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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[toc|flat]]
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=Papers=  
== Periodicals ==
* ''[http://www.justintonation.net/one-one.html 1/1: The Journal of the Just Intonation Network]''. 1985-2007.
** All volumes (1-12) are available for purchase on [http://www.frogpeak.org/fpartists/fpjin.html Frog Peak Music].
* ''[https://interval.xentonic.org/ Interval, Journal of Music Research and Development]''. 1978-1987.
** Related history available in the [https://intervalarchive.com Interval Archive].
* ''[https://xh.xentonic.org/ Xenharmonikôn, An Informal Journal of Experimental Music]'' [print publication]. 1974-1998.
** All volumes (1-18) are available for purchase on [http://frogpeak.org/fpartists/fpchalmers.html Frog Peak Music].
* ''[https://www.xenharmonikon.org/ Xenharmonikon]'' [online publication]. 2018-present.
* [https://barthopkin.com/experimental-musical-instruments-back-issues/ Experimental Musical Instruments], 1985-1999.
** Available in the [https://archive.org/details/emi_archive/ Internet Archive].


[[file:Kuttner - Prince Chu Tsai-Yü's Life and Work- A Re-Evaluation of His Contribution to Equal Temperament Theory.pdf]]
== Papers ==
[[file:Gruber - Mersenne and Evolving Tonal Theory.pdf]]
* Bosanquet, R. H. M. "[[:File:Bosanquet_-_Temperament;_Or,_the_Division_of_the_Octave_Part_I.pdf|Temperament; Or, the Division of the Octave [Part I]]]". ''Proceedings of the Musical Association'', 1874-1875.
[[file:Bosanquet - Temperament; Or, the Division of the Octave Part I.pdf]]
* Bosanquet, R. H. M. "[[:File:Bosanquet_-_Temperament;_Or,_the_Division_of_the_Octave_Part_II.pdf|Temperament; Or, the Division of the Octave [Part II]]]". ''Proceedings of the Musical Association'', 1874-1875.
[[file:Bosanquet - Temperament; Or, the Division of the Octave Part II.pdf]]
* Christensen, Thomas and Jean-Philippe Rameau. "[[:File:Christensen_-_Eighteenth-Century_Science_and_the_Corps_Sonore.pdf|Eighteenth-Century Science and the ''Corps Sonore'': The Scientific Background to Rameau's Principle of Harmony]]". ''Journal of Music Theory", Spring 1987.
[[file:Christensen - Eighteenth-Century Science and the Corps Sonore.pdf]]
* [[Erlich, Paul]]. [[:File:MiddlePath2015.pdf|A Middle Path: Between Just Intonation and the Equal Temperaments]]. ''Xenharmonikôn, An Informal Journal of Experimental Music'', Summer 2006.
[[file:Werntz - Adding New Pitches.pdf]]
* Gruber, Albion. "[[:File:Gruber_-_Mersenne_and_Evolving_Tonal_Theory.pdf|Mersenne and Evolving Tonal Theory]]". ''Journal of Music Theory", Spring 1970.
* Kuttner, Fritz A. "[[:File:Kuttner_-_Prince_Chu_Tsai-Yü's_Life_and_Work-_A_Re-Evaluation_of_His_Contribution_to_Equal_Temperament_Theory.pdf|Prince Chu Tsai-Yü's Life and Work: A Re-Evaluation of His Contribution to Equal Temperament Theory]]". ''Ethnomusicology'', May 1975.
* [[Milne, Andrew]], [[William Sethares]] & James Plamondon. "[https://sethares.engr.wisc.edu/paperspdf/tuningcontinua.pdf Tuning continua and keyboard layouts]". ''Journal of Mathematics and Music'', August 29, 2008.
* [[Reinhard, Johnny]]. ''[[8th Octave Overtone Tuning]]''. New York: Stereo Society, 2001.
* [[Werntz, Julia]]. "[[:File:Werntz_-_Adding_New_Pitches.pdf|Adding Pitches: Some New Thoughts, Ten Years after ''Perspectives of New Music'''s 'Forum: Microtonality Today']]". ''Perspectives of New Music'', Summer 2001.


=Dissertations=  
== Dissertations ==
* Adkins, Cecil Dale. ''[http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF The Theory and Practice of the Monochord]''. State University of Iowa, Ph.D., 1963.
* Ayers, Lydia. ''[https://www.researchgate.net/publication/34958258_Exploring_microtonal_tunings_a_kaleidoscope_of_extended_just_tunings_and_their_compositional_applications Exploring microtonal tunings : a kaleidoscope of extended just tunings and their compositional applications]''. University of Illinois at Urbana-Champaign, D.M.A thesis, 1994.
