User:Mousemambo/Workbench: Difference between revisions

Mousemambo (talk | contribs)
expansion of the "Xenharmonic music: An introduction to 21st century tuning systems" section
ArrowHead294 (talk | contribs)
mNo edit summary
 
(39 intermediate revisions by one other user not shown)
Line 22: Line 22:
**[[Temperament naming]]
**[[Temperament naming]]
**[[Scale naming]]
**[[Scale naming]]
*'''[[User:Mousemambo/Introduction to xenharmonic music terminology|Introduction to xenharmonic music terminology]]'''. Near complete as of 2023-Sep-05. Might be worth moving to the wiki mainspace.
*Missing articles:
**'''Supermajor'''. Various ways the term is used, but focused on that term as a interval and chord name/category. Also, related names. Currently, it redirects to a specific usage: [[Ragismic_microtemperaments#Supermajor]]. See also: [[Extra-Diatonic Intervals]].
**Enneatonic. wtf?


==Practical tuning for beginners pages==
==Practical tuning for beginners pages==
Line 73: Line 77:


== Xenharmonic music: An introduction to 21st century tuning systems ==
== Xenharmonic music: An introduction to 21st century tuning systems ==
This [developing] outline can be used as an introductory course through the Xenharmonic Wiki for people interested in understanding, playing or composing xenharmonic music. Although it consists entirely of links to Xen Wiki and some Wikipedia articles, without any text of its own, it's ordered to guide a growing conceptual understanding for those new to the subject. The intention is to help answer the question, "Where should I begin learning about xenharmonic music?" for those who wish to go deeper than the introductory texts provided by the list of [[Guides]].
This project has been moved to its own draft page, with the title "[[User:Mousemambo/Introduction to xenharmonic music terminology|Introduction to xenharmonic music terminology]]."


This course extends from a prerequisite of Music Theory 101, a ubiquitous first-semester college course whose material is also commonly taught to high school piano, guitar and jazz musicians. There are several free online textbooks teaching Music Theory 101 [recommendations need to be provided]. The course draws a somewhat arbitrary line between "beginner" material that is included, and "intermediate" material that is not. A guideline for that distinction is that the material presented might fit within a one-semester college course.
== Intermediate xenharmonic music terminology ==
This is a section in early development to collect terms that don't seem fundamental enough to include in the limited space of the "Introduction to xenharmonic music terminology" but I believe seem important enough to warrant inclusion in an intermediate-level follow-up. Some might instead get incorporated into the Introduction before its first non-draft release.


This "Introduction to xenharmonic music" course begins by reintroducing some basic musicology terms but in a xenharmonic context. That may mean they have unusual definitions, or that they're explained in a way that points toward how they're understood and used in xenharmonic musicology and music. If there is corresponding English Wikipedia page, a link is provided here to help contrast the xenharmonic perspective with the one more commonly taught in conventional music theory [in progress]. However, some Wikipedia pages were created with a partly or entirely xenharmonic perspective (e.g. [[Wikipedia:Regular diatonic tuning|Regular diatonic tuning]]), although this can be difficult for beginners to recognize.
The criterion for inclusion in the "introduction" that the whole thing fit inside a one-semester academic class — doesn't hold as well here because you could make an intermediate terminology collection for each of several specialties, e.g. JI tunings, EDO tunings, [[RTT]], etc. But in the interest of continuing the idea of a survey of xenharmonic terminology, I'll eventually create sections for each specialty that seems to me at this time to be important for a survey of xenharmonic music theory areas of study, but for now this is just a hodgepodge.


