Syntonic–rastmic subchroma notation: Difference between revisions

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The '''syntonic-rastmic subchroma notation''' is a notation scheme developed by [[Aura]] et al.<ref>Other contributors include [[Flora Canou]] and [[User:SupahstarSaga|HEHEHE I AM A SUPAHSTAR SAGA]].</ref> that is an expansion to the [[neutral circle-of-fifths notation]].

While the neutral circle-of-fifths notation models the 2.3 [[subgroup]] of [[just intonation]], with the neutral intervals capable of roughly modeling the harmonic 11, the syntonic-rastmic subchroma notation accurately captures the characteristics of the 2.3.5.11 subgroup, and is fit for a wider variety of equal temperaments and multirank temperaments. As it tries to strike a balance between the number and semantic consistency of the accidentals, it has the following three basic building blocks of accidentals: the conventional accidentals, the syntonic accidentals, and the rastmic and demirastmic accidentals, detailed below.

While the neutral circle-of-fifths notation models the 2.3 [[subgroup]] of [[just intonation]], with the neutral intervals capable of roughly modeling the harmonic 11, the syntonic-rastmic subchroma notation accurately captures the characteristics of the 2.3.5.11 subgroup, and is fit for a wider variety of equal temperaments and multirank temperaments. As it tries to strike a balance between the number and semantic consistency of the accidentals, it has the following three basic building blocks of accidentals: the conventional accidentals, the syntonic and demisyntonic accidentals, and the rastmic and demirastmic accidentals, detailed below.

== Accidentals ==

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 The '''syntonic-rastmic subchroma notation''' is a notation scheme developed by [[Aura]] et al.<ref>Other contributors include [[Flora Canou]] and [[User:SupahstarSaga|HEHEHE I AM A SUPAHSTAR SAGA]].</ref> that is an expansion to the [[neutral circle-of-fifths notation]].
-While the neutral circle-of-fifths notation models the 2.3 [[subgroup]] of [[just intonation]], with the neutral intervals capable of roughly modeling the harmonic 11, the syntonic-rastmic subchroma notation accurately captures the characteristics of the 2.3.5.11 subgroup, and is fit for a wider variety of equal temperaments and multirank temperaments.  As it tries to strike a balance between the number and semantic consistency of the accidentals, it has the following three basic building blocks of accidentals: the conventional accidentals, the syntonic accidentals, and the rastmic and demirastmic accidentals, detailed below.
+While the neutral circle-of-fifths notation models the 2.3 [[subgroup]] of [[just intonation]], with the neutral intervals capable of roughly modeling the harmonic 11, the syntonic-rastmic subchroma notation accurately captures the characteristics of the 2.3.5.11 subgroup, and is fit for a wider variety of equal temperaments and multirank temperaments.  As it tries to strike a balance between the number and semantic consistency of the accidentals, it has the following three basic building blocks of accidentals: the conventional accidentals, the syntonic and demisyntonic accidentals, and the rastmic and demirastmic accidentals, detailed below.
 == Accidentals ==