ra Le Me Te Fa '''Do''' So Re La Mi Ti Fi '''Di''' Si Ri Li (Se) |
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| |
|
| This system could work just fine on its own, but what if I want to respell the pitches to put them into another pitch class? For example, what if I want to treat D# as a kind of third (a neutral third) instead of a kind of second (an augmented second)? For pitches, we have up-down arrows (thank you Sagittal) that can allow us to respell like this:
| | The intervals run from dim5 to aug6. Note the strangely-spelled 5th from Li to Se (a double-dim 7th) that completes the circle. |
|
| |
|
| || C || Db || C# || D || Eb || D# || E || F || Gb || F# || G || Ab || G# || A || Bb || A# || B ||
| | === Expanded solfege === |
| || C || C-up || D-down || D || D-up || E-down || E || F || F-up || G-down || G || G-up || A-down || A || A-up || B-down || B ||
| | To avoid naming ascending intervals as descending (e.g. Ra-Di or Me-Ri), 10 enharmonic equivalents are added, so that the 10 black keys each have two names. The 6 mid intervals use -u. The 4 half-aug intervals ^1, ^M2, ^5 and ^M6 use either -a or -o, whichever one doesn't conflict with a pre-existing syllable. |
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| |
|
| So, for example, we can respell our augmented second, D#, as a neutral third, E-down, & get something more intuitive & useful for certain purposes.
| | {| class="wikitable" style="text-align:center" |
| | |- |
| | ! 0 |
| | ! 1 |
| | ! 2 |
| | ! 3 |
| | ! 4 |
| | ! 5 |
| | ! 6 |
| | ! 7 |
| | ! 8 |
| | ! 9 |
| | ! 10 |
| | ! 11 |
| | ! 12 |
| | ! 13 |
| | ! 14 |
| | ! 15 |
| | ! 16 |
| | !17 |
| | |- |
| | | C |
| | | ^C / Db |
| | | C# / vD |
| | | D |
| | | ^D / Eb |
| | | D# / vE |
| | | E |
| | | F |
| | | ^F / Gb |
| | | F# / vG |
| | | G |
| | | ^G / Ab |
| | | G# / vA |
| | | A |
| | | ^A / Bb |
| | | A# / vB |
| | | B |
| | |C |
| | |- |
| | |P1 |
| | |^1 / m2 |
| | |A1 / ~2 |
| | |M2 |
| | |^M2 / m3 |
| | |A2 / ~3 |
| | |M3 |
| | |P4 |
| | |~4 / d5 |
| | |A4 / ~5 |
| | |P5 |
| | |^5 / m6 |
| | |A5 / ~6 |
| | |M6 |
| | |^M6 / m7 |
| | |A6 / ~7 |
| | |M7 |
| | |P8 |
| | |- |
| | |Do |
| | |Da / Ra |
| | |Di / Ru |
| | |Re |
| | |Ro / Me |
| | |Ri / Mu |
| | |Mi |
| | |Fa |
| | |Fu / Se |
| | |Fi / Su |
| | |So |
| | |Sa / Le |
| | |Si / Lu |
| | |La |
| | |Lo / Te |
| | |Li / Tu |
| | |Ti |
| | |Do |
| | |} |
|
| |
|
| But what if we want solfege syllables for these respellings?
| | Listed as a chain of mid-3rds, with 6 gaps: |
|
| |
|
| ===ru, mu, lu & tu===
| | Se (no vm7) Ra (no v4) Le (no '''v1''') Me Su Te Ru Fa Lu '''Do''' Mu So Tu Re Fu La '''Da''' Mi Sa Ti Ro Fi Lo '''Di''' (no ^M3) Si (no ^M7) Ri (no ^A4) Li |
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| |
|
| I offer the suffix "-u" to indicate neutral 2nds, 3rds, 6ths, & 7ths.
