User:Holger Stoltenberg: Difference between revisions

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My family and I ~~live~~ near Hamburg, Germany. I am an engineer and a ~~hobby~~ musician. Years ago I started some private research to find out, why the octave has historically been divided into twelve chunks of more or less the same size – so I entered the field of partials, temperament and dynamic intonation.

My family and I are living near Hamburg, Germany. I am an engineer and a an amateur musician. Years ago I started some private research to find out, why the octave has historically been divided into twelve chunks of more or less the same size – so I entered the field of partials, temperament and dynamic intonation.

I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there ~~appeared~~ familiar and I was happy to find ~~myself~~ not ~~being~~ completely on the wrong track. Today my copy of TTSS has been a true companion for ~~nearly~~ two decades...

I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there seemed familiar and I was happy to find that I was not completely on the wrong track. Today my copy of TTSS has been a true companion for almost two decades.

~~Handling~~ chords built from [[Overtone scales|Overtone Scales]] has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two electronic instruments I built: A keyboard driven setup and a playing console that extends the concept of a pedalsteel guitar.

Working with chords built from [[Overtone scales|Overtone Scales]] has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two prototypical electronic instruments I built: A keyboard-driven setup and a playing console that extends the concept of a pedalsteel guitar.

Holger

My first contribution to this Wiki was an article about [[Just Hammond|just intervals generated by an ancient Hammond Organ]] - you might read it with a wink...

The title of the second Xenwiki page I created is [[Expanding tonal space|''Expanding tonal space'']], an article that describes useful visual arrangements of a set of overtone scales.

If I have used inappropriate terminology somewhere (e.g. mode, tonic, fundamental) or you just like the concept of tonal space please leave a comment.

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-My family and I live near Hamburg, Germany. I am an engineer and a hobby musician. Years ago I started some private research to find out, why the octave has historically been divided into twelve chunks of more or less the same size – so I entered the field of partials, temperament and dynamic intonation.
+My family and I are living near Hamburg, Germany. I am an engineer and a an amateur musician. Years ago I started some private research to find out, why the octave has historically been divided into twelve chunks of more or less the same size – so I entered the field of partials, temperament and dynamic intonation.
-I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there appeared familiar and I was happy to find myself not being completely on the wrong track. Today my copy of TTSS has been a true companion for nearly two decades...
+I came across [[Bill Sethares]]’ awesome book ''Tuning, Timbre, Spectrum, Scale (TTSS)''. With regard to my own experiments, certain basic aspects discussed there seemed familiar and I was happy to find that I was not completely on the wrong track. Today my copy of TTSS has been a true companion for almost two decades.
-Handling chords built from [[Overtone scales|Overtone Scales]] has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two electronic instruments I built: A keyboard driven setup and a playing console that extends the concept of a pedalsteel guitar.
+Working with chords built from [[Overtone scales|Overtone Scales]] has always been one of my favorite playing fields. I utilize [http://nosuch.com/tjt/ Tim Thompson’s] ''KeyKit'' – a light weight and MIDI-centric programming language – for practical exploration. KeyKit realtime code controls the intonation of two prototypical electronic instruments I built: A keyboard-driven setup and a playing console that extends the concept of a pedalsteel guitar.
 Holger
+<nowiki>----------</nowiki>
+My first contribution to this Wiki was an article about [[Just Hammond|just intervals generated by an ancient Hammond Organ]] - you might read it with a wink...
+The title of the second Xenwiki page I created is [[Expanding tonal space|''Expanding tonal space'']], an article that describes useful visual arrangements of a set of overtone scales.
+If I have used inappropriate terminology somewhere (e.g. mode, tonic, fundamental) or you just like the concept of tonal space please leave a comment.