29edo: Difference between revisions
Undo revision 219097 by Zhenlige (talk) mystery temperament is discussed later; this article is about 29edo itself Tag: Undo |
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== Theory == | == Theory == | ||
29 is the lowest edo which approximates the [[3/2]] just fifth more accurately than [[12edo]]: 3/2 = 701.955… cents; 17 degrees of 29edo = 703.448… cents. Since the fifth is sharp instead of flat, 29edo is a [[Erv Wilson's Linear Notations|positive temperament]] — a [[Parapyth| | 29 is the lowest edo which approximates the [[3/2]] just fifth more accurately than [[12edo]]: 3/2 = 701.955… cents; 17 degrees of 29edo = 703.448… cents. Since the fifth is sharp instead of flat, 29edo is a [[Erv Wilson's Linear Notations|positive temperament]] — a [[Parapyth|parapythagorean]] tuning instead of a meantone system. | ||
{| class="wikitable" | {| class="wikitable" | ||
| [[File:29edoSuperpythDiatonic.mp3]] [[:File:29edoSuperpythDiatonic.mp3|[File info]]] | | [[File:29edoSuperpythDiatonic.mp3]] [[:File:29edoSuperpythDiatonic.mp3|[File info]]] | ||
| [[File:12edoDiatonic.mp3]] [[:File:12edoDiatonic.mp3|[File info]]] | | [[File:12edoDiatonic.mp3]] [[:File:12edoDiatonic.mp3|[File info]]] | ||
|- | |- | ||
| | | Parapythagorean diatonic major scale and cadence in 29edo | ||
| 12edo diatonic major scale and cadence, for comparison | | 12edo diatonic major scale and cadence, for comparison | ||
|} | |} | ||
| Line 27: | Line 27: | ||
=== Stacking fifths === | === Stacking fifths === | ||
Another possible use for 29edo is as an equally tempered para-pythagorean scale. Using its fifth as a generator leads to a variant of [[garibaldi | Another possible use for 29edo is as an equally tempered para-pythagorean scale. Using its fifth as a generator leads to a variant of [[garibaldi]] temperament which is not very accurate but which has relatively low 13-limit complexity. However, it gives the POL2 generator for [[Subgroup temperaments #Edson (2.3.7/5.11/5.13/5 subgroup)|edson temperament]] with essentially perfect accuracy, only 0.034 cents sharp of it. | ||
Edson is a 2.3.7/5.11/5.13/5 subgroup temperament, and 29edo represents the 2.3.11/5.13/5 subgroup to very high accuracy, and the 2.3.7/5.11/5.13/5 to a lesser but still good accuracy, and so can be used with this subgroup, which is liberally supplied with chords such as the 1-11/7-13/7 (7:11:13) chord, the [[The Archipelago|barbados | Edson is a 2.3.7/5.11/5.13/5 subgroup temperament, and 29edo represents the 2.3.11/5.13/5 subgroup to very high accuracy, and the 2.3.7/5.11/5.13/5 to a lesser but still good accuracy, and so can be used with this subgroup, which is liberally supplied with chords such as the [[7:11:13|1-11/7-13/7 (7:11:13)]] chord, the [[The Archipelago|barbados]] triad [[10:13:15|1-13/10-3/2 (10:13:15)]], the minor barbados triad [[26:30:39|1-15/13-3/2 (26:30:39)]], the [[22:28:33|1-14/11-3/2 (22:28:33)]] triad, the [[22:26:33|1-13/11-3/2 (22:26:33)]] triad, and the [[petrmic triad]], a 13-limit [[Dyadic chord|essentially tempered dyadic chord]]. | ||