* Baker, Gene V. ''[https://www.researchgate.net/publication/35951304_The_name_of_Zeus_notions_of_trance_and_the_17-note_microtonal_Chancey?_sg=5zT2E0Kg9plvizwlhc4wdx_8gjpxSIqq8vOS5AAHANkleXHctHfkMRCmHRoT5mMlm1KCpQ6Rt57WIa0 The name of Zeus : notions of trance and the 17-note microtonal "Chancey"]''. Mills College, M.F.A thesis, 2004.
* Battan, Suzette Mary. ''[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&versionNumber=1 Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]''. University of Rochester, Ph.D., 1980.
* Burle, Jan. ''[https://www.researchgate.net/publication/275654070_An_Application_of_Calculated_Consonance_in_Computer-Assisted_Microtonal_Music An Application for the Calculated Consonance in Computer-Assisted Microtonal Music]''. Ph.D., 2013.
* Burt, Warren. ''[https://ro.uow.edu.au/articles/thesis/Algorithms_microtonality_performance_eleven_musical_compositions/27829998 Algorithms, microtonality, performance: eleven musical compositions]'', Ph.D., 2007.
* Carey, Norman A. ''[https://www.researchgate.net/publication/235712212_Distribution_modulo_1_and_musical_scales Distribution Modulo 1 and Musical Scales]''. University of Rochester, Ph.D., 1998.
* Clampitt, David. ''Pairwise Well-formed Scales: Structural and Transformational Properties''. SUNY at Buffalo, Ph.D., 1997.
* Djordjevic, Michael, L. ''Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum''. Radio Belgrade, Ph.D., 1995.
* Douthett, Jack. ''[https://www.researchgate.net/publication/234262980_The_theory_of_maximally_and_minimally_even_sets_the_one-_dimensional_antiferromagnetic_Ising_model_and_the_continued_fraction_compromise_of_musical_scales The Theory of Maximally and Minimally Even Sets, the One-Dimensional Antiferromagnetic Ising Model, and the Continued Fraction Compromise of Musical Scales]''. University of New Mexico, Ph.D., 1999.
* Ederer, Eric. ''[http://www.ericederer.com/diss/diss.html The Theory and Praxis of Makam in Classical Turkish Music 1910-2010]''. University of California Santa Barbara, Ph.D., 2011.
* Farhat, Hormoz. ''The Dastgah Concept in Persian Music''. University of California, Los Angeles, Ph.D., 1965.
* Ferrer, Rafael. ''[https://www.researchgate.net/publication/215646531_The_role_of_timbre_in_the_memorization_of_microtonal_intervals The Role of Timbre in the Memorization of Microtonal Intervals]''. Tecnológico de Monterrey, Ph. D., 2007.
* Green, Burdette Lamar. ''[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]''. The Ohio State University, Ph.D., 1969.
* [[Hearne, Lillian M.]] ''[https://www.academia.edu/16496675/Towards_a_new_model_for_microtonal_music_The_regular_temperaments_of_22TET Towards a new model of microtonal music: The regular temperaments of 22TET]''. UWA School of Music, honors thesis dissertation, 2014.
* Heraty, Johanne Paula. ''[http://www.ams-net.org/ddm/fullResult.php?id=15022 The Microtonal Music of Ezra Sims]''. University College Dublin, Ph.D., 2011.
* Kassel, Richard M. ''The Evolution of Harry Partch's Monophony''. CUNY, Ph.D., 1996.
* Maltz, Richard Steven. [https://www.researchgate.net/publication/35073444_Microtonal_techniques_in_Charles_Ives%27s_%27Three_quarter-tone_pieces_for_two_pianos_%27_Harry_Patch%27s_%27And_the_seventh_day_petals_fell_in_Petaluma%27_and_Ben_Johnston%27s_%27Fourth_string_quartet%27 Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos', Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet']. University of South Carolina, Ph.D., 1991.
* [[Mandelbaum, Joel]]. ''[http://www.anaphoria.com/mandelbaum.html Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament]''. Indiana University, Ph.D., 1961.
* [[Milne, Andrew J.]], ''[https://www.researchgate.net/publication/258121094_A_computational_model_of_the_cognition_of_tonality A Computational Model for the Cognition of Tonality]''. Western Sydney University, Ph.D., 2013.''
* [[Pohlit, Stefan]]. ''[http://stefanpohlit.com/dissertation.engl..htm Julien Jalâl Ed-Dine Weiss: A Novel Tuning System for the Middle-Eastern Qanun]''. Istanbul Technical University, Ph.D., 2011.
