34edo: Difference between revisions
→Modern renderings: Add ''Prelude op. 28 no. 7 in A major'' (1836) – rendered by Claudi Meneghin (2025) |
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== Theory == | == Theory == | ||
34edo contains two [[17edo]]'s and the half-octave tritone of 600 | 34edo contains two [[17edo]]'s and the half-octave tritone of 600{{c}}. It excels in approximating harmonics 3, 5, 13, 17, and 23 (2.3.5.13.17.23 [[subgroup]] a.k.a. the no-7's no-11's no-19's 23-limit), with tuning even more accurate than [[31edo]] in the 5-limit, but with a sharp tendency and fifth rather than a flat one, and ''not'' tempering out [[81/80]] unlike 31edo. Its primes 7 and 11 are less accurate, but still usable (with the 34d val for prime 7) with a sharp tendency, in fact mapping all [[15-odd-limit]] intervals consistently except for 7/4 and 8/7 in the 34d val. | ||
34edo's significance in regards to JI approximation comes from making many simple and natural equivalences between JI intervals. For example, a key characteristic of 34edo is that it splits the standard whole tone of [[9/8]] into six parts, such that three chromatic semitones of [[25/24]] or two diatonic semitones of [[16/15]] result in 9/8. Additionally, if you stack a five-step [[10/9]] interval four times, you reach the perfect fifth [[3/2]], supporting [[tetracot]]. This also means that the perfect fifth is mapped to 20 steps. Given that and the fact that the major third [[5/4]] is mapped to 11 steps, one can see that 34edo takes advantage of a natural logarithmic approximation of 5/4 as a portion of 3/2, or equivalently [[6/5]] as a portion of 5/4, resulting in [[gammic temperament]]. It also has the thirds from 17edo: "neogothic" minor and major thirds of about 282 and 424 | 34edo's significance in regards to JI approximation comes from making many simple and natural equivalences between JI intervals. For example, a key characteristic of 34edo is that it splits the standard whole tone of [[9/8]] into six parts, such that three chromatic semitones of [[25/24]] or two diatonic semitones of [[16/15]] result in 9/8. Additionally, if you stack a five-step [[10/9]] interval four times, you reach the perfect fifth [[3/2]], supporting [[tetracot]]. This also means that the perfect fifth is mapped to 20 steps. Given that and the fact that the major third [[5/4]] is mapped to 11 steps, one can see that 34edo takes advantage of a natural logarithmic approximation of 5/4 as a portion of 3/2, or equivalently [[6/5]] as a portion of 5/4, resulting in [[gammic temperament]]. It also has the thirds from 17edo: "neogothic" minor and major thirds of about 282 and 424{{c}}, and a neutral third of 353{{c}}. For [[extraclassical tonality]], a tendo third of 459{{c}} and an arto third of 247{{c}} are also available, approximating 13/10 and 15/13 respectively. | ||
34edo supports the [[diatonic scale]], both the simpler 5L 2s [[Moment-of-symmetry scale|moment-of-symmetry]] form and a more complex [[nicetone]] scale representing the [[zarlino]] diatonic. This can be extended into a 12-note chromatic scale of [[10L 2s]] by stacking the two different varieties of semitones, with an intuitive non-MOS form appearing at LLsLLLLLLsLL (created by first subdividing 34edo into the standard [[pentic]] scale and then splitting that into further smaller steps). | 34edo supports the [[diatonic scale]], both the simpler 5L 2s [[Moment-of-symmetry scale|moment-of-symmetry]] form and a more complex [[nicetone]] scale representing the [[zarlino]] diatonic. This can be extended into a 12-note chromatic scale of [[10L 2s]] by stacking the two different varieties of semitones, with an intuitive non-MOS form appearing at LLsLLLLLLsLL (created by first subdividing 34edo into the standard [[pentic]] scale and then splitting that into further smaller steps). | ||