29 tempers out 352/351, 676/675 and 4000/3993 from the 2.3.11/5.13/5 subgroup, and in addition 196/195 | 29 tempers out 352/351, 676/675 and 4000/3993 from the 2.3.11/5.13/5 subgroup, and in addition 196/195, 364/363, and 847/845 from the 2.3.7/5.11/5.13/5 subgroup, so we have various relationships from the tempering, such as the fact that the 1-13/11-3/2 chord and the 1-14/11-3/2 chord are inverses of each other, a major-minor pairing. A larger subgroup containing both of these subgroups is the [[k*N subgroups|3*29 subgroup]] 2.3.125.175.275.325; on this subgroup 29 tunes the same as 87, and the commas of 29 on this subgroup are the same as the 13-limit commas of 87. Still another subgroup of interest is the [[k*N subgroups|2*29 subgroup]] 2.3.25.35.55.65.85; on this subgroup 29 tunes the same as 58 and has the same 17-limit commas. | ||
Due to 29edo's tone-efficient mapping of 2.3.7/5.11/5.13/5, it makes sense to collapse this subgroup to 29edo. One may then expand the subgroup to the full 13-limit, adding an independent generator to reach primes 5, 7, 11, and 13 in one generator. This is [[mystery]] temperament, which has very low badness despite so many periods per octave. The 58-note MOS gives scope for harmony, with 29 15-odd-limit otonal chords and 29 utonal chords. | Due to 29edo's tone-efficient mapping of 2.3.7/5.11/5.13/5, it makes sense to collapse this subgroup to 29edo. One may then expand the subgroup to the full 13-limit, adding an independent generator to reach primes 5, 7, 11, and 13 in one generator. This is [[mystery]] temperament, which has very low [[badness]] despite so many periods per octave. The 58-note MOS gives scope for harmony, with 29 15-odd-limit otonal chords and 29 utonal chords. | ||
=== Interval Flavors === | === Interval Flavors === | ||
| Line 49: | Line 49: | ||
! Cents | ! Cents | ||
! Approx. Ratios of the [[13-limit]] | ! Approx. Ratios of the [[13-limit]] | ||
! colspan="3" | [[Ups and downs notation]] | ! Chain-of-fifths notation | ||
([[Enharmonic unisons in ups and downs notation|EUs]]: v<sup>3</sup>A1 and ^d2) | ! colspan="3" | [[Ups and downs notation]]<br>([[Enharmonic unisons in ups and downs notation|EUs]]: v<sup>3</sup>A1 and ^d2) | ||
! colspan="3" |[[SKULO interval names|SKULO interval names and notation]] (K or S = 1) | ! colspan="3" |[[SKULO interval names|SKULO interval names and notation]] (K or S = 1) | ||
|- | |- | ||
| Line 56: | Line 56: | ||
| 0.000 | | 0.000 | ||
| [[1/1]] | | [[1/1]] | ||
| unison | |||
| P1 | | P1 | ||
| unison | | unison | ||
| Line 65: | Line 66: | ||
| 1 | | 1 | ||
| 41.379 | | 41.379 | ||
| [[33/32]], [[40/39]], [[45/44]], [[81/80]] | | [[33/32]], [[40/39]], [[45/44]],<br>[[81/80]], [[64/63]] | ||
| negative diminished 2nd,<br>double diminished 3rd | |||
| ^1, vm2 | |||
| up unison,<br />downminor 2nd | | up unison,<br />downminor 2nd | ||
| ^D, vEb | | ^D, vEb | ||
| S1, sm2 | | K1, S1, sm2 | ||
