31edo chord names: Difference between revisions
added dim and aug triads, also some 9th chords |
m Text replacement - "Ups and Downs Notation" to "Ups and downs notation" |
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== Ups and downs notation == | == Ups and downs notation == | ||
Various [[31edo]] triads, 6th and 7th chords, named via [[Ups and | Various [[31edo]] triads, 6th and 7th chords, named via [[Ups and downs notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ~4 and ^4 can be used interchangeably, as can ~5 and v5. | ||
Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. 0-13-20 = C4(a5) becomes 13-20-31 = Fvm. "a" stands for augmented and "d" stands for diminished. | Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. 0-13-20 = C4(a5) becomes 13-20-31 = Fvm. "a" stands for augmented and "d" stands for diminished. | ||
| Line 6: | Line 6: | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! colspan="2" | | ! colspan="2" | Third → | ||
! vm3 | ! vm3 | ||
! m3 | ! m3 | ||
| Line 16: | Line 16: | ||
! ~4 | ! ~4 | ||
|- | |- | ||
! | ! colspan="2" | Triads with P5 | ||
| Cvm | | Cvm | ||
| Cm | | Cm | ||
| Line 27: | Line 26: | ||
| C~4 | | C~4 | ||
|- | |- | ||
!~5 | ! rowspan="5" | Other<br />triads | ||
|Cvm(v5) | ! ~5 | ||
|Cm(v5) | | Cvm(v5) | ||
|C~(v5) | | Cm(v5) | ||
|C(v5) | | C~(v5) | ||
|C^(v5) | | C(v5) | ||
|Cv4(v5) | | C^(v5) | ||
|C4(v5) | | Cv4(v5) | ||
|C~4(v5) | | C4(v5) | ||
| C~4(v5) | |||
|- | |- | ||
!d5 | ! d5 | ||
|Cvd | | Cvd | ||
|Cd | | Cd | ||
|C^d | | C^d | ||
|C(b5) | | C(b5) | ||
|C^(b5) | | C^(b5) | ||
|Cv4(b5) | | Cv4(b5) | ||
|C4(b5) | | C4(b5) | ||
|C~4(b5) | | C~4(b5) | ||
|- | |- | ||
!vd5 | ! vd5 | ||
|Cvd(v5) | | Cvd(v5) | ||
|Cd(v5) | | Cd(v5) | ||
|C^d(v5) | | C^d(v5) | ||
|C(vb5) | | C(vb5) | ||
|C^(vb5) | | C^(vb5) | ||
|Cv4(vb5) | | Cv4(vb5) | ||
|C4(vb5) | | C4(vb5) | ||
|C~4(vb5) | | C~4(vb5) | ||
|- | |- | ||
!^5 | ! ^5 | ||
|Cvm(^5) | | Cvm(^5) | ||
|Cm(^5) | | Cm(^5) | ||
|C~(^5) | | C~(^5) | ||
|C(^5) | | C(^5) | ||
|C^(^5) | | C^(^5) | ||
|Cv4(^5) | | Cv4(^5) | ||
|C4(^5) | | C4(^5) | ||
|C~4(^5) | | C~4(^5) | ||
|- | |- | ||
!a5 | ! a5 | ||
|''(vAb^)'' | | ''(vAb^)'' | ||
|Cm(#5) | | Cm(#5) | ||
|C~a | | C~a | ||
|Ca | | Ca | ||
|C^a | | C^a | ||
|Cv4(#5) | | Cv4(#5) | ||
|''(Fvm)'' | | ''(Fvm)'' | ||
|C~4(#5) | | C~4(#5) | ||
|- | |- | ||
! rowspan="8" |Tetrads | ! rowspan="8" | Tetrads<br />with a<br />P5 | ||
with a | |||
P5 | |||
! ~6 | ! ~6 | ||
| Cvm~6 | | Cvm~6 | ||
| Line 180: | Line 177: | ||
| Ch7 | | Ch7 | ||
|- | |- | ||
|4:5:6:7:9 | | 4:5:6:7:9 | ||
|C E G vBb D | | C E G vBb D | ||
|C-nine down-7 | | C-nine down-7 | ||
|C9(v7) | | C9(v7) | ||
|C har7 | | C har7 | ||
|Ch7 | | Ch7 | ||
|- | |- | ||
| 7:6:5:4 | | 7:6:5:4 | ||
| Line 201: | Line 198: | ||
| Cs6 | | Cs6 | ||
|- | |- | ||
|9:7:6:5:4 | | 9:7:6:5:4 | ||
|C ^E G Bb D | | C ^E G Bb D | ||
|C-nine up-3 | | C-nine up-3 | ||
|C9(v3) | | C9(v3) | ||
|C sub9 | | C sub9 | ||
|Cs9 | | Cs9 | ||
|} | |} | ||
== Extended jazz symbol set == | == Extended jazz symbol set == | ||
[[File:31edo chord symbols.jpg|thumb|400px|No*ie's original proposition (2024-03-02).]] | [[File:31edo chord symbols.jpg|thumb|400px|No*ie's original proposition (2024-03-02).]]<br />No*ie proposes the following symbols: | ||
No*ie proposes the following symbols: | |||
{| class="wikitable" | {| class="wikitable" | ||
| Line 268: | Line 264: | ||
|- | |- | ||
| Augmented | | Augmented | ||
| + | | + | ||
| | | | ||
|- | |- | ||