User:Eufalesio/TAMNAMS Extensions: Difference between revisions
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Extension for the many descendants of the diatonic. '''Bold''' MOSes support Pythagorean tuning. Italic names are new | Extension for the many descendants of the diatonic. '''Bold''' MOSes support Pythagorean tuning. Italic names are new. Credit to Frostburn for original names. | ||
{| class="wikitable" | {| class="wikitable" | ||
|+MOS descendants | |+MOS descendants | ||
| Line 55: | Line 55: | ||
{| class="wikitable mw-collapsible mw-collapsed" | {| class="wikitable mw-collapsible mw-collapsed" | ||
|+Diatonic descendants | |+Diatonic descendants | ||
!'''self''' | |||
!'''daughter''' | |||
!'''granddaughter''' | |||
!'''3rd descendant''' | |||
!'''4th descendant''' | |||
!'''5th descendant''' | |||
|- | |- | ||
| rowspan=" | | rowspan="32" |'''diatonic''' | ||
5L 2s | |||
| rowspan=" | | rowspan="16" |'''pychromatic''' | ||
5L 7s | |||
| rowspan=" | | rowspan="8" |supharmonic | ||
5L 12s | 5L 12s | ||
| rowspan=" | | rowspan="4" |reinhardic | ||
5L 17s | 5L 17s | ||
| rowspan=" | | rowspan="2" |reinatonic | ||
5L 22s | 5L 22s | ||
| | |pchro-reinatonic | ||
5L 27s | |||
|- | |- | ||
| | |mchro-reinatonic | ||
27L 5s | |||
|- | |- | ||
| rowspan=" | | rowspan="2" |''supytonic'' | ||
22L 5s | 22L 5s | ||
| | |''mchro-supytonic'' | ||
27L 22s | |||
|- | |- | ||
| | |''pchro-supytonic'' | ||
22L 27s | |||
|- | |- | ||
| rowspan=" | | rowspan="4" |protofractalic | ||
17L 5s | 17L 5s | ||
| rowspan=" | | rowspan="2" |fractalic | ||
22L 17s | 22L 17s | ||
| | |pchro-fractalic | ||
22L 39s | |||
|- | |- | ||
| | |mchro-fractalic | ||
39L 22s | |||
|- | |- | ||
| rowspan=" | | rowspan="2" |antifractalic | ||
17L 22s | 17L 22s | ||
| | |mchro-antifractalic | ||
39L 17s | |||
|- | |- | ||
| | |pchro-antifractalic | ||
39L 17s | |||
|- | |- | ||
| rowspan=" | | rowspan="8" |'''pythharmonic''' | ||
12L 5s | |||
| rowspan=" | | rowspan="4" |gothitonic | ||
17L 12s | 17L 12s | ||
| rowspan=" | | rowspan="2" |perotinic | ||
17L 29s | 17L 29s | ||
| | |pchro-perotinic | ||
17L 46s | |||
|- | |- | ||
| | |mchro-perotinic | ||
46L 17s | |||
|- | |- | ||
| rowspan=" | | rowspan="2" |martinic | ||
29L 17s | 29L 17s | ||
| | |mchro-martinic | ||
46L 29s | |||
|- | |- | ||
| | |pchro-martinic | ||
29L 46s | |||
|- | |- | ||
| rowspan=" | | rowspan="4" |'''pythagotonic''' | ||
12L 17s | |||
| rowspan=" | | rowspan="2" |''countermystonic'' | ||
29L 12s | 29L 12s | ||
|''mystostoney'' | |||
29L 41s | 29L 41s | ||
|- | |- | ||
|''counterstoney'' | |||
41L 29s | 41L 29s | ||
|- | |- | ||
| rowspan="2" |'''pythamystonic''' | |||
12L 29s | |||
|'''pythomerc''' | |||
41L 12s | |||
|- | |- | ||
|comptomerc | |||
12L 41s | 12L 41s | ||
|- | |- | ||
| rowspan="16" |meanchromatic | |||
| rowspan=" | |||
7L 5s | 7L 5s | ||
| rowspan=" | | rowspan="8" |meanharmonic | ||
12L 7s | 12L 7s | ||
| rowspan=" | | rowspan="4" |''comptomean'' | ||
12L 19s | 12L 19s | ||
| rowspan=" | | rowspan="2" |''pessimean'' | ||
12L 31s | 12L 31s | ||
| | |''pchro-pessimean'' | ||
12L 43s | |||
|- | |- | ||
| | |''mchro-pessimean'' | ||
43L 12s | |||
|- | |- | ||
| rowspan=" | | rowspan="2" |''meridetonic'' | ||
31L 12s | 31L 12s | ||
| | |''mchro-antipessimean'' | ||
43L 31s | |||
|- | |- | ||