* Quinn, Ian. ''[http://canonsrythmiques.free.fr/gueststars/diss.pdf A Unified Theory of Chord Quality in Equal Temperaments]''. Eastman School of Music, Ph.D., 2004.
* Signell, Karl L. ''The Turkish "makam" system in contemporary theory and practice''. XXX, Ph.D., 1973.
* Skinner. Myles. ''[http://www.tierceron.com/diss/index.php Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]''. Buffalo University, Ph.D., 2006.
* Smith, Charles Samuel. ''[http://dav.ols16.com/nagarjuna/harmonic/Smith%20-%20Eulers%20Tentamen.PDF Leonhard Euler's Tentamen Novae Theoriae Musicae: A Translation and Commentary]''. Indiana University, Ph.D., 1960.
* Telese, Marciano. [https://www.researchgate.net/publication/317101330_Spectral_tuning_and_its_application_to_instrumental_and_vocal_composition Spectral tuning and its application to instrumental and vocal composition]. Thesis, 2005.
* [[Werntz, Julia Catherine]]. ''Toward an understanding of expanded equal temperament (Joseph Maneri)''. Brandeis University, Ph.D., 2000.
* Whaley, David Robert. [https://www.researchgate.net/publication/36375527_The_microtonal_capability_of_the_horn_microform?_sg=b3UJaF_eSdScr3IkY4lvc8Cl7ZJPVluJjXXlbCIoDCsVaGsZUoEJ6VHHIY-mi1DTam52oWhky5cqZC8 The Microtonal Capability of the Horn]. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.
* [[Yarman, Ozan]]. ''[http://www.ozanyarman.com/files/doctorate_thesis.pdf 79-Tone Tuning &amp; Theory for Turkish Maqam Music]''. Istanbul Technical University, Ph.D., 2008.


* Smith, Charles Samuel, //[[http://dav.ols16.com/nagarjuna/harmonic/Smith%20-%20Eulers%20Tentamen.PDF|Leonhard Euler's Tentamen Novae Theoriae Musicae: A Translation and Commentary]]// . Indiana University, Ph.D., 1960.
== Books ==
* Mandelbaum, Joel, //[[http://www.anaphoria.com/mandelbaum.html|Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament]]//, Indiana University, Ph.D., 1961.
* Barbieri, Patrizio. ''[https://www.researchgate.net/publication/370161543_PATRIZIO_BARBIERI_TUNING_AND_TEMPERAMENT_PRACTICE_VS_SCIENCE_1450-2020 Tuning and temperament: practice vs science – 1450-2020]''. 2023
* Adkins, Cecil Dale, //[[http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF|The Theory and Practice of the Monochord]] .// State University of Iowa, Ph.D., 1963.
* Barbour, James Murray. ''[https://archive.org/details/tuningtemperamen00barb/page/n7/mode/2up Tuning and Temperament: A Historical Survey]''. 1951.
* Farhat, Hormoz, //The Dastgah Concept in Persian Music//. University of California, Los Angeles,, Ph.D., 1965.
* Barker, Andrew. ''[[:File:Barker_2001_-_Scientific_Method_in_Ptolemy's_Harmonics.pdf|Scientific Method in Ptolemy's Harmonics]]''. 2001.
* Green, Burdette Lamar, //[[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF|The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]]// . The Ohio State University, Ph.D., 1969.
* Barker, Andrew. ''[[:File:Barker_2007_-_The_Science_of_Harmonics_in_Classical_Greece.pdf|The Science of Harmonics in Classical Greece]]''. 2007.
* Signell, Karl L, &lt;span class="Z3988"&gt;//The Turkish "makam" system in contemporary theory and practice//. XXX, Ph.D., 1973.&lt;/span&gt;
* Benson, Dave. ''[https://homepages.abdn.ac.uk/d.j.benson/pages/html/maths-music.html Music: a Mathematical Offering]''. Cambridge University Press, Nov 2006
* Whaley, David Robert. //The Microtonal Capability of the Horn//. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.
* [[Blackwood, Easley]]. ''[https://www.worldcat.org/title/structure-of-recognizable-diatonic-tunings/oclc/1175639107 The Structure of Recognizable Diatonic Tunings]''. Princeton : Princeton University Press Jackson. 1985.
* Battan, Suzette Mary, //[[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1|Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]]//, University of Rochester, Ph.D., 1980.
