29edo: Difference between revisions

→Modern renderings: Erroll Garner's ''Misty'' (1954) – microtonal cover in 29edo by Bryan Deister (2026)
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Septischisma
 
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== Approximation to JI ==
== Approximation to JI ==
[[File:29ed2.svg|250px|thumb|right|alt=alt : Your browser has no SVG support.|15-odd-limit intervals approximated in 29edo]]
=== Selected 13-limit intervals ===
[[File:29ed2-002.svg|250px|thumb|right|alt=alt : Your browser has no SVG support.|29edo’s strengths in the 13-limit, using an odd-limit of 45 and a 5.7-cent error threshold. Pythagorean thirds and 5-odd-limit intervals are also included for reference, even where they exceed this threshold.]]


=== Interval mappings ===
=== Interval mappings ===
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* 29et (29g val) has a lower relative error than any previous equal temperament in the [[23-limit]]. The next equal temperament doing better in this subgroup is [[46edo|46]].  
* 29et (29g val) has a lower relative error than any previous equal temperament in the [[23-limit]]. The next equal temperament doing better in this subgroup is [[46edo|46]].  
* 29et does well in the no-17 [[19-limit]] and no-17 23-limit, being consistent to the no-17 [[23-odd-limit]]. However, [[15edo]] is lower in relative error in both these subgroups than 29.
* 29et does relatively well in the no-17 [[19-limit]] and no-17 23-limit, being consistent to the no-17 [[23-odd-limit]]. However, [[15edo]] is lower in relative error in both these subgroups than 29.


=== Commas ===
=== Commas ===
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| 7.71
| 7.71
| Ruyoyo
| Ruyoyo
| Marvel comma, septimal kleisma
| Marvel comma
|-
|-
| 7
| 7
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| 5.76
| 5.76
| Saruyo
| Saruyo
| Hemifamity comma
| Aberschisma
|-
|-
| 7
| 7
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| 3.80
| 3.80
| Sasaru
| Sasaru
| [[Garischisma]]
| [[Septischisma]]
|-
|-
| 11
| 11
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* [[Blackville]] / [[Marvel dipentatonic]]: 2 3 4 3 2 3 4 3 2 3]
* [[Blackville]] / [[Marvel dipentatonic]]: 2 3 4 3 2 3 4 3 2 3]
* Baobab{{idio}} (approximated from [[30afdo]]): 8 4 5 4 4 4
* Baobab{{idio}} (approximated from [[30afdo]]): 8 4 5 4 4 4
== Chords ==
29edo offers an excellent approximation of the 10:11:13:14:15 chord, whose intervals above the root are 11/10, 13/10, 7/5, and 3/2. Mapped to 0–4–11–14–17, this chord can be repeated indefinitely at successive fifths. Its utonal counterpart, 1/(15:14:13:11:10), has intervals of 15/14, 15/13, 15/11, and 3/2 above the root and is mapped to 0–3–6–13–17.
The [[12L 5s]] MOS scale, in the rotation 2 2 1 2 2 2 1 2 2 1 2 2 1 2 2 2 1, provides a useful framework for exploring this chord though successive transpositions by a fifth. It accommodates four successive statements of the 10:11:13:14 core, each transposed up a tempered fifth (3/2) from the preceding one.


== Instruments ==
== Instruments ==