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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | {{Idiosyncratic terms}} |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2016-12-29 12:32:14 UTC</tt>.<br>
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| : The original revision id was <tt>602895474</tt>.<br>
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| : The revision comment was: <tt>removed tel links</tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**Screamapillar** is a 7-note MODMOS in [[17edo]] (or its close cousins like [[27edt]] or [[44ed6]]), or the temperament which characterizes this scale. Screamapillar has three different step sizes and is described as a LLmmLLs scale (i. e., 3322331). As such, it is not a maximally even scale (since seconds, thirds, sixths, and sevenths all come in three rather than two sizes). However, screamapillar is notable for being [[Rothenberg propriety|strictly proper]], whereas the 17edo diatonic scale is not proper at all, and the 12edo diatonic scale is proper but not strictly so.
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| Screamapillar can be obtained by a single chromatic modification of the diatonic scale; if we take 17edo's diatonic major (Ionian) mode, and raise the fourth by one step, we get screamapillar (specifically, the Springfieldian mode). Screamapillar is also one modification away from the [[Mohajira|rast]] scale, so it has resemblance to both Western and Middle-Eastern scales. In fact, melodically, it corresponds to the [[http://www.maqamworld.com/maqamat/bayati.html|bayati]] maqam.
| | '''Trachytonic''' is the 7-note MODMOS LLmmLLs, which is the pattern of the maqam [[Bayati]] taken as a scale in the context of Western xenharmonic theory. It is usually tuned in 17edo (that is, 3322331). It is not a maximally even scale (since seconds, thirds, sixths, and sevenths all come in three rather than two sizes). However, it is notable for being [[Rothenberg_propriety|strictly proper]], whereas the 17edo diatonic scale is not proper at all, and the 12edo diatonic scale is proper but not strictly so. |
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| Screamapillar is named by analogy with [[scorp]] (as both are arthropod creatures starting with "sc"), and also because the major fourth of 17edo (which functions as 11:8, among others) has a very bright sound as though it is "screaming"'; ambulance sirens often use similar intervals. Timbres where the eleventh harmonic is strong tend to take on a similar character.
| | The scale can be obtained by a single chromatic modification of the diatonic scale; if we take 17edo's diatonic major (Ionian) mode, and raise the fourth by one step, we get trachytonic. Trachytonic is also one modification away from the [[Mohajira|rast]] scale, so it has resemblance to both Western and Middle-Eastern scales. |
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| The sharpened fourth could also be called a "red note" (opposite of a blue note) due to the mood it creates. Also, the //[[https://en.wikipedia.org/wiki/The_Simpsons_Theme|Simpsons theme]]// uses a scale which, although not exactly screamapillar, does contain a sharpened fourth. | | The scale and its modes have alternative "Simpsonsesque" names by Mason Green, where the scale itself is called "'''screamapillar'''", which comes from an analogy with [[Scorp|scorp]] (as both names are related to arthropod creatures starting with "sc", which in this case is a reference to a character from the Simpsons TV show), and also because the major fourth of 17edo (which functions as 11:8, among others) has a very bright sound as though it is "screaming"'; ambulance sirens often use similar intervals. Timbres where the eleventh harmonic is strong tend to take on a similar character. |
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| [[image:http://38.media.tumblr.com/7826da01fcce799fc36142847120597e/tumblr_mhg2qvcEiY1qe9qrbo4_250.gif]]
| | The sharpened fourth could also be called a "red note" (opposite of a blue note) due to the mood it creates. The name "trachytonic" comes from the Greek "τρᾱχῠ́ς", meaning "rough". |
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| Because screamapillar is so similar to the diatonic scale, it's not as xen as one might expect a no-fives 13-limit system to be, and as a result it makes a good starting point for someone who wants to explore these higher harmonies without sounding too foreign. | | Because trachytonic is so similar to the diatonic scale, it's not as xen as one might expect a no-fives 13-limit system to be, and as a result it makes a good starting point for someone who wants to explore these higher harmonies without sounding too foreign. |
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| Screamapillar contains five types of tertian (root-third-fifth) triads. These include 2 supermajor, 2 subminor, 1 neutral, 1 neutral-diminished, and 1 subminor-diminished. Of these, the neutral triad is harmonically somewhat rough and so it might be a good idea to modify it, fortunately, there are several options for doing this, such as changing it to a sus2, sus4, or even sus4add2. On the other hand, the neutral-diminished triad is actually very nice sounding since it very closely approximates 9:11:13, and its fifth is still clearly a fifth (albeit a narrow one) rather than being ambiguous like the 12edo tritone.