| | |''pchro-antipessimean'' | ||
31L 43s | |||
|- | |- | ||
| rowspan=" | | rowspan="4" |''auromean'' | ||
19L 12s | 19L 12s | ||
| rowspan=" | | rowspan="2" |''ultimeantonic'' | ||
31L 19s | 31L 19s | ||
| | |''pchro-ultimeantonic'' | ||
31L 50s | |||
|- | |- | ||
| | |''mchro-ultimeantonic'' | ||
50L 31s | |||
|- | |- | ||
| rowspan=" | | rowspan="2" |''antultimeantonic'' | ||
19L 31s | 19L 31s | ||
| | |''mchro-antultimeantonic'' | ||
50L 19s | |||
|- | |- | ||
| | |''pchro-antultimeantonic'' | ||
19L 50s | |||
|- | |- | ||
| rowspan=" | | rowspan="8" |flanharmonic | ||
7L 12s | 7L 12s | ||
| rowspan=" | | rowspan="4" |velic | ||
19L 7s | 19L 7s | ||
| rowspan=" | | rowspan="2" |veljentyttonic | ||
19L 26s | 19L 26s | ||
| | |pchro-veljentyttonic | ||
19L 45s | |||
|- | |- | ||
| | |mchro-veljentyttonic | ||
45L 19s | |||
|- | |- | ||
| rowspan=" | | rowspan="2" |veljenpoikanic | ||
26L 19s | 26L 19s | ||
| | |mchro-veljenpoikanic | ||
45L 26s | |||
|- | |- | ||
| | |pchro-veljenpoikanic | ||
26L 45s | |||
|- | |- | ||
| rowspan=" | | rowspan="4" |siskoic | ||
7L 19s | 7L 19s | ||
| rowspan=" | | rowspan="2" |siskonpoikanic | ||
26L 7s | 26L 7s | ||
| | |pchro-siskonpoikanic | ||
26L 33s | |||
|- | |- | ||
| | |mchro-siskonpoikanic | ||
33L 26s | |||
|- | |- | ||
| rowspan=" | | rowspan="2" |siskontyttonic | ||
7L 26s | 7L 26s | ||
| | |mchro-siskontyttonic | ||
33L 7s | |||
|- | |- | ||
| | |pchro-siskontyttonic | ||
7L 33s | |||
|} | |} | ||
{| class="wikitable mw-collapsible mw-collapsed" | {| class="wikitable mw-collapsible mw-collapsed" | ||
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| | | | ||
|} | |} | ||
Etymologies: | |||
* countermystonic comes from ''[[countercomp]]'' and ''[[mystery]]'', the two temperaments that converge in this MOS. | |||
* comptomerc comes from ''[[compton]],'' as 12edo can also generate this MOS, albeit trivially. | |||
* garytonic comes from [[gary]], the temperament that tempers the [[garischisma]]. | |||
* dinewtonic comes from Gene Ward Smith, who designed the gene (1\311), supporting a near-equal 311edo. | |||
* quincetonic comes from [[cotoneum]], latin word for "quince", whose optimum is a near-equal 217edo. | |||
* acupyth comes from ''acus'' (needle), judging by the accuracy of the fifths in this range. | |||
* pontiacitonic comes from [[pontiac]], which generates this MOS. | |||
* comptograckle comes from compton and [[grackle]], which can both generate this MOS. | |||
* qiantonic comes from Qián Lèzhī, the ancient Chinese astronomer and instrument maker who discovered the 306- and 359- comma. | |||
* picopyth comes from pico-, a SI prefix denoting 10^-12, a minute order of magnitude. | |||
* auromean comes from the [[golden meantone]], as it supports a generator of 696.214 cents. | |||
* meancomptonic comes from compton and [[meantone]], as the ranges are between sharper meantone and compton. | |||
* ultimeantonic comes from the fact that the basic tuning 47\81 is the last patent val fifth that supports golden meantone. | |||
* pessimean comes from ''pessimus (the worst)'', because meantone tunings in this range are bad. | |||
* meridetonic comes from the méride, 1\43, as the MOS has 43 notes and 43edo provides an equal temperament. | |||
* supytonic comes from [[Superpythagorean|superpyth]]-tonic, to give it a different name. | |||