Eliora: Difference between revisions
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== Musical style == | == Musical style == | ||
Eliora's musical style primarily involves | Eliora's musical style primarily involves concepts that are deliberately not exactly most notable in order to create a contrast between consonance and dissonance, as well as broader free exploration of large EDOs. While she does frequently employ harmonic, regular temperament, or just intonation-based approach, she usually deliberately uses temperaments of higher [[badness]] or scales where a substantial number of notes are dissonant in order to create a qualia of resolution and melodic movement. The main influence on this approach is the post-Soviet musical school system, which is notable for its strict emphasis on masterful usage of consonance and dissonance. | ||
A fair share of her compositions are composed in their temperaments for the first time in history. For example ''Mercury Spectrum Interlude'' is composed in Eliora’s original [[Mercury spectrum scale]]. | A fair share of her compositions are composed in their temperaments for the first time in history. For example ''Mercury Spectrum Interlude'' is composed in Eliora’s original [[Mercury spectrum scale]]. | ||