Some of the articles linked to by this outline start with useful introductory material but then go deeper than the level intended by this course. In these cases, readers are encouraged to use their judgement to decide when a useful depth of understanding has been reached, and then return to this outline. Revisiting deeper material at a later time is always available.
* [[7-limit]]
 
* [[Chord]]
=== Foundations ===
* [[Chord of nature]]
*[[Glossary]]
* [[Color notation]]
*[[Interval]]. Wikipedia: [[Wikipedia:Interval (music)|Interval (music)]].
* Commas (Might better be presented as "Temperament families" with a list of important ones... Marvel, Porcupine, etc. and the commas they temper out.)
*[[Ratio]]
** [[64/63|Archytas' comma]] (aka 64/63)
*[[Harmonic series]] and the [[Overtone scale]]. Wikipedia: [[Wikipedia:Harmonic series (music)|Harmonic series (music)]].
** [[Magic comma]] (aka 3125/3072, small diesis)
*[[Scale]]. Wikipedia: [[Wikipedia:Scale (music)|Scale (music)]].
** [[Ptolemisma]] (aka 100/99)
**[[Mode]]. "[[Tonal center]]" redirects to here, but probably should redirect to [[Tonic]]. Wikipedia: [[Wikipedia:Mode (music)|Mode (music)]].
** [[49/48|Slendro diesis]] (aka 49/48, large septimal diesis)
**[[5L 2s]]. "[[Diatonic]]" has a link to here. Wikipedia: [[Wikipedia:Diatonic scale|Diatonic scale]], and [[Wikipedia:Regular diatonic tuning|Regular diatonic tuning]].
* [[Comma pump]]
**[[Scale naming]]
* [[Comma pump examples]]
**[[MOS scale|Moment of symmetry (MOS)]]
* [[Comparison of mode notation systems]]
**[[Harmonic limit]]. This article badly needs a non-mathematical introductory summary paragraph, to go with its Wikipedia link to [[Wikipedia:Limit (music)|Limit (music)]].
* [[Diatonic, chromatic, enharmonic, subchromatic]]
*[[Tonic]]
* [[Distributional evenness]]
 
* [[Extended bra-ket notation]]
=== Tuning systems and temperament ===
* [[Extended-diatonic interval names]]
*[[Tuning system]]. Wikipedia: [[Wikipedia:Musical tuning#Tuning systems|Musical tuning § Tuning systems]].
* [[Extension and restriction]]
*[[Just intonation]]. Wikipedia: [[Wikipedia:Just intonation|Just intonation]].
* [[Extra-Diatonic Intervals]]
*[[Comma]]. Wikipedia: [[Wikipedia:Comma|Comma]].
* [[Gallery of just intervals]]
**[[Pythagorean comma]]. Wikipedia: [[Wikipedia:Pythagorean comma|Pythagorean comma]].
* [[Hexany]]
**[[81/80]] (aka Ptolemaic comma). Wikipedia: [[Wikipedia:Syntonic comma|Syntonic comma]].
* [[Isoharmonic chord]]
*[[Temperament]]
* [[Just intonation subgroup]]
**[[Equal temperament]]
* [[List of superparticular intervals]]
**[[Equal-step tuning]]
* [[Nonoctave|Nonoctave scales]]
**[[Regular temperament]]. Wikipedia: [[Wikipedia:Regular temperament|Regular temperament]].
* [[Notation]]
**[[Linear temperament]]
* [[Pergen]]
**[[Support]]
* [[Scale index]]
**[[Tempering out]]
**[[5edo]]. Wikipedia: [[Wikipedia:Equal temperament#Five-, seven-, and nine-tone temperaments in ethnomusicology|Equal temperament§Five-, seven-, and nine-tone temperaments in ethnomusicology]]
**[[Temperament naming]]
**[[22edo]]. Wikipedia: [[Wikipedia:22 equal temperament|22 equal temperament]].
**[[Temperament families and clans]]
**[[Mavila]]
*Notable historical and common tuning systems
**[[Superpyth]]
**[[Pythagorean tuning]]. Wikipedia: [[Wikipedia:Pythagorean tuning|Pythagorean tuning]].
**[[Meantone family]]. Wikipedia: [[Wikipedia:Meantone temperament|Meantone temperament]].
***[[Wikipedia:Ptolemy's intense diatonic scale|Ptolemy's intense diatonic scale]] (at Wikipedia)
***[[Quarter-comma meantone]].  Wikipedia: [[Wikipedia:Quarter-comma meantone|Quarter-comma meantone]]
**[[12edo]]. Wikipedia: [[Wikipedia:12 equal temperament|12 equal temperament]].
**
*Articles
**[[Paul Erlich]]. [[:File:MiddlePath2015.pdf|A middle path between just intonation and the equal temperaments]].
 