[[Stephen Weigel]] recommends [https://youtu.be/NWLbdwFeYrk in this video] the use of 34edo to notate [[Music of Georgia|Georgian music]]. | |||
=== Odd harmonics === | === Odd harmonics === | ||
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== Intervals == | == Intervals == | ||
{{Todo|cleanup|comment=split interval table}} | |||
{| class="wikitable center-all right-2 left-3 left-4 left-5" | {| class="wikitable center-all right-2 left-3 left-4 left-5" | ||
|- | |- | ||
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| 1 | | 1 | ||
| 35.294 | | 35.294 | ||
| [[81/80]], [[128/125]], [[51/50]] | | [[81/80]], [[128/125]], [[40/39]], [[45/44]],<br>[[51/50]], [[52/51]], [[55/54]], [[65/64]] | ||
| [[28/27]], [[64/63]] | | [[28/27]], [[64/63]] | ||
| [[36/35]] | | [[36/35]] | ||
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| 2 | | 2 | ||
| 70.588 | | 70.588 | ||
| [[ | | [[23/22]], [[24/23]], [[25/24]], [[26/25]],<br>[[27/26]], [[648/625]], [[33/32]] | ||
| [[21/20]], [[36/35]], [[50/49]] | | [[21/20]], [[36/35]], [[50/49]] | ||
| [[28/27]], [[49/48]] | | [[28/27]], [[49/48]] | ||
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| [[15/14]], [[21/20]] | | [[15/14]], [[21/20]] | ||
| vA1, ^m2 | | vA1, ^m2 | ||
| downaug 1sn, | | downaug 1sn, upminor 2nd | ||
| vD#, ^Eb | | vD#, ^Eb | ||
| fru | | fru | ||
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| | | | ||
| ^M2, vm3 | | ^M2, vm3 | ||
| upmajor 2nd, | | upmajor 2nd, downminor 3rd | ||
| ^E, vF | | ^E, vF | ||
| ru/no | | ru/no | ||
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| 32 | | 32 | ||
| 1129.412 | | 1129.412 | ||
| [[48/25]], [[25/13]], [[23/12 | | [[48/25]], [[25/13]], [[23/12]], [[64/33]] | ||
| [[40/21]], [[35/18]], [[49/25]] | | [[40/21]], [[35/18]], [[49/25]] | ||
| [[27/14]], [[96/49]] | | [[27/14]], [[96/49]] | ||
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| do | | do | ||
|} | |} | ||
<references group="note" /> | |||
Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[Ups and downs notation #Chord names in other EDOs]]. | Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[Ups and downs notation #Chord names in other EDOs]]. | ||
== Notation == | == Notation == | ||
=== | === Stein–Zimmermann–Gould notation === | ||
[[Stein–Zimmermann–Gould notation]] uses sharps and flats combined with quartertone accidentals and arrows: | |||
{{Sharpness- | {{Sharpness-sharp4-szg}} | ||
[[ | === Kite's ups and downs notation === | ||
{{ | 34edo can also be notated with [[Kite's ups and downs notation|Kite's ups and downs]], spoken as up, dup, downsharp, sharp, upsharp etc. and down, dud, upflat etc. Note that dup is equivalent to dudsharp and dud is equivalent to dupflat. | ||
{{Ups and downs sharpness}} | |||
=== Sagittal notation === | === Sagittal notation === | ||
This notation uses the same sagittal sequence as [[41edo#Sagittal notation| | This notation uses the same sagittal sequence as [[41edo #Sagittal notation|41edo]], and is a superset of the notation for [[17edo #Sagittal notation|17edo]]. | ||
==== Evo flavor ==== | ==== Evo flavor ==== | ||
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== Approximation to JI == | == Approximation to JI == | ||