| | Listed by degree: |
| | {| class="wikitable" style="text-align:center" |
| | |+ |
| | ![[17edo]] |
| | !0 |
| | !1 |
| | !2 |
| | !3 |
| | !4 |
| | !5 |
| | !6 |
| | !7 |
| | !8 |
| | !9 |
| | !10 |
| | !11 |
| | !12 |
| | !13 |
| | !14 |
| | !15 |
| | !16 |
| | !17 |
| | |- |
| | !1sns |
| | |Do |
| | |Da |
| | |Di |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | |- |
| | !2nds |
| | | |
| | |Ra |
| | |Ru |
| | |Re |
| | |Ro |
| | |Ri |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | |- |
| | !3rds |
| | | |
| | | |
| | | |
| | | |
| | |Me |
| | |Mu |
| | |Mi |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | |- |
| | !4ths |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | |Fa |
| | |Fu |
| | |Fi |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | |- |
| | !5ths |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | |Se |
| | |Su |
| | |So |
| | |Sa |
| | |Si |
| | | |
| | | |
| | | |
| | | |
| | | |
| | |- |
| | !6ths |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | |Le |
| | |Lu |
| | |La |
| | |Lo |
| | |Li |
| | | |
| | | |
| | |- |
| | !7ths |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | |Te |
| | |Tu |
| | |Ti |
| | | |
| | |- |
| | !8ves |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | |Do |
| | |} |
| | See also [[22edo Solfege]] |
|
| |
|
| || C || Db || **D-down** || D || Eb || **E-down** || E || F || Gb || F# || G || Ab || **A-down** || A || Bb || **B-down** || B ||
| | == Uniform Solfege == |
| || do || ra || **ru** || re || me || **mu** || mi || fa || se || fi || sol || le || **lu** || la || te || **tu** || ti ||
| | See [[Uniform solfege]] for a full explanation. |
| | | {| class="wikitable center-all" |
| So if we encounter a "ru," we know to take it as a neutral second (not an augmented unison); if we encounter "lu," we know to take it as a neutral sixth (not an augmented fifth) & so on.
| | |+ |
| | | ![[17edo]] |
| ===fu & su=== | | !0 |
| | | !1 |
| What about the two tritones? Perhaps you want to respell G-flat as F-up. For this, I offer "fu"; likewise, if you want G-down in place of F-up, I offer "su".
| | !2 |
| | | !3 |
| || C || Db || D-down || D || Eb || E-down || E || F || **F-up** || **G-down** || G || Ab || A-down || A || Bb || B-down || B ||
| | !4 |
| || do || ra || ru || re || me || mu || mi || fa || **fu** || **su** || sol || le || lu || la || te || tu || ti ||
| | !5 |
| | | !6 |
| ===other enharmonics===
| | !7 |
| | | !8 |
| Some offers, to fill out the octave:
| | !9 |
| | | !10 |
| || C || **C-up** || D-down || D || **D-up** || E-down || E || F || F-up || G-down || G || **G-up** || A-down || A || **A-up** || B-down || B ||
| | !11 |
| || do || **da** || du || re || **ro** || mu || mi || fa || fu || su || sol || **sa** || lu || la || **lo** || tu || do ||
| | !12 |
| === ===
| | !13 |
| ===side-by-side===
| | !14 |
| | | !15 |
| || C || Db/C-up || C#/D-down || D || Eb/D-up || D#/E-down || E || F || Gb/F-up || F#/G-down || G || Ab/G-up || G#/A-down || A || Bb/A-up || A#/B-down || B ||
| | !16 |