=== Tuning system analysis and design ===
*[[Equave]]
*[[Generator]]
*[[Monzo]]
*[[Val]]
*[[Tuning system design]]. A needed article explaining some of the (sometimes conflicting) qualities that make a tuning system attractive, e.g. many consonant intervals, attractive harmonies, easy modulation to other keys, similarity to existing popular tunings, etc. Some possible qualities:
**Correspondence to the [[harmonic series]], especially the fifth and/or third. Harmonic sounds are perceived by humans as more sonorous, in part due to harmonic blending.
**Includes many close-to-harmonic fifths among intervals of the scale's (or possible scale in the tuning) notes.
**Is an [[EDO]] with the useful properties of those (modulation is relatively easy, for example).
**Is a [[MOS scale]] (many scales that people have found attractive for making music happen to be MOS scales).
**Has enough corresponding scale degrees with 12edo that it is possible to compose in it using music theoretic understanding from Common Practice theory (e.g. [[19edo]]).
**Is an EDO close enough to a popular temperament to substitute for it, e.g. [[19edo]] for [[1/3-comma meantone]].
**Has few enough pitches per [[equave]] that there's no need to select a subset for mapping to standard piano format controllers.
*[[Tour of regular temperaments]]
*Notable xenharmonic tuning systems
**[[19edo]]. Wikipedia: [[Wikipedia:19 equal temperament|19 equal temperament]].
**[[24edo]] (aka, quarter tone scale). Wikipedia: [[Wikipedia:Quarter tone|Quarter tone]].
**[[31edo]]. Wikipedia: [[Wikipedia:31 equal temperament|31 equal temperament]].
**[[53edo]]. Wikipedia: [[Wikipedia:53 equal temperament|53 equal temperament]].
*Articles
**[[Dave Keenan & Douglas Blumeyer's guide to RTT: introductions]]
**[[Mike's lectures on regular temperament theory]]
**[[Mike Sheiman's Very Easy Scale Building From The Harmonic Series Page]]
**Siggy. A Trivial Knot (blog). [https://freethoughtblogs.com/atrivialknot/2022/06/07/xenharmonic-music-theory-part-1-perception-of-microtones/ Xenharmonic music theory part 1: Perception of microtones], part 2: [https://freethoughtblogs.com/atrivialknot/2022/06/13/xenharmonic-music-theory-part-2-dissonance-theory/ Dissonance Theory], part 3: [https://freethoughtblogs.com/atrivialknot/2022/06/16/xenharmonic-music-theory-part-3-tuning-theory/ Tuning theory]
**[[User:Aura/Aura's Music Theory: Introduction|Aura's Music Theory: Introduction]]
 
