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| = ARCHIVED WIKISPACES DISCUSSION BELOW =
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| '''All discussion below is archived from the Wikispaces export in its original unaltered form.'''
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| <span style="color:#800000">'''PLEASE MAKE ANY NEW COMMENTS <u>ABOVE</u> THIS SECTION.'''</span> Anything below here is for archival purposes only.
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| == Why stop at 27 ==
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| ...when 31 or 34 seem to make more plausible stopping points?
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| - '''genewardsmith''' August 14, 2015, 11:03:56 AM UTC-0700
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| Just a guess: because he has not as much experience with 28 and 30 and did not spend time on exploring it - the list has no gaps so far.
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| - '''xenwolf''' August 17, 2015, 04:21:50 AM UTC-0700
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| == 26edo ==
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| Hi Keenan,
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| what do you think about 26edo -
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| Is there a benefit that goes beyond the presence of 7/4?
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| - '''xenwolf''' March 28, 2012, 02:36:22 AM UTC-0700
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| "The presence of 7/4" has nothing to do with my impression of it. Individual intervals hardly matter at all, it's the relationships between them that are important.
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| 26edo is the one meantone temperament everyone seems to forget about.
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| 26edo is great because of flattone, injera, and mothra. Flattone in particular is mind-blowing because it's meantone but 8/7 and 7/6 are switched from what they are in septimal meantone (e.g. 31edo). Play parallel 3-step intervals in flattone[12] to see what I mean. Some are 6/5 and some are 8/7. It's much easier to perceive flattone[12] as being unequal than it is for meantone[12] in 31edo.
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| - '''keenanpepper''' October 16, 2012, 05:33:33 PM UTC-0700
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