| comma-wide unison, super unison, subminor 2nd | | comma-wide unison,<br>super unison, subminor 2nd | ||
| KD, SD, sEb | | KD, SD, sEb | ||
|- | |- | ||
| Line 75: | Line 78: | ||
| 82.759 | | 82.759 | ||
| [[21/20]], [[22/21]], [[135/128]], [[256/243]] | | [[21/20]], [[22/21]], [[135/128]], [[256/243]] | ||
| minor 2nd | |||
| m2 | | m2 | ||
| minor 2nd | | minor 2nd | ||
| Line 85: | Line 89: | ||
| 124.138 | | 124.138 | ||
| [[16/15]], [[15/14]], [[14/13]], [[13/12]] | | [[16/15]], [[15/14]], [[14/13]], [[13/12]] | ||
| augmented 1sn | |||
| ^m2 | | ^m2 | ||
| upminor 2nd | | upminor 2nd | ||
| Line 95: | Line 100: | ||
| 165.517 | | 165.517 | ||
| [[12/11]], [[11/10]], [[10/9]] | | [[12/11]], [[11/10]], [[10/9]] | ||
| diminished 3rd | |||
| vM2 | | vM2 | ||
| downmajor 2nd | | downmajor 2nd | ||
| Line 105: | Line 111: | ||
| 206.897 | | 206.897 | ||
| [[9/8]] | | [[9/8]] | ||
| major 2nd | |||
| M2 | | M2 | ||
| major 2nd | | major 2nd | ||
| Line 115: | Line 122: | ||
| 248.276 | | 248.276 | ||
| [[8/7]], [[7/6]], [[15/13]] | | [[8/7]], [[7/6]], [[15/13]] | ||
| double diminished 4th,<br>double augmented 1sn | |||
| ^M2, vm3 | | ^M2, vm3 | ||
| upmajor 2nd,<br | | upmajor 2nd,<br>downminor 3rd | ||
| ^E, vF | | ^E, vF | ||
| SM2, sm3 | | SM2, sm3 | ||
| Line 122: | Line 130: | ||
| SE, sF | | SE, sF | ||
|- | |- | ||
| | | 7 | ||
| 289.655 | | 289.655 | ||
| [[13/11]], [[32/27]] | | [[13/11]], [[32/27]] | ||
| minor 3rd | |||
| m3 | | m3 | ||
| minor 3rd | | minor 3rd | ||
| Line 135: | Line 144: | ||
| 331.034 | | 331.034 | ||
| [[6/5]], [[11/9]] | | [[6/5]], [[11/9]] | ||
| augmented 2nd | |||
| ^m3 | | ^m3 | ||
| upminor 3rd | | upminor 3rd | ||
| Line 145: | Line 155: | ||
| 372.414 | | 372.414 | ||
| [[5/4]], [[16/13]] | | [[5/4]], [[16/13]] | ||
| diminished 4th | |||
| vM3 | | vM3 | ||
| downmajor 3rd | | downmajor 3rd | ||
| Line 155: | Line 166: | ||
| 413.793 | | 413.793 | ||
| [[14/11]], [[81/64]] | | [[14/11]], [[81/64]] | ||
| major 3rd | |||
| M3 | | M3 | ||
| major 3rd | | major 3rd | ||
| Line 165: | Line 177: | ||
| 455.172 | | 455.172 | ||
| [[9/7]], [[13/10]] | | [[9/7]], [[13/10]] | ||
| double diminished 5th,<br>double augmented 2nd | |||
| ^M3, v4 | | ^M3, v4 | ||
| upmajor 3rd<br />down 4th | | upmajor 3rd<br />down 4th | ||
| Line 172: | Line 185: | ||
| SF#, sG | | SF#, sG | ||
|- | |- | ||
| | | 12 | ||
| 496.552 | | 496.552 | ||
| [[4/3]] | | [[4/3]] | ||
| perfect 4th | |||
| P4 | | P4 | ||
| 4th | | 4th | ||
| Line 185: | Line 199: | ||
| 537.931 | | 537.931 | ||
| [[11/8]], [[15/11]] | | [[11/8]], [[15/11]] | ||
| augmented 3rd | |||
| ^4 | | ^4 | ||
| up 4th | | up 4th | ||
| Line 195: | Line 210: | ||
| 579.310 | | 579.310 | ||
| [[7/5]], [[18/13]] | | [[7/5]], [[18/13]] | ||
| diminished 5th | |||
| vA4, d5 | | vA4, d5 | ||
| downaug 4th,<br />dim 5th | | downaug 4th,<br />dim 5th | ||
| Line 205: | Line 221: | ||
| 620.690 | | 620.690 | ||
| [[10/7]], [[13/9]] | | [[10/7]], [[13/9]] | ||
| augmented 4th | |||
| A4, ^d5 | | A4, ^d5 | ||
| aug 4th,<br />updim 5th | | aug 4th,<br />updim 5th | ||