| | Trachytonic contains five types of tertian (root-third-fifth) triads. These include 2 supermajor, 2 subminor, 1 neutral, 1 neutral-diminished, and 1 subminor-diminished. Of these, the neutral triad is harmonically somewhat rough and so it might be a good idea to modify it, fortunately, there are several options for doing this, such as changing it to a sus2, sus4, or even sus4add2. On the other hand, the neutral-diminished triad is actually very nice sounding since it very closely approximates 9:11:13, and its fifth is still clearly a fifth (albeit a narrow one) rather than being ambiguous like the 12edo tritone. |
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| The subminor and supermajor chords can be harmonically stabilized by adding, respectively, the 4th [[https://en.wikipedia.org/wiki/Mu_chord|or the 2nd]]. This especially makes a difference in the latter case because supermajor triads sound somewhat unstable on their own. | | The subminor and supermajor chords can be harmonically stabilized by adding, respectively, the 4th [https://en.wikipedia.org/wiki/Mu_chord or the 2nd]. This especially makes a difference in the latter case because supermajor triads sound somewhat unstable on their own. |
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| Other high-limit chords and tone clusters can also be realized in screamapillar, including the approximations of 8:9:11:12 (which is like a sus chord but with more tension) and 12:13:14:16:18. | | Other high-limit chords and tone clusters can also be realized in trachytonic, including the approximations of 8:9:11:12 (which is like a sus chord but with more tension) and 12:13:14:16:18. |
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| The modes of screamapillar could be given Simpsonsesque names as follows: | | The modes of trachytonic are as follows: |
| | {| class="wikitable" |
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| | ! Quasi-diatonic name by [[User:CellularAutomaton|CA]] !! Alternate quasi-diatonic name by Wendy Gunk !! "Simpsonsesque" name by Mason Green !! Step signature |
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| | | Lydian d4 || Ionian t4 || Springfieldian || 3 3 2 2 3 3 1 |
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| | | Ionian d7 || Mixolydian t7 || Shelbyvillean || 3 3 1 3 3 2 2 |
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| | | Mixolydian d3 || Dorian t3 || Swartzwelderean || 3 2 2 3 3 1 3 |
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| | | Dorian d6 || Aeolian t6 || Ogdenvillean || 3 1 3 3 2 2 3 |
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| | | Aeolian d2 || Phrygian t2 || Capitalcitian || 2 2 3 3 1 3 3 |
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| | | Phrygian d5 || Locrian t5 || Spittlean || 1 3 3 2 2 3 3 |
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| | | Trachylocrian || Locrian d1 / Lydian t1 || Northhaverbrookian || 2 3 3 1 3 3 2 |
| | |} |
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| **Springfieldian**: Modified Ionian (major). 3 3 2 2 3 3 1
| | =<span style="line-height: 1.5;">As a temperament</span>= |
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| **Swartzwelderean****:** Modified Dorian. 3 2 2 3 3 1 3
| | <span style="line-height: 1.5;">Quite a few commas are tempered out including 64:63, 78:77, 99:98, 144:143, 243:242, etc. in the temperament that provides the harmonic equivalencies featured in the trachytonic scale.</span> |
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| **Capitalcitian:** Modified Phrygian: 2 2 3 3 1 3 3
| | While 17edo itself is an excellent choice for such a temperament, there are other options, notably [[61edo|61edo]], whose version of the trachytonic scale has step pattern 11 11 7 7 11 11 3. [[78edo|78edo]] works as well (with step pattern 14 14 9 9 14 14 4); both of these improve the 7th and 13th harmonics at the expense of<span style="line-height: 1.5;"> the 3rd and 11th.</span> |
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| **Northhaverbrookian:** Modified Lydian: 2 3 3 1 3 3 2
| | Other options include [[44edo|44edo]] and [[27edo|27edo]], although the latter is a borderline case because it doesn't have a very good 11 (it maps 11:8 to 577.78 cents). |
| | | [[Category:17edo]] |
| **Shelbyvillean:** Modified Mixolydian: 3 3 1 3 3 2 2
| | [[Category:bayati]] |
| | | [[Category:maqam]] |
| **Ogdenvillean****:** Modified Aeolian: 3 1 3 3 2 2 3