* Bosanquet, R. H. M. ''[[:File:Bosanquet_-_An_elementary_treatise_on_musical_intervals.pdf|An elementary treatise on musical intervals]]''. 1876.
* Djordjevic, Michael, L., //Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum//. Radio Belgrade, Ph.D., 1995.
* [[Catler, Jon]]. ''[https://freenotemusic.com/product/the-nature-of-music/ The Nature of Music]''. New York: FreeNote Music, 2003.
* Kassel, Richard M., //The Evolution of Harry Partch's Monophony//. CUNY, Ph.D., 1996.
* [[Chalmers, John H.]] ''[http://eamusic.dartmouth.edu/%7Elarry/published_articles/divisions_of_the_tetrachord/index.html Divisions of the Tetrachord]''. 1993.
* Clampitt, David, //Pairwise Well-formed Scales: Structural and Transformational Properties//. SUNY at Buffalo, Ph.D., 1997.
* Duffin, Ross. ''[https://www.worldcat.org/fr/title/227016333 How Equal Temperament Ruined Harmony (and Why You Should Care)]''. 2007
* Carey, Norman A., //[[https://www.researchgate.net/publication/235712212_Distribution_modulo_1_and_musical_scales|Distribution Modulo 1 and Musical Scales]]//. University of Rochester, Ph.D., 1998.
* Forster, Cris. ''[https://www.chrysalis-foundation.org/musical-mathematics-pages/ Musical Mathematics: On the Art and Science of Acoustic Instruments]''. San Francisco: Chronicle Books, 2010.
* Douthett, Jack, //[[https://www.researchgate.net/publication/234262980_The_theory_of_maximally_and_minimally_even_sets_the_one-_dimensional_antiferromagnetic_Ising_model_and_the_continued_fraction_compromise_of_musical_scales|The Theory of Maximally and Minimally Even Sets, the One-Dimensional Antiferromagnetic Ising Model, and the Continued Fraction Compromise of Musical Scales]]//. University of New Mexico, Ph.D., 1999.
* [[Gann, Kyle]]. ''[https://www.worldcat.org/title/arithmetic-of-listening-tuning-theory-and-history-for-the-impractical-musician/oclc/1080248582 The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician]''. Urbana: University of Illinois Press, [2019].
* Werntz, Julia Catherine, //Toward an understanding of expanded equal temperament (Joseph Maneri)//. Brandeis University, Ph.D., 2000.
* [[Giedraitis, Kite]]. ''[http://www.tallkite.com/AlternativeTunings.html Alternative Tunings: Theory, Notation and Practice]''. (work in progress).
* Quinn, Ian, //[[http://canonsrythmiques.free.fr/gueststars/diss.pdf|A Unified Theory of Chord Quality in Equal Temperaments]]//, Eastman School of Music, Ph.D., 2004.
* Hába, Alois. [https://urresearch.rochester.edu/fileDownloadForInstitutionalItem.action?itemId=2625&itemFileId=75826 New Theory of Harmony (translated by Suzette Mary Battan)]. 1927.
* Skinner. Myles, //[[http://www.tierceron.com/diss/index.php|Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]]//, Buffalo University, Ph.D., 2006.
* [[Helmholtz, Hermann von]]. ''[http://www.archive.org/details/onsensationsofto00helmrich On the Sensations of Tone]''. 1862.
* Yarman, Ozan, //[[http://www.ozanyarman.com/files/doctorate_thesis.pdf|79-Tone Tuning &amp; Theory for Turkish Maqam Music]]//. Istanbul Technical University, Ph.D., 2008.
* Isacoff, Stuart. ''[https://stuartisacoff.net/books/temperament.html Temperament: How Music Became a Battleground for the Great Minds of Western Civilization].'' 2003
* Pohlit, Stefan, //[[http://stefanpohlit.com/dissertation.engl..htm|Julien Jalâl Ed-Dine Weiss: A Novel Tuning System for the Middle-Eastern Qanun]]//, Istanbul Technical University, Ph.D., 2011.
* [[Johnston, Ben]] and Bob Gilmore, ed. ''[https://www.worldcat.org/title/maximum-clarity-and-other-writings-on-music/oclc/470986317 Maximum clarity and other writings on music]''. Urbana; Chicago: University of Illinois Press, 2006.
* Ederer, Eric, //[[http://www.ericederer.com/diss/diss.html|The Theory and Praxis of Makam in Classical Turkish Music 1910-2010]]//, University of California Santa Barbara, Ph.D., 2011.
* Jedrzejewski, Franck. ''[https://www.editions-delatour.com/fr/sciences-de-la-musique/1031-mathematical-theory-of-music-9782752100238.html Mathematical Theory of Music]''. 2006.