| Line 215: | Line 232: | ||
| 662.069 | | 662.069 | ||
| [[16/11]], [[22/15]] | | [[16/11]], [[22/15]] | ||
| diminished 6th | |||
| v5 | | v5 | ||
| down 5th | | down 5th | ||
| Line 222: | Line 240: | ||
| kA | | kA | ||
|- | |- | ||
| | | 17 | ||
| 703.448 | | 703.448 | ||
| [[3/2]] | | [[3/2]] | ||
| perfect 5th | |||
| P5 | | P5 | ||
| 5th | | 5th | ||
| Line 235: | Line 254: | ||
| 744.828 | | 744.828 | ||
| [[14/9]], [[20/13]] | | [[14/9]], [[20/13]] | ||
| double augmented 4th,<br>double diminished 7th | |||
| ^5, vm6 | | ^5, vm6 | ||
| up 5th,<br />downminor 6th | | up 5th,<br />downminor 6th | ||
| Line 245: | Line 265: | ||
| 786.207 | | 786.207 | ||
| [[11/7]], [[128/81]] | | [[11/7]], [[128/81]] | ||
| minor 6th | |||
| m6 | | m6 | ||
| minor 6th | | minor 6th | ||
| Line 255: | Line 276: | ||
| 827.586 | | 827.586 | ||
| [[8/5]], [[13/8]] | | [[8/5]], [[13/8]] | ||
| augmented 5th | |||
| ^m6 | | ^m6 | ||
| upminor 6th | | upminor 6th | ||
| Line 265: | Line 287: | ||
| 868.966 | | 868.966 | ||
| [[5/3]], [[18/11]] | | [[5/3]], [[18/11]] | ||
| diminished 7th | |||
| vM6 | | vM6 | ||
| downmajor 6th | | downmajor 6th | ||
| Line 272: | Line 295: | ||
| kB | | kB | ||
|- | |- | ||
| | | 22 | ||
| 910.345 | | 910.345 | ||
| [[22/13]], [[27/16]] | | [[22/13]], [[27/16]] | ||
| major 6th | |||
| M6 | | M6 | ||
| major 6th | | major 6th | ||
| Line 285: | Line 309: | ||
| 951.724 | | 951.724 | ||
| [[7/4]], [[12/7]], [[26/15]] | | [[7/4]], [[12/7]], [[26/15]] | ||
| double augmented 5th,<br>double diminished 8ve | |||
| ^M6, vm7 | | ^M6, vm7 | ||
| upmajor 6th,<br />downminor 7th | | upmajor 6th,<br />downminor 7th | ||
| Line 295: | Line 320: | ||
| 993.103 | | 993.103 | ||
| [[16/9]] | | [[16/9]] | ||
| minor 7th | |||
| m7 | | m7 | ||
| minor 7th | | minor 7th | ||
| Line 305: | Line 331: | ||
| 1034.483 | | 1034.483 | ||
| [[11/6]], [[20/11]], [[9/5]] | | [[11/6]], [[20/11]], [[9/5]] | ||
| augmented 6th | |||
| ^m7 | | ^m7 | ||
| upminor 7th | | upminor 7th | ||
| Line 315: | Line 342: | ||
| 1075.862 | | 1075.862 | ||
| [[15/8]], [[28/15]], [[13/7]], [[24/13]] | | [[15/8]], [[28/15]], [[13/7]], [[24/13]] | ||
| diminished 8ve | |||
| vM7 | | vM7 | ||
| downmajor 7th | | downmajor 7th | ||
| Line 325: | Line 353: | ||
| 1117.241 | | 1117.241 | ||
| [[40/21]], [[21/11]], [[256/135]], [[243/128]] | | [[40/21]], [[21/11]], [[256/135]], [[243/128]] | ||
| major 7th | |||
| M7 | | M7 | ||
| major 7th | | major 7th | ||
| Line 334: | Line 363: | ||
| 28 | | 28 | ||
| 1158.621 | | 1158.621 | ||
| [[64/33]], [[39/20]], [[88/45]] [[160/81]] | | [[64/33]], [[39/20]], [[88/45]],<br>[[160/81]], [[63/32]] | ||
| diminished 9th,<br>double augmented 6th | |||
| ^M7, v8 | | ^M7, v8 | ||
| upmajor 7th,<br | | upmajor 7th,<br>down 8ve | ||
| ^C#, vD | | ^C#, vD | ||
| SM7, s8 | | SM7, s8 | ||
| supermajor 7th, comma-narrow 8ve, sub 8ve | | supermajor 7th,<br>comma-narrow 8ve, sub 8ve | ||
| SC#, kD, sD | | SC#, kD, sD | ||
|- | |- | ||
| Line 345: | Line 375: | ||
| 1200.000 | | 1200.000 | ||