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| **Spittlean**: Mo**<span style="line-height: 1.5;">e</span>**<span style="line-height: 1.5;">dified Locrian: 1 3 3 2 2 3 3</span>
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| ----
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| =<span style="line-height: 1.5;">As a temperament</span>=
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| <span style="line-height: 1.5;">What is the temperament that provides the harmonic equivalencies featured in the screamapillar scale? Quite a few commas are tempered out including 64:63, 78:77, 99:98, 144:143, 243:242, etc.</span>
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| While 17edo itself is an excellent choice for such a temperament, there are other options, notably [[61edo]], whose version of the screamapillar scale has step pattern 11 11 7 7 11 11 3. [[78edo]] works as well (with step pattern 14 14 9 9 14 14 4); both of these improve the 7th and 13th harmonics at the expense of<span style="line-height: 1.5;"> the 3rd and 11th.</span>
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| Other options include [[44edo]] and [[27edo]], although the latter is a borderline case because it doesn't have a very good 11 (it maps 11:8 to 577.78 cents).</pre></div> | |
| <h4>Original HTML content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Screamapillar</title></head><body><strong>Screamapillar</strong> is a 7-note MODMOS in <a class="wiki_link" href="/17edo">17edo</a> (or its close cousins like <a class="wiki_link" href="/27edt">27edt</a> or <a class="wiki_link" href="/44ed6">44ed6</a>), or the temperament which characterizes this scale. Screamapillar has three different step sizes and is described as a LLmmLLs scale (i. e., 3322331). As such, it is not a maximally even scale (since seconds, thirds, sixths, and sevenths all come in three rather than two sizes). However, screamapillar is notable for being <a class="wiki_link" href="/Rothenberg%20propriety">strictly proper</a>, whereas the 17edo diatonic scale is not proper at all, and the 12edo diatonic scale is proper but not strictly so.<br />
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| <br />
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| Screamapillar can be obtained by a single chromatic modification of the diatonic scale; if we take 17edo's diatonic major (Ionian) mode, and raise the fourth by one step, we get screamapillar (specifically, the Springfieldian mode). Screamapillar is also one modification away from the <a class="wiki_link" href="/Mohajira">rast</a> scale, so it has resemblance to both Western and Middle-Eastern scales. In fact, melodically, it corresponds to the <a class="wiki_link_ext" href="http://www.maqamworld.com/maqamat/bayati.html" rel="nofollow">bayati</a> maqam.<br />
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| <br />
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| Screamapillar is named by analogy with <a class="wiki_link" href="/scorp">scorp</a> (as both are arthropod creatures starting with &quot;sc&quot;), and also because the major fourth of 17edo (which functions as 11:8, among others) has a very bright sound as though it is &quot;screaming&quot;'; ambulance sirens often use similar intervals. Timbres where the eleventh harmonic is strong tend to take on a similar character.<br />
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| <br />
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| The sharpened fourth could also be called a &quot;red note&quot; (opposite of a blue note) due to the mood it creates. Also, the <em><a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/The_Simpsons_Theme" rel="nofollow">Simpsons theme</a></em> uses a scale which, although not exactly screamapillar, does contain a sharpened fourth.<br />
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| <!-- ws:start:WikiTextRemoteImageRule:3:&lt;img src=&quot;http://38.media.tumblr.com/7826da01fcce799fc36142847120597e/tumblr_mhg2qvcEiY1qe9qrbo4_250.gif&quot; alt=&quot;&quot; title=&quot;&quot; /&gt; --><img src="http://38.media.tumblr.com/7826da01fcce799fc36142847120597e/tumblr_mhg2qvcEiY1qe9qrbo4_250.gif" alt="external image tumblr_mhg2qvcEiY1qe9qrbo4_250.gif" title="external image tumblr_mhg2qvcEiY1qe9qrbo4_250.gif" /><!-- ws:end:WikiTextRemoteImageRule:3 --><br />
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| <br />
