User talk:Rperlner: Difference between revisions

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::::::::::::::: BTW, if you're looking for info on counterpoint, I recommend Jacob Gran's youtube videos. Elam Rotem also has some good videos about the Renaissance tradition specifically, and a number go into detail regarding the Renaissance perspective on counterpoint (e.g. his video on cadences) as well as tuning. --[[User:Rperlner|Rperlner]] ([[User talk:Rperlner|talk]]) 15:38, 12 January 2021 (UTC)

:::::::::::::::: I'm checking a bit of that now, and so far, I'm finding a good chunk of this stuff interesting. I'll see how much of this I can apply to what I'm doing. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 21:16, 13 January 2021 (UTC)

:: I know this may sound hard to believe, but in all my experimenting with different intervals, I've found that the wrong kind of interval involving small-number-ratios between the wrong two notes actually works against the formation of a sense of tonality. Conversely, a more tense-sounding interval in the right location- yes, even if the interval in question happens to be [[40/27]]- can actually strengthen your sense of tonality. Yes, intervals with small-number-ratios are vital to establishing tonality, but because of their power, they have to be well-placed within the tonal system, or otherwise the sense of tonality shifts when you don't want it to. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 04:50, 13 December 2020 (UTC)

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 ::::::::::::::: BTW, if you're looking for info on counterpoint, I recommend Jacob Gran's youtube videos. Elam Rotem also has some good videos about the Renaissance tradition specifically, and a number go into detail regarding the Renaissance perspective on counterpoint (e.g. his video on cadences) as well as tuning. --[[User:Rperlner|Rperlner]] ([[User talk:Rperlner|talk]]) 15:38, 12 January 2021 (UTC)
+:::::::::::::::: I'm checking a bit of that now, and so far, I'm finding a good chunk of this stuff interesting.  I'll see how much of this I can apply to what I'm doing. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 21:16, 13 January 2021 (UTC)
 :: I know this may sound hard to believe, but in all my experimenting with different intervals, I've found that the wrong kind of interval involving small-number-ratios between the wrong two notes actually works against the formation of a sense of tonality.  Conversely, a more tense-sounding interval in the right location- yes, even if the interval in question happens to be [[40/27]]- can actually strengthen your sense of tonality.  Yes, intervals with small-number-ratios are vital to establishing tonality, but because of their power, they have to be well-placed within the tonal system, or otherwise the sense of tonality shifts when you don't want it to. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 04:50, 13 December 2020 (UTC)