* Heraty, Johanne Paula, //[[http://www.ams-net.org/ddm/fullResult.php?id=15022|The Microtonal Music of Ezra Sims]]//, University College Dublin, Ph.D., 2011.
* [[Mathieu, W. A.]] ''[https://www.worldcat.org/title/harmonic-experience-tonal-harmony-from-its-natural-origins-to-its-modern-expression/oclc/891651333 Harmonic Experience: Tonal Harmony from Its Natural Origins to Its Modern Expression.]''. Rochester: Inner Traditions, 2014.
* Milne, Andrew J., //[[https://www.researchgate.net/publication/258121094_A_computational_model_of_the_cognition_of_tonality|A Computational Model for the Cognition of Tonality]]//, Western Sydney University, Ph.D., 2013.
* Müller, Nora-Louise. ''[https://www.worldcat.org/title/bohlen-pierce-clarinet-theoretical-aspects-and-contemporary-applications/oclc/1201385013 The Bohlen-Pierce Clarinet: Theoretical Aspects and Contemporary Applications]''. Norderstedt: Books on Demand, 2020.
* Hearne, Gareth, //[[https://www.facebook.com/l.php?u=https%3A%2F%2Fwww.dropbox.com%2Fs%2F8hp3421ne7tjnha%2FGareth%2520Hearne%2520Dissertation.pdf%3Fdl%3D0&amp;h=TAQFNBDai|Towards a new model of microtonal music: The regular temperaments of 22TET]]//, UWA School of Music, honors thesis dissertation, 2014.
* Narushima, Terumi. ''[https://www.routledge.com/Microtonality-and-the-Tuning-Systems-of-Erv-Wilson/Narushima/p/book/9781138857568 Microtonality and the Tuning Systems of Erv Wilson]''. 2018.
* [[Partch, Harry]]. ''[https://pearl-hifi.com/06_Lit_Archive/02_PEARL_Arch/Vol_16/Sec_51/4555_Genesis_of_a_Music_2nd_Edn.pdf Genesis of a Music]''. 1949.
* Pierce, John R. ''[https://www.worldcat.org/title/science-of-musical-sound/oclc/8929315 The Science of Musical Sound]''. New York: Scientific American Library, 1983.
* [[Reinhard, Johnny]]. ''[https://www.worldcat.org/title/8th-octave-overtone-tuning-and-bassoon-fingerings-in-128/oclc/961274471 8th Octave Overtone Tuning and Bassoon Fingerings in 128]''. New York: American Festival of Microtonal Music, [2016].
* [[Sethares, William]]. ''[https://sethares.engr.wisc.edu/ttss.html Tuning, Timbre, Spectrum, Scale]''. 1998.
* [[Taylor, Cam]]. ''[https://cametaylor.wixsite.com/home/post/microtonality-in-55-keys-the-first-book Microtonality in 55 Keys]''. Self-published, 2020.


=Books=  
== See also ==
* Bosanquet 1876
* [[Music Cognition Literature]]
[[file:Bosanquet - An elementary treatise on musical intervals.pdf]]
* [[Practice]]
* Chalmers, John H., 1993, [[http://eamusic.dartmouth.edu/%7Elarry/published_articles/divisions_of_the_tetrachord/index.html|Divisions of the Tetrachord]]
* [[WebCite citations]]
* [[file:Barker 2001 - Scientific Method in Ptolemy's Harmonics.pdf]]
* [[Historical archive]]
* [[file:Barker 2007 - The Science of Harmonics in Classical Greece.pdf]]
* [[Gallery of Personal Viewpoints]]
* Helmholtz, Hermann von, 1862, [[http://www.archive.org/details/onsensationsofto00helmrich|On the Sensations of Tone]]
* [[Microtonal blogs]]


=See also=  
== External links ==
* [[Music Cognition Literature]]
* [http://www.bikexprt.com/music/tunebibl.htm A bibliography on musical tunings and temperaments], compiled by John S. Allen
* [[WebCite citatTheory</pre></div>
* [https://www.huygens-fokker.org/docs/bibliography.html Tuning & temperament bibliography] on the [[Huygens-Fokker Foundation]] website
<h4>Original HTML content:</h4>
* [https://www.reddit.com/r/GlobalMusicTheory/wiki/index/ ''The r/GlobalMusicTheory Wiki''], a resource about [[world musical traditions]]