| [[2/1]] | | [[2/1]] | ||
| octave | |||
| P8 | | P8 | ||
| 8ve | | 8ve | ||
| Line 447: | Line 478: | ||
29edo can be notated three different ways. Using only sharps and flats, the chromatic scale from C is: | 29edo can be notated three different ways. Using only sharps and flats, the chromatic scale from C is: | ||
{{dash|C, B♯, D♭, C♯, B𝄪/E𝄫, D, C𝄪/F𝄫, E♭, D♯, F♭, E, D𝄪/G𝄫, F, E♯, G♭, F♯, E𝄪/A𝄫, G, F𝄪, A♭, G♯, B𝄫, A, G𝄪/C𝄫, B♭, A♯, C♭, B, A𝄪/D𝄫, C|s=hair | {{dash|C, B♯, D♭, C♯, B𝄪/E𝄫, D, C𝄪/F𝄫, E♭, D♯, F♭, E, D𝄪/G𝄫, F, E♯, G♭, F♯, E𝄪/A𝄫, G, F𝄪, A♭, G♯, B𝄫, A, G𝄪/C𝄫, B♭, A♯, C♭, B, A𝄪/D𝄫, C|s=hair}} | ||
Here, six pairs of enharmonic equivalents exist: | Here, six pairs of enharmonic equivalents exist: | ||
| Line 457: | Line 488: | ||
* C𝄪 = F𝄫 | * C𝄪 = F𝄫 | ||
=== | === Stein–Zimmermann–Gould notation === | ||
Since a sharp raises by three steps, 29edo is a good candidate for [[ | Since a sharp raises by three steps, 29edo is a good candidate for [[Stein–Zimmermann–Gould notation]], using sharps and flats with arrows similar to [[22edo]]: | ||
{{Sharpness-sharp3-szg}} | |||
{{Sharpness-sharp3}} | |||
Note that C♯ is enharmonic to D{{flatup}}, and D♭ is enharmonic to C{{sharpdown}}. | Note that C♯ is enharmonic to D{{flatup}}, and D♭ is enharmonic to C{{sharpdown}}. | ||
If arrows are taken to have their own layer of enharmonic spellings, then in some cases notes may be best spelled with double arrows. | If arrows are taken to have their own layer of enharmonic spellings, then in some cases notes may be best spelled with double arrows. | ||
=== Kite's ups and downs notation === | |||
29edo can also be notated with [[Kite's ups and downs notation|Kite's ups and downs]], spoken as up, downsharp, sharp, etc. Note that downsharp (v#) can be respelled as dup (^^). | |||
{{Ups and downs sharpness}} | |||
=== Sagittal notation === | === Sagittal notation === | ||
This notation uses the same sagittal sequence as | This notation uses the same sagittal sequence as edos [[15edo #Sagittal notation|15]] and [[22edo #Sagittal notation|22]]. | ||
==== Evo flavor ==== | ==== Evo flavor ==== | ||
| Line 973: | Line 1,005: | ||
* [https://www.youtube.com/watch?v=-Sa8IhljHM0 ''BACH - RICERCAR a 6 from the Musical Offering, tuned into 29-EDO'', BWV 1079] (1742-1749) - rendered by Claudi Meneghin (2025) | * [https://www.youtube.com/watch?v=-Sa8IhljHM0 ''BACH - RICERCAR a 6 from the Musical Offering, tuned into 29-EDO'', BWV 1079] (1742-1749) - rendered by Claudi Meneghin (2025) | ||
* [https://www.youtube.com/watch?v=856A7vTqIW8 ''Bach, Art of Fugue: Contrapunctus 11, tuned into 29-edo (harpischord)''] (1740-1746) - rendered by Claudi Meneghin (2025) | * [https://www.youtube.com/watch?v=856A7vTqIW8 ''Bach, Art of Fugue: Contrapunctus 11, tuned into 29-edo (harpischord)''] (1740-1746) - rendered by Claudi Meneghin (2025) | ||
* [https://www.youtube.com/watch?v=VUX9yZiBM6g ''BACH, NEVERENDING CANON, but it has the SHEPARD EFFECT and is tuned into 29edo''] (1742-1749) - rendered by Claudi Meneghin (2025) | |||
