Trachytonic: Difference between revisions

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{{Idiosyncratic terms}}
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2016-12-29 12:32:14 UTC</tt>.<br>
: The original revision id was <tt>602895474</tt>.<br>
: The revision comment was: <tt>removed tel links</tt><br>
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<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**Screamapillar** is a 7-note MODMOS in [[17edo]] (or its close cousins like [[27edt]] or [[44ed6]]), or the temperament which characterizes this scale. Screamapillar has three different step sizes and is described as a LLmmLLs scale (i. e., 3322331). As such, it is not a maximally even scale (since seconds, thirds, sixths, and sevenths all come in three rather than two sizes). However, screamapillar is notable for being [[Rothenberg propriety|strictly proper]], whereas the 17edo diatonic scale is not proper at all, and the 12edo diatonic scale is proper but not strictly so.


Screamapillar can be obtained by a single chromatic modification of the diatonic scale; if we take 17edo's diatonic major (Ionian) mode, and raise the fourth by one step, we get screamapillar (specifically, the Springfieldian mode). Screamapillar is also one modification away from the [[Mohajira|rast]] scale, so it has resemblance to both Western and Middle-Eastern scales. In fact, melodically, it corresponds to the [[http://www.maqamworld.com/maqamat/bayati.html|bayati]] maqam.
'''Trachytonic''' is the 7-note MODMOS LLmmLLs, which is the pattern of the maqam [[Bayati]] taken as a scale in the context of Western xenharmonic theory. It is usually tuned in 17edo (that is, 3322331). It is not a maximally even scale (since seconds, thirds, sixths, and sevenths all come in three rather than two sizes). However, it is notable for being [[Rothenberg_propriety|strictly proper]], whereas the 17edo diatonic scale is not proper at all, and the 12edo diatonic scale is proper but not strictly so.


Screamapillar is named by analogy with [[scorp]] (as both are arthropod creatures starting with "sc"), and also because the major fourth of 17edo (which functions as 11:8, among others) has a very bright sound as though it is "screaming"'; ambulance sirens often use similar intervals. Timbres where the eleventh harmonic is strong tend to take on a similar character.
The scale can be obtained by a single chromatic modification of the diatonic scale; if we take 17edo's diatonic major (Ionian) mode, and raise the fourth by one step, we get trachytonic. Trachytonic is also one modification away from the [[Mohajira|rast]] scale, so it has resemblance to both Western and Middle-Eastern scales.  


The sharpened fourth could also be called a "red note" (opposite of a blue note) due to the mood it creates. Also, the //[[https://en.wikipedia.org/wiki/The_Simpsons_Theme|Simpsons theme]]// uses a scale which, although not exactly screamapillar, does contain a sharpened fourth.
The scale and its modes have alternative "Simpsonsesque" names by Mason Green, where the scale itself is called "'''screamapillar'''", which comes from an analogy with [[Scorp|scorp]] (as both names are related to arthropod creatures starting with "sc", which in this case is a reference to a character from the Simpsons TV show), and also because the major fourth of 17edo (which functions as 11:8, among others) has a very bright sound as though it is "screaming"'; ambulance sirens often use similar intervals. Timbres where the eleventh harmonic is strong tend to take on a similar character.


[[image:http://38.media.tumblr.com/7826da01fcce799fc36142847120597e/tumblr_mhg2qvcEiY1qe9qrbo4_250.gif]]
The sharpened fourth could also be called a "red note" (opposite of a blue note) due to the mood it creates. The name "trachytonic" comes from the Greek "τρᾱχῠ́ς", meaning "rough".


Because screamapillar is so similar to the diatonic scale, it's not as xen as one might expect a no-fives 13-limit system to be, and as a result it makes a good starting point for someone who wants to explore these higher harmonies without sounding too foreign.
Because trachytonic is so similar to the diatonic scale, it's not as xen as one might expect a no-fives 13-limit system to be, and as a result it makes a good starting point for someone who wants to explore these higher harmonies without sounding too foreign.