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&lt;!-- ws:start:WikiTextFileRule:81:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/Kuttner%20-%20Prince%20Chu%20Tsai-Y%C3%BC%27s%20Life%20and%20Work-%20A%20Re-Evaluation%20of%20His%20Contribution%20to%20Equal%20Temperament%20Theory.pdf?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@Kuttner - Prince Chu Tsai-Yü's Life and Work- A Re-Evaluation of His Contribution to Equal Temperament Theory.pdf&amp;quot; title=&amp;quot;File: Kuttner - Prince Chu Tsai-Yü's Life and Work- A Re-Evaluation of His Contribution to Equal Temperament Theory.pdf&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/Kuttner%20-%20Prince%20Chu%20Tsai-Y%C3%BC%27s%20Life%20and%20Work-%20A%20Re-Evaluation%20of%20His%20Contribution%20to%20Equal%20Temperament%20Theory.pdf/77977941/Kuttner%20-%20Prince%20Chu%20Tsai-Y%C3%BC%27s%20Life%20and%20Work-%20A%20Re-Evaluation%20of%20His%20Contribution%20to%20Equal%20Temperament%20Theory.pdf" onclick="ws.common.trackFileLink('/file/view/Kuttner%20-%20Prince%20Chu%20Tsai-Y%C3%BC%27s%20Life%20and%20Work-%20A%20Re-Evaluation%20of%20His%20Contribution%20to%20Equal%20Temperament%20Theory.pdf/77977941/Kuttner%20-%20Prince%20Chu%20Tsai-Y%C3%BC%27s%20Life%20and%20Work-%20A%20Re-Evaluation%20of%20His%20Contribution%20to%20Equal%20Temperament%20Theory.pdf');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/application/pdf.png" height="32" width="32" alt="Kuttner - Prince Chu Tsai-Yü's Life and Work- A Re-Evaluation of His Contribution to Equal Temperament Theory.pdf" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/Kuttner%20-%20Prince%20Chu%20Tsai-Y%C3%BC%27s%20Life%20and%20Work-%20A%20Re-Evaluation%20of%20His%20Contribution%20to%20Equal%20Temperament%20Theory.pdf/77977941/Kuttner%20-%20Prince%20Chu%20Tsai-Y%C3%BC%27s%20Life%20and%20Work-%20A%20Re-Evaluation%20of%20His%20Contribution%20to%20Equal%20Temperament%20Theory.pdf" onclick="ws.common.trackFileLink('/file/view/Kuttner%20-%20Prince%20Chu%20Tsai-Y%C3%BC%27s%20Life%20and%20Work-%20A%20Re-Evaluation%20of%20His%20Contribution%20to%20Equal%20Temperament%20Theory.pdf/77977941/Kuttner%20-%20Prince%20Chu%20Tsai-Y%C3%BC%27s%20Life%20and%20Work-%20A%20Re-Evaluation%20of%20His%20Contribution%20to%20Equal%20Temperament%20Theory.pdf');" class="filename" title="Kuttner - Prince Chu Tsai-Yü's Life and Work- A Re-Evaluation of His Contribution to Equal Temperament Theory.pdf"&gt;Kuttner - Prince Chu Tsai-Yü's Life and Work- A Re-Evaluation of His Contribution to Equal Temperament Theory.pdf&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/Kuttner%20-%20Prince%20Chu%20Tsai-Y%C3%BC%27s%20Life%20and%20Work-%20A%20Re-Evaluation%20of%20His%20Contribution%20to%20Equal%20Temperament%20Theory.pdf"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/Kuttner%20-%20Prince%20Chu%20Tsai-Y%C3%BC%27s%20Life%20and%20Work-%20A%20Re-Evaluation%20of%20His%20Contribution%20to%20Equal%20Temperament%20Theory.pdf/77977941/Kuttner%20-%20Prince%20Chu%20Tsai-Y%C3%BC%27s%20Life%20and%20Work-%20A%20Re-Evaluation%20of%20His%20Contribution%20to%20Equal%20Temperament%20Theory.pdf"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;979 KB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:81 --&gt;&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Dissertations"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Dissertations&lt;/h1&gt;
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&lt;ul&gt;&lt;li&gt;Smith, Charles Samuel, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Smith%20-%20Eulers%20Tentamen.PDF" rel="nofollow"&gt;Leonhard Euler's Tentamen Novae Theoriae Musicae: A Translation and Commentary&lt;/a&gt;&lt;/em&gt; . Indiana University, Ph.D., 1960.&lt;/li&gt;&lt;li&gt;Mandelbaum, Joel, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.anaphoria.com/mandelbaum.html" rel="nofollow"&gt;Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament&lt;/a&gt;&lt;/em&gt;, Indiana University, Ph.D., 1961.&lt;/li&gt;&lt;li&gt;Adkins, Cecil Dale, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF" rel="nofollow"&gt;The Theory and Practice of the Monochord&lt;/a&gt; .&lt;/em&gt; State University of Iowa, Ph.D., 1963.