=== Xenharmonic harmony ===
*[[Dyad]]
*[[Interval quality]]
*[[Consonance and dissonance]]
*[[Diatonic functional harmony]]
*[[Just intonation harmony]] (or [[Harmony in just intonation]]). This needed article would present an introduction to creating harmony in just intonation (JI) tunings. It introduces ideas and strategies for harmony that also apply to other uneven tunings, and provides a foundation for understanding more extended xenharmonic harmonization. Some ideas to include...
**In ancient music, "pure" tunings based on lower harmonic series overtones (e.g. Pythagorean, aka 3-limit) were understood to mostly support only limited dyadic harmony, because few intervals in any purely JI tuning were considered acceptably consonant. Interval table analysis of an example 3-limit JI tuning (see provided table) reveals how many of that tunings' dyadic intervals are unusable for harmony. Triads that are consonant — by traditional measure — are unavailable in ancient JI tunings.
**However, many traditional cultural musics successfully integrated dyadic harmony, e.g. ancient Greek music and its early European descendants, traditional Middle Eastern music, traditional classical Chinese music, and some traditional African music.
**The expansion of JI tunings from 3-limit (Pythagorean) to 5-limit (e.g. Ptolemaic) increased the number of intervals considered consonant, and therefore the harmonic possibilities in these tunings. Although options for triadic harmony were still limited compared to later developments, the strongly consonant Ptolemaic just major triad became available.
**Melodic arpeggiation, and the introduction of ostinato in early basso continuo accompaniment, provided an opening to harmonic ideas in early European JI music, without the more obvious dissonance of notes sounded simultaneously.
**Later, the development of [[Wikipedia:Meantone temperament|meantone temperaments]] in European Renaissance music expanded the number of acceptably consonant intervals ([[Wikipedia:List_of_meantone_intervals|List of meantone intervals]]), while listeners also became more accepting of less pure intervals as consonant (continuing into the 20th century [[Wikipedia:Emancipation of the dissonance|Emancipation of the dissonance]]). This allowed expansion and exploration of triadic and larger harmonies. These tempered tunings also permitted key modulation on fixed-pitch instruments like piano.
*[[Dyadic chord]]
*Harmony in specific tunings
**[[24edo interval names and harmonies]]
**[[Blacksmith temperament modal harmony (in 15edo)]]
**[[Harmony of 23edo]]
*Articles
**[[User:Aura/Aura's Ideas on Functional Harmony|Aura's Ideas on Functional Harmony]]‎‎
**[[User:FloraC/Analysis on the 13-limit just intonation space: episode ii#Chapter VI. Overview on Functional Harmony|FloraC's Overview on Functional Harmony]]


==Elements of good Xenharmonic Wiki article writing==
==Elements of good Xenharmonic Wiki article writing==
Here is an outline of some ideas about how to make the Xenharmonic Wiki more useful to musicians.
Here is an outline of some ideas about how to make the Xenharmonic Wiki more useful to musicians by improving the article quality.


*'''Introduction to good nonfiction writing (with an emphasis on exposition)'''
*'''Introduction to good nonfiction writing (with an emphasis on exposition)'''
Line 189: Line 140:
**What is an explanation and what are some types of explanation?
**What is an explanation and what are some types of explanation?
**Effective narrative structure in nonfiction writing.
**Effective narrative structure in nonfiction writing.
**Tone in writing: Encyclopedic, authoritative, monographic, conversational, informal, comedic, etc.
**Tone in writing: Encyclopedic, authoritative, monographic, conversational, telegraphic, informal, comedic, etc.
**Recommended reading for learning how to write better nonfiction (to be added).
**Recommended reading for learning how to write better nonfiction:
***[https://www.grammarly.com/blog/paragraph-structure/ Paragraph structure: How to write strong paragraphs]. Grammarly (blog).
***[https://www.grammarly.com/blog/paragraphs/ The ultimate guide to paragraphs]. Grammarly (blog).
***[https://www.grammarly.com/blog/body-paragraph/ How to write the perfect body paragraph]. Grammarly (blog)
***William Zinsser. [https://en.wikipedia.org/wiki/Special:BookSources?isbn=978-0060891541 On Writing Well].
***Peter Elbow. [https://en.wikipedia.org/wiki/Special:BookSources?isbn=978-0195120189 Writing With Power].