[[File:34ed2.svg|250px|thumb|right|alt=alt : Your browser has no SVG support.|Selected 19-limit intervals approximated in 34edo]] | [[File:34ed2.svg|250px|thumb|right|alt=alt : Your browser has no SVG support.|Selected 19-limit intervals approximated in 34edo]] | ||
Like [[17edo]], 34edo contains good approximations of just intervals involving 3, 11, and 13 – specifically, 13/8, 13/12, 13/11, 13/9, 11/9 and their inversions – while failing to closely approximate ratios of 7 given its step size. 34edo adds ratios of 5 into the mix – including 5/4, 6/5, 9/5, 15/8, 13/10, 15/13, and their inversions – as well as 17 – including 17/16, 18/17, 17/12, 17/11, 17/10, 17/13, 17/15 and their inversions. Since it distinguishes between 9/8 and 10/9 (exaggerating the difference between them, the [[syntonic comma]] of 81/80, from 21.5 | Like [[17edo]], 34edo contains good approximations of just intervals involving 3, 11, and 13 – specifically, 13/8, 13/12, 13/11, 13/9, 11/9 and their inversions – while failing to closely approximate ratios of 7 given its step size. 34edo adds ratios of 5 into the mix – including 5/4, 6/5, 9/5, 15/8, 13/10, 15/13, and their inversions – as well as 17 – including 17/16, 18/17, 17/12, 17/11, 17/10, 17/13, 17/15 and their inversions. Since it distinguishes between 9/8 and 10/9 (exaggerating the difference between them, the [[syntonic comma]] of 81/80, from 21.5{{c}} to 35.3{{c}}), it is suitable for quasi-5-limit JI but is not a [[meantone]] system. While no number of fifths (3/2) land on major or minor thirds, an even number of major or minor thirds will be the same pitch as a pitch somewhere in the circle of seventeen fifths. | ||
The sharpening of ~13{{c}} of 11/8 can fit with the 9/8 and 13/8 which both are about 7 cents sharp. This is the basis of a subtle trick: the guitarist tunes the high 'E' string flat by several cents, enough to be imperceptible in many contexts, but which makes chords/harmonies against those several intervals tuned more justly. | The sharpening of ~13{{c}} of 11/8 can fit with the 9/8 and 13/8 which both are about 7 cents sharp. This is the basis of a subtle trick: the guitarist tunes the high 'E' string flat by several cents, enough to be imperceptible in many contexts, but which makes chords/harmonies against those several intervals tuned more justly. | ||
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=== Counterpoint === | === Counterpoint === | ||
34edo has such an excellent [[sqrt(25/24)]] that the next edo to have a better one is [[441edo|441]]. Every sequence of intervals available in [[17edo]] | 34edo has such an excellent [[sqrt(25/24)]] that the next edo to have a better one is [[441edo|441]]. Every sequence of intervals available in [[17edo]] is reachable by {{W|Contrary motion|strict contrary motion}} in 34edo. | ||
== Regular temperament properties == | == Regular temperament properties == | ||
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|} | |} | ||