&lt;/li&gt;&lt;li&gt;Farhat, Hormoz, &lt;em&gt;The Dastgah Concept in Persian Music&lt;/em&gt;. University of California, Los Angeles,, Ph.D., 1965.&lt;/li&gt;&lt;li&gt;Green, Burdette Lamar, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF" rel="nofollow"&gt;The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music&lt;/a&gt;&lt;/em&gt; . The Ohio State University, Ph.D., 1969.&lt;/li&gt;&lt;li&gt;Signell, Karl L, &lt;span class="Z3988"&gt;&lt;em&gt;The Turkish &amp;quot;makam&amp;quot; system in contemporary theory and practice&lt;/em&gt;. XXX, Ph.D., 1973.&lt;/span&gt;&lt;/li&gt;&lt;li&gt;Whaley, David Robert. &lt;em&gt;The Microtonal Capability of the Horn&lt;/em&gt;. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.&lt;/li&gt;&lt;li&gt;Battan, Suzette Mary, &lt;em&gt;&lt;a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;amp;versionNumber=1" rel="nofollow"&gt;Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems&lt;/a&gt;&lt;/em&gt;, University of Rochester, Ph.D., 1980.&lt;/li&gt;&lt;li&gt;Djordjevic, Michael, L., &lt;em&gt;Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum&lt;/em&gt;. Radio Belgrade, Ph.D., 1995.&lt;/li&gt;&lt;li&gt;Kassel, Richard M., &lt;em&gt;The Evolution of Harry Partch's Monophony&lt;/em&gt;. CUNY, Ph.D., 1996.&lt;/li&gt;&lt;li&gt;Clampitt, David, &lt;em&gt;Pairwise Well-formed Scales: Structural and Transformational Properties&lt;/em&gt;. SUNY at Buffalo, Ph.D., 1997.&lt;/li&gt;&lt;li&gt;Carey, Norman A., &lt;em&gt;&lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/235712212_Distribution_modulo_1_and_musical_scales" rel="nofollow"&gt;Distribution Modulo 1 and Musical Scales&lt;/a&gt;&lt;/em&gt;. University of Rochester, Ph.D., 1998.&lt;/li&gt;&lt;li&gt;Douthett, Jack, &lt;em&gt;&lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/234262980_The_theory_of_maximally_and_minimally_even_sets_the_one-_dimensional_antiferromagnetic_Ising_model_and_the_continued_fraction_compromise_of_musical_scales" rel="nofollow"&gt;The Theory of Maximally and Minimally Even Sets, the One-Dimensional Antiferromagnetic Ising Model, and the Continued Fraction Compromise of Musical Scales&lt;/a&gt;&lt;/em&gt;. University of New Mexico, Ph.D., 1999.&lt;/li&gt;&lt;li&gt;Werntz, Julia Catherine, &lt;em&gt;Toward an understanding of expanded equal temperament (Joseph Maneri)&lt;/em&gt;. Brandeis University, Ph.D., 2000.&lt;/li&gt;&lt;li&gt;Quinn, Ian, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://canonsrythmiques.free.fr/gueststars/diss.pdf" rel="nofollow"&gt;A Unified Theory of Chord Quality in Equal Temperaments&lt;/a&gt;&lt;/em&gt;, Eastman School of Music, Ph.D., 2004.&lt;/li&gt;&lt;li&gt;Skinner. Myles, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.tierceron.com/diss/index.php" rel="nofollow"&gt;Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky&lt;/a&gt;&lt;/em&gt;, Buffalo University, Ph.D., 2006.&lt;/li&gt;&lt;li&gt;Yarman, Ozan, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/files/doctorate_thesis.pdf" rel="nofollow"&gt;79-Tone Tuning &amp;amp; Theory for Turkish Maqam Music&lt;/a&gt;&lt;/em&gt;. Istanbul Technical University, Ph.D., 2008.&lt;/li&gt;&lt;li&gt;Pohlit, Stefan, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://stefanpohlit.com/dissertation.engl..htm" rel="nofollow"&gt;Julien Jalâl Ed-Dine Weiss: A Novel Tuning System for the Middle-Eastern Qanun&lt;/a&gt;&lt;/em&gt;, Istanbul Technical University, Ph.D., 2011.&lt;/li&gt;&lt;li&gt;Ederer, Eric, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.ericederer.com/diss/diss.html" rel="nofollow"&gt;The Theory and Praxis of Makam in Classical Turkish Music 1910-2010&lt;/a&gt;&lt;/em&gt;, University of California Santa Barbara, Ph.D., 2011.&lt;/li&gt;&lt;li&gt;Heraty, Johanne Paula, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.ams-net.org/ddm/fullResult.php?id=15022" rel="nofollow"&gt;The Microtonal Music of Ezra Sims&lt;/a&gt;&lt;/em&gt;, University College Dublin, Ph.D., 2011.