135/128: Difference between revisions
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{{Infobox Interval | {{Infobox Interval | ||
| Name = ptolemaic chromatic semitone, major limma, major chroma, mavila comma | | Name = ptolemaic chromatic semitone, major limma, major chroma, mavila comma | ||
| Color name = Ly1, layo unison,<br> | | Color name = Ly1, layo unison,<br>LybM, layobima | ||
| Sound = jid_135_128_pluck_adu_dr220.mp3 | | Sound = jid_135_128_pluck_adu_dr220.mp3 | ||
| Comma = yes | | Comma = yes | ||
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== Temperaments == | == Temperaments == | ||
If 135/128 is treated as a comma to be [[tempering out|tempered out]], it may be called the '''mavila comma'''. It represents the difference between three [[4/3|perfect fourth]]s and a [[5/4|just major third]] (plus an [[octave]]). Tempering it out results in the [[mavila]] temperament. | If 135/128 is treated as a comma to be [[tempering out|tempered out]], it may be called the '''mavila comma'''. It represents the difference between three [[4/3|perfect fourth]]s and a [[5/4|just major third]] (plus an [[octave]]), or the difference between [[9/8]] and [[16/15]]. Tempering it out results in the [[mavila]] temperament. | ||
135/128 is very close to one step of [[13edo]], in fact being a {{w|Continued fraction|semiconvergent}}. [[Aluminium]] temperament realizes this through a regular temperament lens. | 135/128 is very close to one step of [[13edo]], in fact being a {{w|Continued fraction|semiconvergent}}. [[Aluminium]] temperament realizes this through a regular temperament lens. | ||
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[[Category:Meantone]] | [[Category:Meantone]] | ||
[[Category:Commas named after musical traditions]] | [[Category:Commas named after musical traditions]] | ||