Screamapillar contains five types of tertian (root-third-fifth) triads. These include 2 supermajor, 2 subminor, 1 neutral, 1 neutral-diminished, and 1 subminor-diminished. Of these, the neutral triad is harmonically somewhat rough and so it might be a good idea to modify it, fortunately, there are several options for doing this, such as changing it to a sus2, sus4, or even sus4add2. On the other hand, the neutral-diminished triad is actually very nice sounding since it very closely approximates 9:11:13, and its fifth is still clearly a fifth (albeit a narrow one) rather than being ambiguous like the 12edo tritone.
Trachytonic contains five types of tertian (root-third-fifth) triads. These include 2 supermajor, 2 subminor, 1 neutral, 1 neutral-diminished, and 1 subminor-diminished. Of these, the neutral triad is harmonically somewhat rough and so it might be a good idea to modify it, fortunately, there are several options for doing this, such as changing it to a sus2, sus4, or even sus4add2. On the other hand, the neutral-diminished triad is actually very nice sounding since it very closely approximates 9:11:13, and its fifth is still clearly a fifth (albeit a narrow one) rather than being ambiguous like the 12edo tritone.


The subminor and supermajor chords can be harmonically stabilized by adding, respectively, the 4th [[https://en.wikipedia.org/wiki/Mu_chord|or the 2nd]]. This especially makes a difference in the latter case because supermajor triads sound somewhat unstable on their own.
The subminor and supermajor chords can be harmonically stabilized by adding, respectively, the 4th [https://en.wikipedia.org/wiki/Mu_chord or the 2nd]. This especially makes a difference in the latter case because supermajor triads sound somewhat unstable on their own.


Other high-limit chords and tone clusters can also be realized in screamapillar, including the approximations of 8:9:11:12 (which is like a sus chord but with more tension) and 12:13:14:16:18.
Other high-limit chords and tone clusters can also be realized in trachytonic, including the approximations of 8:9:11:12 (which is like a sus chord but with more tension) and 12:13:14:16:18.


The modes of screamapillar could be given Simpsonsesque names as follows:
The modes of trachytonic are as follows:
{| class="wikitable"
|-
! Quasi-diatonic name by [[User:CellularAutomaton|CA]] !! Alternate quasi-diatonic name by Wendy Gunk !! "Simpsonsesque" name by Mason Green !! Step signature
|-
| Lydian d4 || Ionian t4 || Springfieldian || 3 3 2 2 3 3 1
|-
| Ionian d7 || Mixolydian t7 || Shelbyvillean || 3 3 1 3 3 2 2
|-
| Mixolydian d3 || Dorian t3 || Swartzwelderean || 3 2 2 3 3 1 3
|-
| Dorian d6 || Aeolian t6 || Ogdenvillean || 3 1 3 3 2 2 3
|-
| Aeolian d2 || Phrygian t2 || Capitalcitian || 2 2 3 3 1 3 3
|-
| Phrygian d5 || Locrian t5 || Spittlean || 1 3 3 2 2 3 3
|-
| Trachylocrian || Locrian d1 / Lydian t1 || Northhaverbrookian || 2 3 3 1 3 3 2
|}


**Springfieldian**: Modified Ionian (major). 3 3 2 2 3 3 1
=<span style="line-height: 1.5;">As a temperament</span>=


**Swartzwelderean****:** Modified Dorian. 3 2 2 3 3 1 3
<span style="line-height: 1.5;">Quite a few commas are tempered out including 64:63, 78:77, 99:98, 144:143, 243:242, etc. in the temperament that provides the harmonic equivalencies featured in the trachytonic scale.</span>


**Capitalcitian:** Modified Phrygian: 2 2 3 3 1 3 3
While 17edo itself is an excellent choice for such a temperament, there are other options, notably [[61edo|61edo]], whose version of the trachytonic scale has step pattern 11 11 7 7 11 11 3. [[78edo|78edo]] works as well (with step pattern 14 14 9 9 14 14 4); both of these improve the 7th and 13th harmonics at the expense of<span style="line-height: 1.5;"> the 3rd and 11th.</span>


**Northhaverbrookian:** Modified Lydian: 2 3 3 1 3 3 2
Other options include [[44edo|44edo]] and [[27edo|27edo]], although the latter is a borderline case because it doesn't have a very good 11 (it maps 11:8 to 577.78 cents).
 
