26ed5: Difference between revisions
m Collapse harmonics tables, correct error (octave to pentave) |
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=== Prime subgroups === | === Prime subgroups === | ||
Pure- | Pure-[[pentave]]s 26ed5 is incompatible with [[prime limit]] tuning. Of all primes up to 41, 5 and 41 are the only two it approximates well. Many of 26ed5’s 'near-miss' [[prime]]s are tuned sharp, so 26ed5 can be made to work more normally by [[Octave shrinking|compressing]] 26ed5’s [[equave]], making [[5/1]] slightly flat but still okay and the other primes more in-tune. | ||
A good compressed tuning of 26ed5 is [[46ed17]], which transforms 26ed5 from a 5.41 tuning to a 3.5.11.17.23.43 tuning. The 3/1 in 46ed17 isn’t that good, with similar error to [[5edo]], but it’s a huge improvement on 26ed5. And the 5, 11, 17, 23 and 43 are genuinely solid approximations. Other tunings which are almost identical to 46ed17, and so provide those same benefits, are [[8ed18/11]] and [[20ed24/7]]. | |||
A good compressed tuning of 26ed5 is [[46ed17]], which transforms 26ed5 from a 5.41 tuning to a 3.5.11.17.23.43 tuning. The 3/1 in 46ed17 isn’t that good, | |||
Other tunings which are almost identical to 46ed17, and so provide those same benefits, are [[8ed18/11]] and [[20ed24/7]]. | |||
If one attempts to [[Octave stretch|stretch]] 26ed5 instead of compress, one will not find any tunings that approximate primes well until reaching [[11edo]], so only compression is viable, not stretching. | If one attempts to [[Octave stretch|stretch]] 26ed5 instead of compress, one will not find any tunings that approximate primes well until reaching [[11edo]], so only compression is viable, not stretching. | ||
{{Harmonics in equal | |||
| steps = 26 | |||
| num = 5 | |||
| denom = 1 | |||
| intervals = prime | |||
| collapsed = 1 | |||
| start = 1 | |||
| title = Prime harmonics 2 to 31 (26ed5) | |||
}} | |||
{{Harmonics in equal | |||
| steps = 26 | |||
| num = 5 | |||
| denom = 1 | |||
| intervals = prime | |||
| collapsed = 1 | |||
| start = 12 | |||
| title = Prime harmonics 37 to 79 (26ed5) | |||
}} | |||
=== Composite subgroups === | === Composite subgroups === | ||
If one | If one does not restrict to primes and allows all integers, pure-pentaves 26ed5 can instead be used as a strong tuning for the giant [[subgroup]]: | ||
'''5.6.12.22.32.44.49.52.56''' | |||
'''63.81.91.98.104.117.126''' | |||
Or it can be a strong tuning for any smaller subgroup that is contained within that group. | |||
{{Harmonics in equal | {{Harmonics in equal | ||
| steps = 26 | | steps = 26 | ||
Line 30: | Line 42: | ||
| denom = 1 | | denom = 1 | ||
| intervals = integer | | intervals = integer | ||
| collapsed = 1 | |||
| start = 1 | | start = 1 | ||
| title = | | title = Integer harmonics 2 to 12 (26ed5) | ||
}} | }} | ||
{{Harmonics in equal | {{Harmonics in equal | ||
Line 40: | Line 53: | ||
| collapsed = 1 | | collapsed = 1 | ||
| start = 12 | | start = 12 | ||
| title = | | title = Integer harmonics 13 to 23 (26ed5) | ||
}} | }} | ||