*'''Every Xenharmonic Wiki article should include...'''
*'''Every Xenharmonic Wiki article should include...'''
**An introductory paragraph or two that:
**An introductory paragraph or two that:
***Is accessible to the Wiki's yet-to-be-officially defined target audience: musicians with at least a basic introduction to music theory. This can be defined as first-semester, college Music Theory 101, but is also commonly introduced to high-school piano, guitar, and jazz musicians.
***Is accessible to the Wiki's not-actually-officially-defined target audience of beginners: musicians with at least a basic introduction to music theory. This can be defined as first-semester, college Music Theory 101, but is also commonly introduced to high-school piano, guitar, and jazz musicians.
***Provides links to beginner and intermediate-level articles on music theory as needed.
***Provides links to beginner and intermediate-level articles on conventional or xenharmonic music theory as needed.
***Clearly places the article's topic into the context of music.
***Clearly places the article's topic into the context of music.
***Presents the purpose of the article in a way that will be understood by someone completely new to the article's concept, with links to articles about concepts that are necessary prerequisites.
***Presents the purpose of the article in a way that will be understood by someone completely new to the article's concept, with links to articles about concepts that are necessary prerequisites.
***Regardless of the topic (advanced or not), includes absolutely no math theory terminology beyond high school level, unless it is very commonly used in Xenharmonic music discussions, and links to/toward beginner-level articles are provided. If no such article exists, omit that terminology from the introduction, and present it later with a red link to create that article. There are certainly also alternative ways to address the serious Xenharmonic Wiki problem of inaccessible articles that understandably frighten off musicians without a higher math degree. There are occasional paired articles, one for beginners (e.g. [[Mapping]]) and one for advanced readers (e.g. [[Temperament mapping matrices]]). This can be an effective approach but requires substantially more work.
***Regardless of the topic (advanced or not), includes absolutely no math theory terminology beyond high school level, unless it is very, very commonly used in Xenharmonic music discussions, and links to/toward beginner-level articles are provided. If no such article exists, omit that terminology from the introduction, and present it later with a redlink to create that article. There are certainly also alternative ways to address the serious Xenharmonic Wiki problem of inaccessible articles that understandably frighten off musicians without a higher math degree. There are occasional paired articles, one for beginners (e.g. [[Mapping]]) and one for advanced readers (e.g. [[Temperament mapping matrices]]) — see [[Special:WhatLinksHere/Template:Beginner|list of beginner pages]]/[[:Category:Beginner pages|Category:Beginner page]]<nowiki/>s, [[Special:WhatLinksHere/Template:Expert|list of expert pages]]/[[:Category:Expert pages|Category:Expert pages]]. This can be an effective approach but requires substantially more work.
**Sections that divide the article into different depths of understanding, i.e. that require the reader to have less or more preexisting understandings. More advanced understandings belong in sections later in the article. This is true even formore advanced articles, because in effective narrative nonfiction writing there is always a progression of understanding.