| || do || ra || di || re || me || ri || mi || fa || se || fi || sol || le || si || la || te || li || do ||
| | !17 |
| || do || da || du || re || ro || mu || mi || fa || fu || su || sol || sa || lu || la || lo || tu || do ||</pre></div>
| | |- |
| <h4>Original HTML content:</h4>
| | !notes |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>17edo Solfege</title></head><body>Expanding the &quot;movable-do&quot; solfege system for <a class="wiki_link" href="/17edo">17edo</a>: an aid for microtonal singing; a way of wrapping yr brain around a new sound system.<br />
| | |C |
| <br />
| | |^C / Db |
| Ordinary solfege syllables work very well in 17:<br />
| | |vD |
| <br />
| | |D |
| | | |^D / Eb |
| | | |vE |
| <table class="wiki_table">
| | |E |
| <tr>
| | |F |
| <td>C<br />
| | |^F / Gb |
| </td>
| | |F# / vG |
| <td>Db<br />
| | |G |
| </td>
| | |Ab |
| <td>C#<br />
| | |vA |
| </td>
| | |A |
| <td>D<br />
| | |^A / Bb |
| </td>
| | |vB |
| <td>Eb<br />
| | |B / vC |
| </td>
| | |C |
| <td>D#<br />
| | |- |
| </td>
| | !intervals |
| <td>E<br />
| | |P1 |
| </td>
| | |^1 / m2 |
| <td>F<br />
| | |~2 |
| </td>
| | |M2 |
| <td>Gb<br />
| | |^M2 / m3 |
| </td>
| | |~3 |
| <td>F#<br />
| | |M3 |
| </td>
| | |P4 |
| <td>G<br />
| | |~4 / d5 |
| </td>
| | |A4 / ~5 |
| <td>Ab<br />
| | |P5 |
| </td>
| | |m6 |
| <td>G#<br />
| | |~6 |
| </td>
| | |M6 |
| <td>A<br />
| | |^M6 / m7 |
| </td>
| | |~7 |
| <td>Bb<br />
| | |M7 / v8 |
| </td>
| | |P8 |
| <td>A#<br />
| | |- |
| </td>
| | !solfege |
| <td>B<br />
| | |Da |
| </td>
| | |Du / Fra |
| </tr>
| | |Ro |
| <tr>
| | |Ra |
| <td>do<br />
| | |Na |
| </td>
| | |Mo |
| <td>ra<br />
| | |Ma |
| </td>
| | |Fa |
| <td>di<br />
| | |Fu / Sha |
| </td>
| | |Pa / So |
| <td>re<br />
| | |Sa |
| </td>
| | |Fla |
| <td>me<br />
| | |Lo |
| </td>
| | |La |
| <td>ri<br />
| | |Tha |
| </td>
| | |To |
| <td>mi<br />
| | |Ta / Do |
| </td>
| | |Da |
| <td>fa<br />
| | |- |
| </td>
| | !extras |
| <td>se<br />
| | | |
| </td>
| | | |
| <td>fi<br />
| | |Fru |
| </td>
| | |No |
| <td>sol<br />
| | |Ru |
| </td>
| | |Nu |
| <td>le<br />
| | |Fo |
| </td>
| | | |
| <td>si<br />
| | | |
| </td>
| | | |
| <td>la<br />
| | | |
| </td>
| | |Su |
| <td>te<br />
| | |Flu |
| </td>
| | |Tho |
| <td>li<br />
| | |Lu |
| </td>
| | |Thu |
| <td>do<br />
| | | |
| </td>
| | | |
| </tr>
| | |} |
| </table>
| | {| class="wikitable center-all" |
| | | |+circle of fifths |
| <br />
| | ! |
| Note that syllables usually treated as enharmonic equivalents become distinct pitches in 17 (eg. &quot;ra&quot; &amp; &quot;di&quot;). Spelling matters here.<br />
| | !0 |
| <br />
| | !10 |
| This system could work just fine on its own, but what if I want to respell the pitches to put them into another pitch class? For example, what if I want to treat D# as a kind of third (a neutral third) instead of a kind of second (an augmented second)? For pitches, we have up-down arrows (thank you Sagittal) that can allow us to respell like this:<br />
| | !3 |
| <br />
| | !13 |
| | | !6 |
| | | !16 |
| <table class="wiki_table">
| | !9 |
| <tr>