{{Harmonics in equal | {{Harmonics in equal | ||
Line 49: | Line 62: | ||
| collapsed = 1 | | collapsed = 1 | ||
| start = 23 | | start = 23 | ||
| title = | | title = Integer harmonics 24 to 34 (26ed5) | ||
}} | }} | ||
{{Harmonics in equal | {{Harmonics in equal | ||
Line 58: | Line 71: | ||
| collapsed = 1 | | collapsed = 1 | ||
| start = 34 | | start = 34 | ||
| title = | | title = Integer harmonics 35 to 45 (26ed5) | ||
}} | }} | ||
{{Harmonics in equal | {{Harmonics in equal | ||
Line 67: | Line 80: | ||
| collapsed = 1 | | collapsed = 1 | ||
| start = 45 | | start = 45 | ||
| title = | | title = Integer harmonics 46 to 56 (26ed5) | ||
}} | }} | ||
{{Harmonics in equal | {{Harmonics in equal | ||
Line 76: | Line 89: | ||
| collapsed = 1 | | collapsed = 1 | ||
| start = 56 | | start = 56 | ||
| title = | | title = Integer harmonics 57 to 68 (26ed5) | ||
| columns = 12 | | columns = 12 | ||
}} | }} | ||
== Intervals == | == Intervals == | ||
Line 192: | Line 99: | ||
! rowspan="2" |Step | ! rowspan="2" |Step | ||
! rowspan="2" |Cents | ! rowspan="2" |Cents | ||
! colspan=" | ! colspan="2" |Just intonation approximation | ||
|- | |- | ||
! | !<small>5.6.12.22… subgroup <br>described above</small> | ||
!<small>5.6.12.22… subgroup <br>(with ratios simplified)</small> | |||
! | |||
|- | |- | ||
!1 | !1 | ||
!107.2 | !107.2 | ||
|36/34, 34/32, 32/30 | |||
|18/17, 17/16, 16/15 | |||
| 36/34, 34/32 | |||
|18/17, 17/16 | |||
|- | |- | ||
! 2 | !2 | ||
!214.3 | !214.3 | ||
| | |34/30, 25/22 | ||
|17/15, 25/22 | |||
|17/15 | |||
|- | |- | ||
!3 | !3 | ||
!321.5 | !321.5 | ||
|6/5 | |6/5 | ||
|6/5 | |6/5 | ||
|- | |- | ||
!4 | !4 | ||
! 428.7 | !428.7 | ||
| | |56/44, 63/49 | ||
|14/11, 9/7 | |||
| 9/7 | |||
|- | |- | ||
! 5 | !5 | ||
!535.8 | !535.8 | ||
|(6/5)x(25/22) | |(6/5)x(25/22) | ||
|15/11 | |15/11 | ||
Line 254: | Line 131: | ||
!6 | !6 | ||
!643.0 | !643.0 | ||
| | |52/36, 32/22 | ||
|13/9, 16/11 | |||
|13/9 | |||
|- | |- | ||
!7 | !7 | ||
!750.2 | !750.2 | ||
|34/22 | |34/22 | ||
|17/11 | |17/11 | ||
Line 274: | Line 141: | ||
!8 | !8 | ||
!857.3 | !857.3 | ||
|(6/5)x(15/11) | |(6/5)x(15/11) | ||
|18/11 | |18/11 | ||
Line 284: | Line 146: | ||
!9 | !9 | ||
!964.5 | !964.5 | ||
|56/32 | |56/32 | ||
|7/4 | |7/4 | ||
Line 294: | Line 151: | ||
!10 | !10 | ||
!1071.7 | !1071.7 | ||
| | |104/56 | ||
|13/7 | |13/7 | ||
|- | |- | ||
!11 | !11 | ||
!1178.8 | !1178.8 | ||
|49/25 | |49/25 | ||
|49/25 | |49/25 | ||
Line 314: | Line 161: | ||
!12 | !12 | ||
!1286.0 | !1286.0 | ||
|(6/5)x(56/32) | |||
|21/10 | |21/10 | ||
|- | |- | ||
!13 | !13 | ||
!1393.2 | !1393.2 | ||
|81/36 | |||
|9/4 | |9/4 | ||
|- | |- | ||
!14 | !14 | ||
!1500.3 | !1500.3 | ||
| | |12/5 | ||
|12/5 | |||
| | |||
|- | |- | ||
!15 | !15 | ||
!1607.5 | !1607.5 | ||
| | |30/12 | ||
| | |5/2 | ||
|- | |- | ||
!16 | !16 | ||
!1714.7 | !1714.7 | ||
| | |32/12, 81/30 | ||
|8/3, 27/10 | |||
| | |||
|- | |- | ||
!17 | !17 | ||
!1821.8 | !1821.8 | ||
| | |160/56 | ||
|20/7 | |20/7 | ||
|- | |- | ||
!18 | !18 | ||
!1929.0 | !1929.0 | ||
| | |110/36, 104/34 | ||
|55/18, 52/17 | |||