**Sections that divide the article into different depths of understanding, i.e. that require the reader to have less or more preexisting understandings. More advanced understandings belong in sections later in the article. This is true even for more advanced articles, because in effective narrative nonfiction writing there is always a progression of understanding. Some possible terms for the non-math/math sectional division (these can be mixed and matched): Elementary/Technical, Basic/Advanced, Fundamental/Detailed. Some great examples of presenting complex topics in several levels of understanding can be found the YouTube series [https://www.youtube.com/playlist?list=PLibNZv5Zd0dyCoQ6f4pdXUFnpAIlKgm3N 5 Levels], from Wired.
**No list or table without an effective explanation of its contents.
**No list or table without an effective explanation of its contents.
**It might be reasonable to use the [[:Category:Todo|Category:Todo]] tags to mark articles that need a plain-language introductory paragraph. However, there several possible Todo tags that might apply and perhaps should be merged: [[:Category:Todo:add introduction|Todo:add introduction]] or [[:Category:Todo:intro|Todo:intro]] or [[:Category:Todo:improve synopsis|Todo:improve synopsis]]. Does Todo:intro mean something different from Todo:improve synopsis? See the discussion at [[Xenharmonic Wiki talk:Things to do#Plain-language writing|Things to do § Plain-language writing]].
**Unfortunately, there are so many Xen Wiki articles that are missing an accessible introduction paragraph that it's hard to know how to begin such a monumental task. As part of a solution to this obstacle, I've put together an outline of specific articles as an "[[User:Mousemambo/Introduction to xenharmonic music terminology|Introduction to xenharmonic music terminology]]" that I believe are foundational for people just starting out in xenharmonic music theory. These articles are a good target set for beginner accessibility and readability improvement.
**Wiki sample/examples (to provide some idea of what kind of improvements would be helpful):
***Consider the first paragraph of the "[[Porcupine family]]" article as of 2023-Sep-06, which never actually states what the "porcupine family" actually is (what's missing: it's a [[Temperament families and clans|temperament family]]). This is not and uncommon problem: "The [[5-limit]] parent [[comma]] for the '''porcupine family''' is [[250/243]], the maximal diesis or porcupine comma. Its [[monzo]] is [1 -5 3⟩, and flipping that yields ⟨⟨3 5 1]] for the [[wedgie]]. This tells us the [[generator]] is a minor whole tone, the [[10/9]] interval, and that three of these add up to a perfect fourth ([[4/3]]), with two more giving the minor sixth ([[8/5]]). In fact, (10/9)<sup>3</sup> = 4/3 × 250/243, and (10/9)<sup>5</sup> = 8/5 × (250/243)<sup>2</sup>. [[22edo|3\22]] is a very recommendable generator, and [[Mos scale|mos scales]] of 7, 8 and 15 notes make for some nice scale possibilities."
***The version modified for clarity is: "The porcupine family is the [[rank]]-2 [[Temperament families and clans|family of temperaments]] whose [[5-limit]] parent [[comma]] is [[250/243]], also called the maximal diesis or porcupine comma.¶ Its [[monzo]]...."
*'''Every Xenharmonic Wiki article about a specific tuning''' should ideally include an early section about the advantages (and probably disadvantages too) of that tuning for composing music. Contrast the article [[19edo]] that includes that information, with the article [[31edo]] that doesn't. You can find the missing 31edo info at an outside article, "[https://31et.com/page/why-31-et Why 31-ET?]" Of course when a tuning is newly developed people may not know any compositional advantages or disadvantages. But any tuning that has a fair bit of music written for it is ready to have that evaluative information added. This would greatly aid readers and especially composers who are curious where to start. An approach to addressing this wiki issue might be to use the tag [[:Category:Todo:explain its xenharmonic value|Todo:explain its xenharmonic value]] to mark pages that need this info. See the discussion of Category & Template tags at [[Xenharmonic Wiki talk:Things to do#Plain-language writing|Things to do § Plain-language writing]].