| | !2 |
| <td>C<br />
| | !12 |
| </td>
| | !5 |
| <td>Db<br />
| | !15 |
| </td>
| | !8 |
| <td>C#<br />
| | !1 |
| </td>
| | !11 |
| <td>D<br />
| | !4 |
| </td>
| | !14 |
| <td>Eb<br />
| | !7 |
| </td>
| | !17 |
| <td>D#<br />
| | |- |
| </td>
| | !-a |
| <td>E<br />
| | |Da |
| </td>
| | |Sa |
| <td>F<br />
| | |Ra |
| </td>
| | |La |
| <td>Gb<br />
| | |Ma |
| </td>
| | |Ta |
| <td>F#<br />
| | |Pa |
| </td>
| | | |
| <td>G<br />
| | | |
| </td>
| | | |
| <td>Ab<br />
| | | |
| </td>
| | | |
| <td>G#<br />
| | | |
| </td>
| | | |
| <td>A<br />
| | | |
| </td>
| | | |
| <td>Bb<br />
| | | |
| </td>
| | | |
| <td>A#<br />
| | |- |
| </td>
| | !-o |
| <td>B<br />
| | | |
| </td>
| | | |
| </tr>
| | | |
| <tr>
| | | |
| <td>C<br />
| | | |
| </td>
| | |Do |
| <td>C-up<br />
| | |So |
| </td>
| | |Ro |
| <td>D-down<br />
| | |Lo |
| </td>
| | |Mo |
| <td>D<br />
| | |To |
| </td>
| | | |
| <td>D-up<br />
| | | |
| </td>
| | | |
| <td>E-down<br />
| | | |
| </td>
| | | |
| <td>E<br />
| | | |
| </td>
| | | |
| <td>F<br />
| | |- |
| </td>
| | !-u |
| <td>F-up<br />
| | | |
| </td>
| | | |
| <td>G-down<br />
| | | |
| </td>
| | | |
| <td>G<br />
| | | |
| </td>
| | | |
| <td>G-up<br />
| | | |
| </td>
| | |(Fru) |
| <td>A-down<br />
| | |(Flu) |
| </td>
| | |(Nu) |
| <td>A<br />
| | |(Thu) |
| </td>
| | |Fu |
| <td>A-up<br />
| | |Du |
| </td>
| | | |
| <td>B-down<br />
| | | |
| </td>
| | | |
| <td>B<br />
| | | |
| </td>
| | | |
| </tr>
| | |- |
| </table>
| | !-a |
| | | | |
| <br />
| | | |
| So, for example, we can respell our augmented second, D#, as a neutral third, E-down, &amp; get something more intuitive &amp; useful for certain purposes.<br /> | | | |
| <br />
| | | |
| But what if we want solfege syllables for these respellings?<br />
| | | |
| <br />
| | | |
| <!-- ws:start:WikiTextHeadingRule:0:&lt;h3&gt; --><h3 id="toc0"><a name="x--ru, mu, lu &amp; tu"></a><!-- ws:end:WikiTextHeadingRule:0 -->ru, mu, lu &amp; tu</h3>
| | | |
| <br />
| | | |
| I offer the suffix &quot;-u&quot; to indicate neutral 2nds, 3rds, 6ths, &amp; 7ths.<br />
| | | |
| <br />
| | | |
| | | | |
| | | |Sha |
| <table class="wiki_table">
| | |Fra |
| <tr>
| | |Fla |
| <td>C<br />
| | |Na |
| </td>
| | |Tha |
| <td>Db<br />
| | |Fa |
| </td>
| | |Da |
| <td><strong>D-down</strong><br />
| | |- |
| </td>
| | ! |
| <td>D<br />
| | ! colspan="2" |perfect |
| </td>
| | ! colspan="4" |major |
| <td>Eb<br />
| | ! colspan="6" |mid |
| </td>
| | ! colspan="4" |minor |
| <td><strong>E-down</strong><br />
| | ! colspan="2" |perfect |
| </td>
| | |} |
| <td>E<br />
| | [[Category:17edo]] |
| </td>
| | [[Category:Solfege]] |
| <td>F<br />
| |
| </td>
| |
| <td>Gb<br />
| |
| </td>
| |
| <td>F#<br />
| |
| </td>
| |
| <td>G<br />
| |
| </td>
| |
| <td>Ab<br />
| |
| </td>
| |
| <td><strong>A-down</strong><br />
| |
| </td>
| |
| <td>A<br />
| |
| </td>
| |
| <td>Bb<br />
| |
| </td>
| |
| <td><strong>B-down</strong><br />
| |
| </td>
| |
| <td>B<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>do<br />
| |
| </td>
| |
| <td>ra<br />
| |