; {{W|Nicolaus Bruhns}} | ; {{W|Nicolaus Bruhns}} | ||
* [https://www.youtube.com/watch?v=me7dHmo3cVs ''Prelude in E Minor "The Great"''] – rendered by Claudi Meneghin (2023) | * [https://www.youtube.com/watch?v=me7dHmo3cVs ''Prelude in E Minor "The Great"''] – rendered by Claudi Meneghin (2023) | ||
* [https://www.youtube.com/watch?v=-E-2mszlgWM ''Prelude in E Minor "The Little"''] – rendered by Claudi Meneghin (2024) | * [https://www.youtube.com/watch?v=-E-2mszlgWM ''Prelude in E Minor "The Little"''] – rendered by Claudi Meneghin (2024) | ||
; {{W|Kate Bush}} | |||
* [https://www.youtube.com/shorts/QIfqj-8Ojhc ''Army Dreamers'' <nowiki>[short clip]</nowiki>] (1980) - microtonal cover in 29edo by [[Bryan Deister]] (2025) | |||
; {{W|C418}} | |||
* [https://www.youtube.com/shorts/WEu7NzK7u0I ''Cat''] (2011) - microtonal cover in 29edo by [[Bryan Deister]] (2026) | |||
; {{W|Dorian Concept}} | |||
* [https://www.youtube.com/shorts/2NHkGHQ84Qc ''Hide''] (2023/2024) – microtonal cover in 29edo by [[Bryan Deister]] (2025) | |||
; Alan Fennah as "Alternative Radio" (see {{W|Buster (band)|Buster}}) | |||
* [https://www.youtube.com/shorts/lOaG5mgYMuM ''Concertina Ballerina''] (1983) – microtonal cover in 29edo by [[Bryan Deister]] (2026) | |||
; {{W|Toby Fox}} | |||
* [https://www.youtube.com/shorts/NYN8EBllJkE ''A Cyber's World''] via ''{{W|Deltarune}} Chapter 2'' (2021) – microtonal cover in 29edo by [[Bryan Deister]] (2023) | |||
* [https://www.youtube.com/watch?v=JOqnRPIOb5o ''Dialtone''] via ''{{W|Deltarune}} Chapter 2'' (2021) – microtonal cover in 29edo by [[Bryan Deister]] (2024) | |||
; {{W|Bart Howard}} | |||
* ''Fly Me to the Moon (29-TET) microtonal cover''] (1954) – microtonal cover in 29edo by ([[Stephen Weigel]] on Lumatone/soft synthesizer and [[Clarissa]] on trumpet) (2026) | |||
** [https://www.youtube.com/watch?v=FFrHIMrAS-E (original performance video)] | |||
** [https://www.youtube.com/watch?v=ZWDCWPOhPAA (transcription)] | |||
; {{W|Kikiyama}} (via {{W|Yume 2kki}}) | |||
* [https://www.youtube.com/shorts/UcjQeZot2pk ''Lotus Waters''] (2004) - microtonal cover in 29edo by [[Bryan Deister]] (2025) | |||
; {{W|King Crimson}} | |||
* [https://www.youtube.com/shorts/zWCmzTNddzI ''Discipline''] - microtonal cover in 29edo by [[Bryan Deister]] (2025) | |||
; [https://hsmusic.wiki/artist/james-roach/ James Roach] | |||
* [https://www.youtube.com/shorts/fyPaaW9AyMA ''Pipeorgankind''] (2012) – microtonal cover in 29edo by [[Bryan Deister]] (2024) (the title of the microtonal cover video also includes ''"Homestuck"'', but this appears to be an error) | |||
=== 21st century === | === 21st century === | ||
; [[Charles Loli A.]] ([http://musicool.us/musicool/armonia.htm site]{{dead link}}) | ; [[Charles Loli A.]] ([http://musicool.us/musicool/armonia.htm site]{{dead link}}) | ||
* [http://www.microtonalismo.com/el-teclado-29-edo ''Mp3 29EDO - Escala tonal de 17 notas''] {{dead link}} | * [http://www.microtonalismo.com/el-teclado-29-edo ''Mp3 29EDO - Escala tonal de 17 notas''] {{dead link}} | ||