In the 5-limit, 34edo [[support]]s [[hanson]], [[srutal]], [[tetracot]], [[würschmidt]], and [[vishnu]] temperaments. It does less well in the [[7-limit]], with two mappings possible for [[7/4]]: a flat one from the [[patent val]], and a sharp one from the 34d val. By way of the patent val 34 supports [[keemun]] temperament, and 34d is an excellent alternative to [[22edo]] for 7-limit [[pajara]] temperament. In the [[11-limit]] | In the 5-limit, 34edo [[support]]s [[hanson]], [[srutal]], [[tetracot]], [[würschmidt]], and [[vishnu]] temperaments. It does less well in the [[7-limit]], with two mappings possible for [[7/4]]: a flat one from the [[patent val]], and a sharp one from the 34d val. By way of the patent val 34 supports [[keemun]] temperament, and 34d is an excellent alternative to [[22edo]] for 7-limit [[pajara]] temperament. In the [[11-limit]], the 34d val supports pajara, vishnu and würschmidt, adding 4375/4374 to the commas of pajara. Among subgroup temperaments, the patent val supports [[semaphore]] on the 2.3.7 subgroup. | ||
=== Uniform maps === | === Uniform maps === | ||
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| Superleap | | Superleap | ||
|} | |} | ||
<references group="note" /> | |||
== Octave stretch or compression == | |||
34edo's [[prime]]s 3, 5, 11 and 13 are all tuned sharp, and it has two about equally bad mappings of 7, so 34edo can benefit from [[octave shrinking]]. Some compressed-octave 34edo tunings (least to most compressed) include [[ed5|79ed5]], [[ed12|122ed12]], [[ed6|88ed6]], [[zpi|144zpi]] or [[54edt]]. | |||
== Scales == | == Scales == | ||
=== MOS scales === | === MOS scales === | ||
{{main|List of MOS scales in 34edo}} | {{main|List of MOS scales in 34edo}} | ||
* [[Antikythera]][6]: 6 5 6 6 5 6 | |||
* Antikythera[16]: 1 4 1 1 4 1 4 1 1 4 1 1 4 1 4 1 | |||
* [[Diaschismic]][8]: 3 8 3 3 3 8 3 3 | |||
* Diaschismic[10]: 3 3 5 3 3 3 3 5 3 3 | |||
* Diaschismic[12]: 3 3 2 3 3 3 3 3 2 3 3 3 | |||
* Diaschismic[22]: 2 1 2 1 2 1 2 1 2 1 2 2 1 2 1 2 1 2 1 2 1 2 | |||
* [[Hanson]][7]: 2 7 2 7 2 7 7 | |||
* Hanson[11]: 2 5 2 2 5 2 2 5 2 5 2 | |||
* Hanson[15]: 2 3 2 2 2 3 2 2 2 3 2 2 2 3 2 | |||
* Hanson[19]: 2 2 1 2 2 2 2 1 2 2 2 1 2 2 2 2 1 2 2 | |||
* [[Tetracot]][7]: 5 5 5 5 5 5 4 | |||
* Tetracot[13]: 4 1 4 1 4 1 4 1 4 1 4 1 4 | |||
* [[Tobago]][6]: 3 7 7 3 7 7 | |||
* Tobago[10]: 3 4 3 4 3 3 4 3 4 3 | |||
* Tobago[14]: 3 1 3 3 3 1 3 3 1 3 3 3 1 3 | |||
* Tobago[24]: 1 2 1 2 1 1 2 1 2 1 2 1 1 2 1 2 1 1 2 1 2 1 2 1 | |||
=== Ternary scales === | === Ternary scales === | ||
* [[Blackdye]] (5:3:1) | * [[Blackdye]] (5:3:1) | ||
* [[Diachrome]] (5:2:1) | * [[Diachrome]] (5:2:1) | ||
* [[Cthon5m]] (4:2:1) | * [[Cthon5m]] (4:2:1) | ||
=== Combination product sets === | |||
* [[1-3-5-9 hexany]]: 6 5 9 5 6 3 | |||
* Rotated [[1-3-5-11 hexany]]: 5 4 7 4 5 9 | |||
* Rotated [[1-3-5-13 hexany]]: 9 4 7 4 9 1 | |||
* Rotated [[1-5-9-11 hexany]]: 5 5 13 5 5 1 | |||
* Rotated [[1-5-9-13 hexany]]: 5 6 7 6 5 5 | |||
* [[1-5-9-15 hexany]]: 6 3 2 3 6 16 | |||
* Rotated [[1-5-11-13 hexany]]: 3 8 5 5 5 8 | |||
* Rotated [[1-9-11-13 hexany]]: 9 1 10 6 2 6 | |||
* [[3-5-9-11 hexany]]: 5 15 5 4 1 4 | |||
* Rotated [[3-5-9-13 hexany]]: 7 9 4 1 4 9 | |||
* [[3-5-11-13 hexany]]: 4 1 4 4 27 4 | |||
* [[3-5-15-19 hexany]]: 8 3 9 3 8 3 | |||
* Rotated [[3-5-15-27 hexany]]: 6 8 6 5 4 5 | |||
=== Others === | |||
* Patent rotated [[5afdo]]: 6 5 9 7 7 | |||
* 34d rotated [[5afdo]]: 6 5 9 8 6 | |||
* [[6afdo]]: 8 6 6 5 5 4 | |||
== Instruments == | == Instruments == | ||
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; {{W|Scott Joplin}} | ; {{W|Scott Joplin}} | ||
* [https://www.youtube.com/watch?v=CwMem5p1R6Y | * ''Maple Leaf Rag'' (1899) – rendered by Claudi Meneghin ([https://www.youtube.com/watch?v=CwMem5p1R6Y 2024], [https://www.youtube.com/shorts/yMsZIxNp_FY 2025]) | ||
; {{W|Marco Uccellini}} | ; {{W|Marco Uccellini}} | ||
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=== 21st century === | === 21st century === | ||