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| Because screamapillar is so similar to the diatonic scale, it's not as xen as one might expect a no-fives 13-limit system to be, and as a result it makes a good starting point for someone who wants to explore these higher harmonies without sounding too foreign.<br />
| |
| <br />
| |
| Screamapillar contains five types of tertian (root-third-fifth) triads. These include 2 supermajor, 2 subminor, 1 neutral, 1 neutral-diminished, and 1 subminor-diminished. Of these, the neutral triad is harmonically somewhat rough and so it might be a good idea to modify it, fortunately, there are several options for doing this, such as changing it to a sus2, sus4, or even sus4add2. On the other hand, the neutral-diminished triad is actually very nice sounding since it very closely approximates 9:11:13, and its fifth is still clearly a fifth (albeit a narrow one) rather than being ambiguous like the 12edo tritone.<br />
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| <br />
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| The subminor and supermajor chords can be harmonically stabilized by adding, respectively, the 4th <a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Mu_chord" rel="nofollow">or the 2nd</a>. This especially makes a difference in the latter case because supermajor triads sound somewhat unstable on their own.<br />
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| <br />
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| Other high-limit chords and tone clusters can also be realized in screamapillar, including the approximations of 8:9:11:12 (which is like a sus chord but with more tension) and 12:13:14:16:18.<br />
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| <br />
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| The modes of screamapillar could be given Simpsonsesque names as follows:<br />
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| <strong>Springfieldian</strong>: Modified Ionian (major). 3 3 2 2 3 3 1<br />
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| <strong>Swartzwelderean</strong><strong>:</strong> Modified Dorian. 3 2 2 3 3 1 3<br />
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| <strong>Capitalcitian:</strong> Modified Phrygian: 2 2 3 3 1 3 3<br />
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| <strong>Northhaverbrookian:</strong> Modified Lydian: 2 3 3 1 3 3 2<br />
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| <strong>Shelbyvillean:</strong> Modified Mixolydian: 3 3 1 3 3 2 2<br />
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| <strong>Ogdenvillean</strong><strong>:</strong> Modified Aeolian: 3 1 3 3 2 2 3<br />
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| <strong>Spittlean</strong>: Mo<strong><span style="line-height: 1.5;">e</span></strong><span style="line-height: 1.5;">dified Locrian: 1 3 3 2 2 3 3</span><br />
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| <!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="As a temperament"></a><!-- ws:end:WikiTextHeadingRule:0 --><span style="line-height: 1.5;">As a temperament</span></h1>
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| <br />
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| <span style="line-height: 1.5;">What is the temperament that provides the harmonic equivalencies featured in the screamapillar scale? Quite a few commas are tempered out including 64:63, 78:77, 99:98, 144:143, 243:242, etc.</span><br />
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| <br />
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| While 17edo itself is an excellent choice for such a temperament, there are other options, notably <a class="wiki_link" href="/61edo">61edo</a>, whose version of the screamapillar scale has step pattern 11 11 7 7 11 11 3. <a class="wiki_link" href="/78edo">78edo</a> works as well (with step pattern 14 14 9 9 14 14 4); both of these improve the 7th and 13th harmonics at the expense of<span style="line-height: 1.5;"> the 3rd and 11th.</span><br />
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| <br />
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| Other options include <a class="wiki_link" href="/44edo">44edo</a> and <a class="wiki_link" href="/27edo">27edo</a>, although the latter is a borderline case because it doesn't have a very good 11 (it maps 11:8 to 577.78 cents).</body></html></pre></div>
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