| </td>
| |
| <td><strong>ru</strong><br />
| |
| </td>
| |
| <td>re<br />
| |
| </td>
| |
| <td>me<br />
| |
| </td>
| |
| <td><strong>mu</strong><br />
| |
| </td>
| |
| <td>mi<br />
| |
| </td>
| |
| <td>fa<br />
| |
| </td>
| |
| <td>se<br />
| |
| </td>
| |
| <td>fi<br />
| |
| </td>
| |
| <td>sol<br />
| |
| </td>
| |
| <td>le<br />
| |
| </td>
| |
| <td><strong>lu</strong><br />
| |
| </td>
| |
| <td>la<br />
| |
| </td>
| |
| <td>te<br />
| |
| </td>
| |
| <td><strong>tu</strong><br />
| |
| </td>
| |
| <td>ti<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
| | |
| <br />
| |
| So if we encounter a &quot;ru,&quot; we know to take it as a neutral second (not an augmented unison); if we encounter &quot;lu,&quot; we know to take it as a neutral sixth (not an augmented fifth) &amp; so on.<br />
| |
| <br />
| |
| <!-- ws:start:WikiTextHeadingRule:2:&lt;h3&gt; --><h3 id="toc1"><a name="x--fu &amp; su"></a><!-- ws:end:WikiTextHeadingRule:2 -->fu &amp; su</h3>
| |
| <br />
| |
| What about the two tritones? Perhaps you want to respell G-flat as F-up. For this, I offer &quot;fu&quot;; likewise, if you want G-down in place of F-up, I offer &quot;su&quot;.<br />
| |
| <br />
| |
| | |
| | |
| <table class="wiki_table">
| |
| <tr>
| |
| <td>C<br />
| |
| </td>
| |
| <td>Db<br />
| |
| </td>
| |
| <td>D-down<br />
| |
| </td>
| |
| <td>D<br />
| |
| </td>
| |
| <td>Eb<br />
| |
| </td>
| |
| <td>E-down<br />
| |
| </td>
| |
| <td>E<br />
| |
| </td>
| |
| <td>F<br />
| |
| </td>
| |
| <td><strong>F-up</strong><br />
| |
| </td>
| |
| <td><strong>G-down</strong><br />
| |
| </td>
| |
| <td>G<br />
| |
| </td>
| |
| <td>Ab<br />
| |
| </td>
| |
| <td>A-down<br />
| |
| </td>
| |
| <td>A<br />
| |
| </td>
| |
| <td>Bb<br />
| |
| </td>
| |
| <td>B-down<br />
| |
| </td>
| |
| <td>B<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>do<br />
| |
| </td>
| |
| <td>ra<br />
| |
| </td>
| |
| <td>ru<br />
| |
| </td>
| |
| <td>re<br />
| |
| </td>
| |
| <td>me<br />
| |
| </td>
| |
| <td>mu<br />
| |
| </td>
| |
| <td>mi<br />
| |
| </td>
| |
| <td>fa<br />
| |
| </td>
| |
| <td><strong>fu</strong><br />
| |
| </td>
| |
| <td><strong>su</strong><br />
| |
| </td>
| |
| <td>sol<br />
| |
| </td>
| |
| <td>le<br />
| |
| </td>
| |
| <td>lu<br />
| |
| </td>
| |
| <td>la<br />
| |
| </td>
| |
| <td>te<br />
| |
| </td>
| |
| <td>tu<br />
| |
| </td>
| |
| <td>ti<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
| | |
| <br />
| |
| <!-- ws:start:WikiTextHeadingRule:4:&lt;h3&gt; --><h3 id="toc2"><a name="x--other enharmonics"></a><!-- ws:end:WikiTextHeadingRule:4 -->other enharmonics</h3>
| |
| <br />
| |
| Some offers, to fill out the octave:<br />
| |
| <br />
| |
| | |
| | |
| <table class="wiki_table">
| |
| <tr>
| |
| <td>C<br />
| |
| </td>
| |
| <td><strong>C-up</strong><br />
| |
| </td>
| |
| <td>D-down<br />
| |
| </td>
| |
| <td>D<br />
| |
| </td>
| |
| <td><strong>D-up</strong><br />
| |
| </td>
| |
| <td>E-down<br />
| |
| </td>
| |
| <td>E<br />
| |
| </td>
| |
| <td>F<br />
| |
| </td>
| |
| <td>F-up<br />