[[Category:17edo]]
**Shelbyvillean:** Modified Mixolydian: 3 3 1 3 3 2 2
[[Category:bayati]]
 
[[Category:maqam]]
**Ogdenvillean****:** Modified Aeolian: 3 1 3 3 2 2 3
 
**Spittlean**: Mo**&lt;span style="line-height: 1.5;"&gt;e&lt;/span&gt;**&lt;span style="line-height: 1.5;"&gt;dified Locrian: 1 3 3 2 2 3 3&lt;/span&gt;
 
 
----
 
=&lt;span style="line-height: 1.5;"&gt;As a temperament&lt;/span&gt;=
 
&lt;span style="line-height: 1.5;"&gt;What is the temperament that provides the harmonic equivalencies featured in the screamapillar scale? Quite a few commas are tempered out including 64:63, 78:77, 99:98, 144:143, 243:242, etc.&lt;/span&gt;
 
While 17edo itself is an excellent choice for such a temperament, there are other options, notably [[61edo]], whose version of the screamapillar scale has step pattern 11 11 7 7 11 11 3. [[78edo]] works as well (with step pattern 14 14 9 9 14 14 4); both of these improve the 7th and 13th harmonics at the expense of&lt;span style="line-height: 1.5;"&gt; the 3rd and 11th.&lt;/span&gt;
 
