Lumatone mapping for 88edo: Difference between revisions

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== Diatonic ==
== Diatonic ==
However, due to the size of the edo, this does not cover the whole gamut, although for a meantone mapping, this is not necessarily a show-stopper. Despite the missing notes, [[Bryan Deister]] uses this mapping in [https://www.youtube.com/shorts/g55YTKvWyK4 ''March in 88edo''] (2026).
{{Lumatone EDO mapping|n=88|start=80|xstep=14|ystep=-5}}
{{Lumatone EDO mapping|n=88|start=80|xstep=14|ystep=-5}}
However, due to the size of the edo, this does not cover the whole gamut. You can expand it to the [[7L 5s]] mapping, but this gives octaves a moderate downward slant. Brian Deister uses this mapping in [https://www.youtube.com/watch?v=JQly-kX6kcM ''microtonal improvisation in 88edo''].
 
=== Expanded Diatonic ===
If you do want to cover all the notes with no skips and minimal repetition, you can expand it to the [[7L 5s]] mapping, but this gives octaves a moderate downward slant. This is the highest edo in which this mapping gives access to all the notes, higher ones will need to use the even more expanded [[12L 5s]] or [[12L 7s]] MOSes. Brian Deister uses this mapping in [https://www.youtube.com/watch?v=JQly-kX6kcM ''microtonal improvisation in 88edo''].
{{Lumatone EDO mapping|n=88|start=0|xstep=9|ystep=-4}}
{{Lumatone EDO mapping|n=88|start=0|xstep=9|ystep=-4}}
Keeping the same generator but setting the period to the quarter octave gives you a near equal [[4L 8s]] scale that keeps octaves closer to horizontal and makes chords easy to play  
Keeping the same generator but setting the period to the quarter octave gives you a near equal [[4L 8s]] scale that keeps octaves closer to horizontal and makes chords easy to play