| |
| </td>
| |
| <td>G-down<br />
| |
| </td>
| |
| <td>G<br />
| |
| </td>
| |
| <td><strong>G-up</strong><br />
| |
| </td>
| |
| <td>A-down<br />
| |
| </td>
| |
| <td>A<br />
| |
| </td>
| |
| <td><strong>A-up</strong><br />
| |
| </td>
| |
| <td>B-down<br />
| |
| </td>
| |
| <td>B<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>do<br />
| |
| </td>
| |
| <td><strong>da</strong><br />
| |
| </td>
| |
| <td>du<br />
| |
| </td>
| |
| <td>re<br />
| |
| </td>
| |
| <td><strong>ro</strong><br />
| |
| </td>
| |
| <td>mu<br />
| |
| </td>
| |
| <td>mi<br />
| |
| </td>
| |
| <td>fa<br />
| |
| </td>
| |
| <td>fu<br />
| |
| </td>
| |
| <td>su<br />
| |
| </td>
| |
| <td>sol<br />
| |
| </td>
| |
| <td><strong>sa</strong><br />
| |
| </td>
| |
| <td>lu<br />
| |
| </td>
| |
| <td>la<br />
| |
| </td>
| |
| <td><strong>lo</strong><br />
| |
| </td>
| |
| <td>tu<br />
| |
| </td>
| |
| <td>do<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
| | |
| <!-- ws:start:WikiTextHeadingRule:6:&lt;h3&gt; --><h3 id="toc3"><!-- ws:end:WikiTextHeadingRule:6 --> </h3>
| |
| <!-- ws:start:WikiTextHeadingRule:8:&lt;h3&gt; --><h3 id="toc4"><a name="x--side-by-side"></a><!-- ws:end:WikiTextHeadingRule:8 -->side-by-side</h3>
| |
| <br />
| |
| | |
| | |
| <table class="wiki_table">
| |
| <tr>
| |
| <td>C<br />
| |
| </td>
| |
| <td>Db/C-up<br />
| |
| </td>
| |
| <td>C#/D-down<br />
| |
| </td>
| |
| <td>D<br />
| |
| </td>
| |
| <td>Eb/D-up<br />
| |
| </td>
| |
| <td>D#/E-down<br />
| |
| </td>
| |
| <td>E<br />
| |
| </td>
| |
| <td>F<br />
| |
| </td>
| |
| <td>Gb/F-up<br />
| |
| </td>
| |
| <td>F#/G-down<br />
| |
| </td>
| |
| <td>G<br />
| |
| </td>
| |
| <td>Ab/G-up<br />
| |
| </td>
| |
| <td>G#/A-down<br />
| |
| </td>
| |
| <td>A<br />
| |
| </td>
| |
| <td>Bb/A-up<br />
| |
| </td>
| |
| <td>A#/B-down<br />
| |
| </td>
| |
| <td>B<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>do<br />
| |
| </td>
| |
| <td>ra<br />
| |
| </td>
| |
| <td>di<br />
| |
| </td>
| |
| <td>re<br />
| |
| </td>
| |
| <td>me<br />
| |
| </td>
| |
| <td>ri<br />
| |
| </td>
| |
| <td>mi<br />
| |
| </td>
| |
| <td>fa<br />
| |
| </td>
| |
| <td>se<br />
| |
| </td>
| |
| <td>fi<br />
| |
| </td>
| |
| <td>sol<br />
| |
| </td>
| |
| <td>le<br />
| |
| </td>
| |
| <td>si<br />
| |
| </td>
| |
| <td>la<br />
| |
| </td>
| |
| <td>te<br />
| |
| </td>
| |
| <td>li<br />
| |
| </td>
| |
| <td>do<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>do<br />
| |
| </td>
| |
| <td>da<br />
| |
| </td>
| |
| <td>du<br />
| |
| </td>
| |
| <td>re<br />
| |
| </td>
| |
| <td>ro<br />
| |
| </td>
| |
| <td>mu<br />
| |
| </td>
| |
| <td>mi<br />
| |
| </td>
| |
| <td>fa<br />
| |
| </td>
| |
| <td>fu<br />
| |
| </td>
| |
| <td>su<br />
| |
| </td>
| |
| <td>sol<br />
| |
| </td>
| |
| <td>sa<br />
| |
| </td>
| |
| <td>lu<br />
| |
| </td>
| |
| <td>la<br />
| |
| </td>
| |
| <td>lo<br />
| |
| </td>
| |
| <td>tu<br />
| |
| </td>
| |
| <td>do<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
| | |
| </body></html></pre></div>
| |