Other options include [[44edo]] and [[27edo]], although the latter is a borderline case because it doesn't have a very good 11 (it maps 11:8 to 577.78 cents).</pre></div>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Screamapillar&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;Screamapillar&lt;/strong&gt; is a 7-note MODMOS in &lt;a class="wiki_link" href="/17edo"&gt;17edo&lt;/a&gt; (or its close cousins like &lt;a class="wiki_link" href="/27edt"&gt;27edt&lt;/a&gt; or &lt;a class="wiki_link" href="/44ed6"&gt;44ed6&lt;/a&gt;), or the temperament which characterizes this scale. Screamapillar has three different step sizes and is described as a LLmmLLs scale (i. e., 3322331). As such, it is not a maximally even scale (since seconds, thirds, sixths, and sevenths all come in three rather than two sizes). However, screamapillar is notable for being &lt;a class="wiki_link" href="/Rothenberg%20propriety"&gt;strictly proper&lt;/a&gt;, whereas the 17edo diatonic scale is not proper at all, and the 12edo diatonic scale is proper but not strictly so.&lt;br /&gt;
&lt;br /&gt;
Screamapillar can be obtained by a single chromatic modification of the diatonic scale; if we take 17edo's diatonic major (Ionian) mode, and raise the fourth by one step, we get screamapillar (specifically, the Springfieldian mode). Screamapillar is also one modification away from the &lt;a class="wiki_link" href="/Mohajira"&gt;rast&lt;/a&gt; scale, so it has resemblance to both Western and Middle-Eastern scales. In fact, melodically, it corresponds to the &lt;a class="wiki_link_ext" href="http://www.maqamworld.com/maqamat/bayati.html" rel="nofollow"&gt;bayati&lt;/a&gt; maqam.&lt;br /&gt;
&lt;br /&gt;
Screamapillar is named by analogy with &lt;a class="wiki_link" href="/scorp"&gt;scorp&lt;/a&gt; (as both are arthropod creatures starting with &amp;quot;sc&amp;quot;), and also because the major fourth of 17edo (which functions as 11:8, among others) has a very bright sound as though it is &amp;quot;screaming&amp;quot;'; ambulance sirens often use similar intervals. Timbres where the eleventh harmonic is strong tend to take on a similar character.&lt;br /&gt;
&lt;br /&gt;
The sharpened fourth could also be called a &amp;quot;red note&amp;quot; (opposite of a blue note) due to the mood it creates. Also, the &lt;em&gt;&lt;a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/The_Simpsons_Theme" rel="nofollow"&gt;Simpsons theme&lt;/a&gt;&lt;/em&gt; uses a scale which, although not exactly screamapillar, does contain a sharpened fourth.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextRemoteImageRule:3:&amp;lt;img src=&amp;quot;http://38.media.tumblr.com/7826da01fcce799fc36142847120597e/tumblr_mhg2qvcEiY1qe9qrbo4_250.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://38.media.tumblr.com/7826da01fcce799fc36142847120597e/tumblr_mhg2qvcEiY1qe9qrbo4_250.gif" alt="external image tumblr_mhg2qvcEiY1qe9qrbo4_250.gif" title="external image tumblr_mhg2qvcEiY1qe9qrbo4_250.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:3 --&gt;&lt;br /&gt;
&lt;br /&gt;
Because screamapillar is so similar to the diatonic scale, it's not as xen as one might expect a no-fives 13-limit system to be, and as a result it makes a good starting point for someone who wants to explore these higher harmonies without sounding too foreign.&lt;br /&gt;
&lt;br /&gt;
Screamapillar contains five types of tertian (root-third-fifth) triads. These include 2 supermajor, 2 subminor, 1 neutral, 1 neutral-diminished, and 1 subminor-diminished. Of these, the neutral triad is harmonically somewhat rough and so it might be a good idea to modify it, fortunately, there are several options for doing this, such as changing it to a sus2, sus4, or even sus4add2. On the other hand, the neutral-diminished triad is actually very nice sounding since it very closely approximates 9:11:13, and its fifth is still clearly a fifth (albeit a narrow one) rather than being ambiguous like the 12edo tritone.&lt;br /&gt;
&lt;br /&gt;
The subminor and supermajor chords can be harmonically stabilized by adding, respectively, the 4th &lt;a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Mu_chord" rel="nofollow"&gt;or the 2nd&lt;/a&gt;. This especially makes a difference in the latter case because supermajor triads sound somewhat unstable on their own.&lt;br /&gt;
&lt;br /&gt;
Other high-limit chords and tone clusters can also be realized in screamapillar, including the approximations of 8:9:11:12 (which is like a sus chord but with more tension) and 12:13:14:16:18.&lt;br /&gt;
&lt;br /&gt;
The modes of screamapillar could be given Simpsonsesque names as follows:&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Springfieldian&lt;/strong&gt;: Modified Ionian (major). 3 3 2 2 3 3 1&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Swartzwelderean&lt;/strong&gt;&lt;strong&gt;:&lt;/strong&gt; Modified Dorian. 3 2 2 3 3 1 3&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Capitalcitian:&lt;/strong&gt; Modified Phrygian: 2 2 3 3 1 3 3&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Northhaverbrookian:&lt;/strong&gt; Modified Lydian: 2 3 3 1 3 3 2&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Shelbyvillean:&lt;/strong&gt; Modified Mixolydian: 3 3 1 3 3 2 2&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Ogdenvillean&lt;/strong&gt;&lt;strong&gt;:&lt;/strong&gt; Modified Aeolian: 3 1 3 3 2 2 3&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Spittlean&lt;/strong&gt;: Mo&lt;strong&gt;&lt;span style="line-height: 1.5;"&gt;e&lt;/span&gt;&lt;/strong&gt;&lt;span style="line-height: 1.5;"&gt;dified Locrian: 1 3 3 2 2 3 3&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="As a temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;&lt;span style="line-height: 1.5;"&gt;As a temperament&lt;/span&gt;&lt;/h1&gt;
&lt;br /&gt;
&lt;span style="line-height: 1.5;"&gt;What is the temperament that provides the harmonic equivalencies featured in the screamapillar scale? Quite a few commas are tempered out including 64:63, 78:77, 99:98, 144:143, 243:242, etc.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
While 17edo itself is an excellent choice for such a temperament, there are other options, notably &lt;a class="wiki_link" href="/61edo"&gt;61edo&lt;/a&gt;, whose version of the screamapillar scale has step pattern 11 11 7 7 11 11 3. &lt;a class="wiki_link" href="/78edo"&gt;78edo&lt;/a&gt; works as well (with step pattern 14 14 9 9 14 14 4); both of these improve the 7th and 13th harmonics at the expense of&lt;span style="line-height: 1.5;"&gt; the 3rd and 11th.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
Other options include &lt;a class="wiki_link" href="/44edo"&gt;44edo&lt;/a&gt; and &lt;a class="wiki_link" href="/27edo"&gt;27edo&lt;/a&gt;, although the latter is a borderline case because it doesn't have a very good 11 (it maps 11:8 to 577.78 cents).&lt;/body&gt;&lt;/html&gt;</pre></div>