; [[bili_33093783396]] | |||
* [https://www.bilibili.com/video/BV1CggPztEEi/ ''A Show of Tetracot Modulation''] (2025) | |||
; [[Flora Canou]] | ; [[Flora Canou]] | ||
* [https://soundcloud.com/floracanou/october-dieting-plan?in=floracanou/sets/totmc-suite | * [https://soundcloud.com/floracanou/october-dieting-plan?in=floracanou/sets/totmc-suite "October Dieting Plan"] from [https://soundcloud.com/floracanou/sets/totmc-suite ''TOTMC Suite''] (2023–2025) – in [[modus]], 34edo tuning | ||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/uVZ6tJ1y6ak ''34edo improv''] (2025) | |||
* [https://www.youtube.com/shorts/Azk7a2bAwOo ''In My Room - Julia Wolf (microtonal cover in 34edo)''] (2026) | |||
* [https://www.youtube.com/shorts/PDANHoJhs3I ''34edo groove''] (2026) | |||
* [https://www.youtube.com/watch?v=CY4IlT1UEFs ''groove 34edo''] (2026) | |||
; [[E8 Heterotic]] | ; [[E8 Heterotic]] | ||
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; [[Robin Perry]] | ; [[Robin Perry]] | ||
* [https://www.youtube.com/watch?v=FXTM0HeuExk ''Uncomfortable In Crowds'' (extended)] (2013) | * [https://www.youtube.com/watch?v=FXTM0HeuExk ''Uncomfortable In Crowds'' (extended)] (2013) | ||
; [[Phanomium]] | |||
* [https://www.youtube.com/watch?v=-Q_flRRyGvI ''dreamwalking''] (2025) | |||
; [[Tapeworm Saga]] | ; [[Tapeworm Saga]] | ||
* [https://www.youtube.com/watch?v=BhgxwP9_cSw ''A 3/4 piece in 34edo on 12/31/23''] (2023) | * [https://www.youtube.com/watch?v=BhgxwP9_cSw ''A 3/4 piece in 34edo on 12/31/23''] (2023) | ||
; [[Shanyuan Baihe-Yuri]] (杉原百合-Yuri) | |||
* [https://www.bilibili.com/video/BV1CK411b72L/ ''Lost Memories -1#''] (2023) | |||
* [https://www.bilibili.com/video/BV1Dw411h7Af/ ''Hold a Memorial Ceremony for Myself''] (2023) | |||
; [[Sintel]] | ; [[Sintel]] | ||
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; [[Cam Taylor]] | ; [[Cam Taylor]] | ||
* [https://www.youtube.com/watch?v=kPeYshif0xQ ''Tetracot in 34EDO on the Lumatone''] (2021) | |||
* [https://www.youtube.com/watch?v=fbrXu7ls5tI ''34-equal Luma: a little sentimental''] (2023) | * [https://www.youtube.com/watch?v=fbrXu7ls5tI ''34-equal Luma: a little sentimental''] (2023) | ||
* [https://www.youtube.com/watch?v=9ORQlBmu_60 ''34 equal: classic triads''] (2023) | * [https://www.youtube.com/watch?v=9ORQlBmu_60 ''34 equal: classic triads''] (2023) | ||
* [https://www.youtube.com/watch?v=zojGuuJqGQk&t=2s ''Diaschismatic/Srutal<nowiki>[12]</nowiki> in 34-equal on the harpsichord''] (2024) | * [https://www.youtube.com/watch?v=zojGuuJqGQk&t=2s ''Diaschismatic/Srutal<nowiki>[12]</nowiki> in 34-equal on the harpsichord''] (2024) | ||
* [https://www.youtube.com/watch?v=t6t6gwx7CZ8 ''A different 12-tone subset of 34-equal (or thereabouts) on the harpsichord ''] (2024) | |||
; [[Userminusone]] | ; [[Userminusone]] | ||
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== See also == | == See also == | ||
* [[ | * [[Diaschismic–tetracot equivalence continuum]] | ||
== External links == | == External links == | ||
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* [https://microstick.net Websites of Neil Haverstick] | * [https://microstick.net Websites of Neil Haverstick] | ||
* [https://myspace.com/microstick] – somehow broken (if you scroll to right, you'll find the songs, playing them, you can't hear anything) | * [https://myspace.com/microstick] – somehow broken (if you scroll to right, you'll find the songs, playing them, you can't hear anything) | ||
[[Category:Diaschismic]] | [[Category:Diaschismic]] | ||