45edo: Difference between revisions
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Musically, this offers an explanation for why the 5 can blend so well into the 1:3:5:7:9 chord in both tunings: its deviation fits naturally into the pattern established by 3 and 9, while 7 closely follows 3. The chord takes on a strongly stretched character in 27edo and a strongly compressed character in 45edo. | Musically, this offers an explanation for why the 5 can blend so well into the 1:3:5:7:9 chord in both tunings: its deviation fits naturally into the pattern established by 3 and 9, while 7 closely follows 3. The chord takes on a strongly stretched character in 27edo and a strongly compressed character in 45edo. | ||
== Intervals == | == Intervals == | ||
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The tuning [[equal tuning|183ed17]] may also be used, it improves 3/1, 5/1, 7/1, 11/1, 13/1 ''and'' 17/1 (with different mappings for many) but at the cost of a noticeably worse 2/1 than the others. | The tuning [[equal tuning|183ed17]] may also be used, it improves 3/1, 5/1, 7/1, 11/1, 13/1 ''and'' 17/1 (with different mappings for many) but at the cost of a noticeably worse 2/1 than the others. | ||
[[71edt]] is notable as an octave-stretched version of 45edo for having an extremely accurate 3/1, 5/1 and 11/1. | |||
== Scales == | == Scales == | ||