| | |||
|- | |- | ||
!19 | !19 | ||
!2036.2 | !2036.2 | ||
|104/32 | |||
|13/4 | |13/4 | ||
|- | |- | ||
!20 | !20 | ||
!2143.3 | !2143.3 | ||
| | |(32/12)x(63/49) | ||
|24/7 | |24/7 | ||
|- | |- | ||
!21 | !21 | ||
!2250.5 | !2250.5 | ||
|22/6 | |22/6 | ||
|11/3 | |11/3 | ||
Line 414: | Line 211: | ||
!22 | !22 | ||
!2357.7 | !2357.7 | ||
|117/30 | |||
|39/10 | |39/10 | ||
|- | |- | ||
!23 | !23 | ||
!2464.8 | !2464.8 | ||
|25/6 | |25/6 | ||
|25/6 | |25/6 | ||
|- | |- | ||
!24 | !24 | ||
!2572.0 | ! 2572.0 | ||
|22/5 | |22/5 | ||
|22/5 | |22/5 | ||
Line 444: | Line 226: | ||
!25 | !25 | ||
!2679.1 | !2679.1 | ||
| | |56/12 | ||
| | |14/3 | ||
|- | |- | ||
!26 | !26 | ||
!2786.3 | ! 2786.3 | ||
| 5/1 | |||
|5/1 | |||
|5/1 | |5/1 | ||
|} | |} | ||
==Scales== | ==Scales== | ||
=== 13ed5plus=== | ===13ed5plus=== | ||
[[Category:14-tone scales]]Inspired by the [[elevenplus]] scale of [[22edo]], the '''13ed5plus scale''' is [[13ed5]] plus a step of 26ed5 in between two of its steps. | [[Category:14-tone scales]] | ||
Inspired by the [[elevenplus]] scale of [[22edo]], the '''13ed5plus scale''' is [[13ed5]] plus a step of 26ed5 in between two of its steps. | |||
In other words, 13ed5plus is all of the odd-numbered steps of 26ed5, plus step | In other words, 13ed5plus is all of the odd-numbered steps of 26ed5, plus step 26. | ||
The scale is useful because it includes most of 26ed5’s [[consonance]]s while leaving out many of the less-used intervals. Making it practical to use on an instrument. | The scale is useful because it includes most of 26ed5’s [[consonance]]s while leaving out many of the less-used intervals. Making it practical to use on an instrument. | ||
Line 477: | Line 250: | ||
As a [[MOS scale]], it is an example of the scale [[13L 1s (5/1-equivalent)]]. The 2/1-equivalent version would be [[13L 1s]]. | As a [[MOS scale]], it is an example of the scale [[13L 1s (5/1-equivalent)]]. The 2/1-equivalent version would be [[13L 1s]]. | ||
==== | ====Intervals==== | ||
{| class="wikitable mw-collapsible" | {| class="wikitable mw-collapsible" | ||
|+ | |+ | ||
The 13ed5plus scale | The 13ed5plus scale | ||
! | !Step | ||
! | !Cents | ||
! | !JI approximation <br><small>(5.6.12.22… subgroup;</small> <br><small>ratios simplified)</small> | ||
|- | |- | ||
|1 | |||
|107.2 | |||
|18/17, 17/16, 16/15 | |||
|- | |- | ||
|3 | |||
|321.5 | |||
| | |||
| | |||
|6/5 | |6/5 | ||
|- | |- | ||
|5 | |||
|535.8 | |||
|15/11 | |15/11 | ||
|- | |- | ||
|7 | |||
|750.2 | |||
|17/11 | |17/11 | ||
|- | |- | ||
|9 | |||
|964.5 | |||
|7/4 | |7/4 | ||
|- | |- | ||
|11 | |||
|1178.8 | |||
|49/25 | |49/25 | ||
|- | |- | ||
|13 | |||
|1393.2 | |||
|9/4 | |9/4 | ||
|- | |- | ||
|15 | |||
|1607.5 | |||
| | |5/2 | ||
|- | |- | ||
|17 | |||
|1821.8 | |||
|20/7 | |20/7 | ||
|- | |- | ||
|19 | |||
|2036.2 | |||
|13/4 | |13/4 | ||
|- | |- | ||
|21 | |||
|2250.5 | |||
|11/3 | |11/3 | ||
|- | |- | ||
|23 | |||
|2464.8 | |||
|25/6 | |25/6 | ||
|- | |- | ||
|25 | |||
|2679.1 | |||
| | |14/3 | ||
|- | |- | ||
|26 | |||
|2786.3 | |||
|5/1 | |5/1 | ||
|} | |} |