; [[User:CellularAutomaton|CellularAutomaton]] | ; [[User:CellularAutomaton|CellularAutomaton]] | ||
| Line 992: | Line 1,051: | ||
* [https://www.youtube.com/watch?v=HGQ2b6v0TWE ''Glass Animals - Life Itself''] (2023) | * [https://www.youtube.com/watch?v=HGQ2b6v0TWE ''Glass Animals - Life Itself''] (2023) | ||
* [https://www.youtube.com/watch?v=ktk0VWbUbDg ''microtonal improvisation in 29edo''] (2023) | * [https://www.youtube.com/watch?v=ktk0VWbUbDg ''microtonal improvisation in 29edo''] (2023) | ||
* [https://www.youtube.com/shorts/SH5IQOi33Oo ''29edo groove''] (2025) | * [https://www.youtube.com/shorts/SH5IQOi33Oo ''29edo groove''] (2025) | ||
* [https://www.youtube.com/shorts/ | * [https://www.youtube.com/shorts/PuaNvxX11II ''an idea in 29edo''] (2026) | ||
; [[duckapus]] | ; [[duckapus]] | ||
| Line 1,005: | Line 1,058: | ||
; [[E8 Heterotic]] | ; [[E8 Heterotic]] | ||
* [https:// | * [https://www.youtube.com/watch?v=_1snAPXErOQ ''Glaukos Circuit''] (2019) – chiptune | ||
; [[Pedro Laranjeira Finisterra]] | ; [[Pedro Laranjeira Finisterra]] | ||
| Line 1,017: | Line 1,070: | ||
* [https://www.youtube.com/watch?v=di4qn2VFYbs ''Plane Sonatina No. 1''] (2025) | * [https://www.youtube.com/watch?v=di4qn2VFYbs ''Plane Sonatina No. 1''] (2025) | ||
* [https://www.youtube.com/watch?v=ifvvww20XAU ''Strank Running''] (2025) | * [https://www.youtube.com/watch?v=ifvvww20XAU ''Strank Running''] (2025) | ||
; [[groundfault]] | |||
* "The Lake Reflects a Black Sky" from ''A New Dusk'' (2024) – [https://groundfco.bandcamp.com/track/the-lake-reflects-a-black-sky-29-31-20edo Bandcamp] | [https://www.youtube.com/watch?v=1bnEO8vGvbo YouTube (0:00–2:38)] – in part, the rest being in 31edo and 20edo | |||
; [[Igliashon Jones]] | ; [[Igliashon Jones]] | ||
| Line 1,025: | Line 1,081: | ||
; [[Budjarn Lambeth]] | ; [[Budjarn Lambeth]] | ||
* [https://youtu.be/CN4cLOyaVGE ''29edo Porky15 Improvisation''] (2024) | * [https://youtu.be/CN4cLOyaVGE ''29edo Porky15 Improvisation''] (2024) | ||
; [[Claudi Meneghin]] | |||
* [https://www.youtube.com/shorts/iAP4MFKyjKk ''Porcupine Canon 3-in-1 on the Lament Bass (29EDO)''] (2026) | |||
; [[NullPointerException Music]] | ; [[NullPointerException Music]] | ||
* [https://www.youtube.com/watch?v=RtbY64I-vYg ''Edolian | * [https://www.youtube.com/watch?v=RtbY64I-vYg "Chamber"], from [https://www.youtube.com/playlist?list=PLg1YtcJbLxnwTJkG4m0BWZWxIHj7ScdNn ''Edolian''] (2020) | ||
; [[Mats Öljare]] | ; [[Mats Öljare]] | ||
| Line 1,040: | Line 1,099: | ||
; [[Chris Vaisvil]] | ; [[Chris Vaisvil]] | ||
* [http://micro.soonlabel.com/tuning-survey/daily20111026-bridgetown-14.mp3 ''Route 14 in Bridgetown''] | * [http://micro.soonlabel.com/tuning-survey/daily20111026-bridgetown-14.mp3 ''Route 14 in Bridgetown''] | ||
; [[Randy Wells]] (Australopithecine XEN) | |||
* [https://www.youtube.com/watch?v=yvCVAxyU5ZU ''Toy Shoppe''] (2024) | |||
* [https://www.youtube.com/watch?v=3pAU6_QunmU ''The Sea of Swirly Twirly Gumdrops''] (2024) | |||
; [[Xotla]] | ; [[Xotla]] | ||