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Wikispaces>xenjacob **Imported revision 3996373 - Original comment: i posed a silly question** |
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== Progress report == | |||
; What was your path to discovering alternate tunings? | |||
: While looking for information on [[Conlon Nancarrow]], I stumbled across [[Kyle Gann]]'s [[Just Intonation]] primer and started exploring the possibilities found there. I was also intrigued by a passage from the novel ''Cryptonomicon'' that spoke briefly about [[temperament]]. | |||
While looking for information on Conlon Nancarrow, I stumbled across Kyle Gann's Just Intonation primer and started exploring the possibilities found there. I was also intrigued by a passage from the novel | |||
; What are your current/past/future particular interests? | |||
My primary interests lie in simple harmonic structures that make room for a wide range of melodic ideas. Small segments of the 15-limit diamond are especially appealing to me. | : My primary interests lie in simple harmonic structures that make room for a wide range of melodic ideas. Small segments of the [[15-limit tonality diamond|15-limit diamond]] are especially appealing to me. | ||
; What instruments or means have you successfully used in the making of microtonal music? Recommendations? | |||
of microtonal music? Recommendations? | : I had great success with [[Chuck Hubbard]]'s no-scale JI sequencer until I changed computers and could never get it working again. Lately I have been learning to use [[Tonescape]], and I am already in love with the half-formed state it is in and the amazing fully-formed state I can see it becoming. | ||
I had great success with Chuck Hubbard's no-scale JI sequencer until I changed computers and could never get it working again. Lately I have been learning to use Tonescape, and I am already in love with the half-formed state it is in and the amazing fully-formed state I can see it becoming. | |||
; Any good microtonal anecdotes? | |||
I was introduced to the mailing list when I was at a wilderness camp in northern California. My mother casually mentioned to someone that I had an unbelievably esoteric hobby called "microtones" and one of the camp counselors said "I do that too." | : I was introduced to the mailing list when I was at a wilderness camp in northern California. My mother casually mentioned to someone that I had an unbelievably esoteric hobby called "microtones" and one of the camp counselors said "I do that too." | ||
; Are you, in fact, sane? | |||
: | |||
[[Category:People]] | |||
[[Category:Pseudonyms]] | |||
[[Category:Composers]] | |||
Latest revision as of 06:36, 9 January 2024
Progress report
- What was your path to discovering alternate tunings?
- While looking for information on Conlon Nancarrow, I stumbled across Kyle Gann's Just Intonation primer and started exploring the possibilities found there. I was also intrigued by a passage from the novel Cryptonomicon that spoke briefly about temperament.
- What are your current/past/future particular interests?
- My primary interests lie in simple harmonic structures that make room for a wide range of melodic ideas. Small segments of the 15-limit diamond are especially appealing to me.
- What instruments or means have you successfully used in the making of microtonal music? Recommendations?
- I had great success with Chuck Hubbard's no-scale JI sequencer until I changed computers and could never get it working again. Lately I have been learning to use Tonescape, and I am already in love with the half-formed state it is in and the amazing fully-formed state I can see it becoming.
- Any good microtonal anecdotes?
- I was introduced to the mailing list when I was at a wilderness camp in northern California. My mother casually mentioned to someone that I had an unbelievably esoteric hobby called "microtones" and one of the camp counselors said "I do that too."
- Are you, in fact, sane?