==Wiki Toolkit==
==Wiki Toolkit==
Line 213: Line 175:
**[[Xenharmonic Wiki:Wikifuture]]
**[[Xenharmonic Wiki:Wikifuture]]
**[[Xenharmonic Wiki:Things to do]] [also its [[Xenharmonic Wiki talk:Things to do|Discussion page]]]
**[[Xenharmonic Wiki:Things to do]] [also its [[Xenharmonic Wiki talk:Things to do|Discussion page]]]
*Useful category links
*Useful category links and their corresponding template for tagging articles. To tag an article for category inclusion, add to its bottom after a blank line: <nowiki>[[category:todo:intro]]</nowiki> (for example).
**[[:Category:Stubs]]
**[[:Category:Stubs]] (generally use [[Template:Stub]] instead so that an infobox gets automatically added)
**[[:Category:Todo]]
**[[:Category:Todo]]
**[[:Category:Todo:expand]]
***[[:Category:Todo:add introduction|Todo:add introduction]]
**[[Special:RecentChanges]]
***[[:Category:Todo:improve synopsis|Todo:improve synopsis]] (improve intro)
***[[:Category:Todo:intro|Todo:intro]] (poorly defined category from early wiki days; do not use)
***[[:Category:Todo:explain its xenharmonic value|Todo:explain its xenharmonic value]] (as of 2023-Sep-07 the only articles with this tag are bios)
***[[:Category:Todo:expand|Todo:expand]]
***[[:Category:Todo:improve readability|Todo:improve readability]]
***[[:Category:Todo:simplify|Todo:simplify]]
**[[:Category:Inaccessible pages|Category:Inaccessible pages]] | Or preferably, use [[Template:Inaccessible]] which both adds an article to this category and also adds a gentle warning message box to the article's head.
**[[:Category:Beginner pages|Category:Beginner pages]]
**[[:Category:Expert pages|Category:Expert pages]]
*Wiki editing reminders
*Wiki editing reminders
**[[Help:Editing]]
**[[Help:Editing]]
Line 224: Line 194:
**[[wikipedia:Help:Cheatsheet|Help:Cheatsheet]] (@Wikipedia)
**[[wikipedia:Help:Cheatsheet|Help:Cheatsheet]] (@Wikipedia)
**[[Help:Template|Xen wiki Templates]]
**[[Help:Template|Xen wiki Templates]]
***[[Template:Wikipedia]] | Use <code><nowiki>{{Wikipedia}}</nowiki></code> when the article titles exactly match, else<code><nowiki>{{Wikipedia|page title on Wikipedia}}</nowiki></code>
***[[Template:Beginner]]
***[[Template:Expert]]
***[[Template:Stub]]
***[[:Category:Hidden_categories]]
***[[:Category:Hidden_categories]]
***[[:Category:Templates]]
***[[:Category:Templates]]
***[[:Category:Message boxes|Message boxes]]
***[[:Category:Message boxes|Message boxes]] | [[Template:Mbox]] (general-purpose message box)
***[[Special:UncategorizedTemplates|Uncategorized templates]]
***[[Special:UncategorizedTemplates|Uncategorized templates]]
***[[Special:UnusedTemplates|Unused templates]]
***[[Special:UnusedTemplates|Unused templates]]
***Might be especially useful: [[Template:Mbox]], [[Template:Stub]], [[Template:Wikipedia]], [[Template:ScaleWorkshop]], [[Template:Todo]] (and see [[:Category:Todo]] for already defined ToDo tasks)
***Might be especially useful: [[Template:Mbox]], [[Template:Stub]], [[Template:Wikipedia]], [[Template:ScaleWorkshop]], [[Template:Todo]] (and see [[:Category:Todo]] for already defined ToDo tasks)
***[[Help:Disambiguation]]
****[[Template:Main]]
****[[Template:See also]]
****[[Template:About]]
****[[Template:Distinguish]]
****[[Template:Redirect-distinguish]]
****[[wikipedia:Help:Redirect|Help:REDIRECT]] (Wikipedia)
**Wikipedia link format. As a Xenharmonic Wiki link in the visual editor... Wikipedia:<articleName>
**Wikipedia link format. As a Xenharmonic Wiki link in the visual editor... Wikipedia:<articleName>
**Xenharmonic Wiki file format. :File:<filename>
**Embedded image file (e.g. [[Help:Pictures]]). File:<filename> | E.g. <nowiki>[[File:The_Scale_Tree.png|alt=The Scale Tree.png|800x1023px|The Scale Tree.png]]</nowiki>
*Wiki health
*Wiki health
**[[:Category:Xenharmonic Wiki]]
**[[:Category:Xenharmonic Wiki]]
Line 240: Line 221:
**[https://www.facebook.com/groups/xenharmonic2/ Xenharmonic Alliance: Microtonal Music Forum] @ facebook
**[https://www.facebook.com/groups/xenharmonic2/ Xenharmonic Alliance: Microtonal Music Forum] @ facebook
**[https://www.facebook.com/groups/xenwiki Xenwiki Work Group] @ facebook
**[https://www.facebook.com/groups/xenwiki Xenwiki Work Group] @ facebook
**[[Special:RecentChanges]]
**[[Special:Log/newusers|User creation log]]
**[[Special:Log/move|Move log]]
**[[Special:Log/delete|Delete log]]
**[https://en.xen.wiki/w/Special:ListUsers?username=&group=sysop&creationSort=1&wpsubmit=&wpFormIdentifier=mw-listusers-form&limit=50 Sysops]
**[https://en.xen.wiki/w/Special:ListUsers?username=&group=sysop&creationSort=1&wpsubmit=&wpFormIdentifier=mw-listusers-form&limit=50 Sysops]


==All user sub-pages==
==All user sub-pages==
{{Special:Prefixindex|prefix=User:Mousemambo/|hideredirects=1|stripprefix=1}}
{{Special:Prefixindex|prefix=User:Mousemambo/|hideredirects=1|stripprefix=1}}