&lt;/li&gt;&lt;li&gt;Milne, Andrew J., &lt;em&gt;&lt;a class="wiki_link_ext" href="https://www.researchgate.net/publication/258121094_A_computational_model_of_the_cognition_of_tonality" rel="nofollow"&gt;A Computational Model for the Cognition of Tonality&lt;/a&gt;&lt;/em&gt;, Western Sydney University, Ph.D., 2013.&lt;/li&gt;&lt;li&gt;Hearne, Gareth, &lt;em&gt;&lt;a class="wiki_link_ext" href="https://www.facebook.com/l.php?u=https%3A%2F%2Fwww.dropbox.com%2Fs%2F8hp3421ne7tjnha%2FGareth%2520Hearne%2520Dissertation.pdf%3Fdl%3D0&amp;amp;h=TAQFNBDai" rel="nofollow"&gt;Towards a new model of microtonal music: The regular temperaments of 22TET&lt;/a&gt;&lt;/em&gt;, UWA School of Music, honors thesis dissertation, 2014.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="Books"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Books&lt;/h1&gt;
&lt;ul&gt;&lt;li&gt;Bosanquet 1876&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextFileRule:87:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/Bosanquet%20-%20An%20elementary%20treatise%20on%20musical%20intervals.pdf?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@Bosanquet - An elementary treatise on musical intervals.pdf&amp;quot; title=&amp;quot;File: Bosanquet - An elementary treatise on musical intervals.pdf&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/Bosanquet%20-%20An%20elementary%20treatise%20on%20musical%20intervals.pdf/79697807/Bosanquet%20-%20An%20elementary%20treatise%20on%20musical%20intervals.pdf" onclick="ws.common.trackFileLink('/file/view/Bosanquet%20-%20An%20elementary%20treatise%20on%20musical%20intervals.pdf/79697807/Bosanquet%20-%20An%20elementary%20treatise%20on%20musical%20intervals.pdf');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/application/pdf.png" height="32" width="32" alt="Bosanquet - An elementary treatise on musical intervals.pdf" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/Bosanquet%20-%20An%20elementary%20treatise%20on%20musical%20intervals.pdf/79697807/Bosanquet%20-%20An%20elementary%20treatise%20on%20musical%20intervals.pdf" onclick="ws.common.trackFileLink('/file/view/Bosanquet%20-%20An%20elementary%20treatise%20on%20musical%20intervals.pdf/79697807/Bosanquet%20-%20An%20elementary%20treatise%20on%20musical%20intervals.pdf');" class="filename" title="Bosanquet - An elementary treatise on musical intervals.pdf"&gt;Bosanquet - An elementary treatise on musical intervals.pdf&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/Bosanquet%20-%20An%20elementary%20treatise%20on%20musical%20intervals.pdf"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/Bosanquet%20-%20An%20elementary%20treatise%20on%20musical%20intervals.pdf/79697807/Bosanquet%20-%20An%20elementary%20treatise%20on%20musical%20intervals.pdf"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;2 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:87 --&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;Chalmers, John H., 1993, &lt;a class="wiki_link_ext" href="http://eamusic.dartmouth.edu/%7Elarry/published_articles/divisions_of_the_tetrachord/index.html" rel="nofollow"&gt;Divisions of the Tetrachord&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextFileRule:88:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/Barker%202001%20-%20Scientific%20Method%20in%20Ptolemy%27s%20Harmonics.pdf?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@Barker 2001 - Scientific Method in Ptolemy's Harmonics.pdf&amp;quot; title=&amp;quot;File: Barker 2001 - Scientific Method in Ptolemy's Harmonics.pdf&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/Barker%202001%20-%20Scientific%20Method%20in%20Ptolemy%27s%20Harmonics.pdf/77982655/Barker%202001%20-%20Scientific%20Method%20in%20Ptolemy%27s%20Harmonics.pdf" onclick="ws.common.trackFileLink('/file/view/Barker%202001%20-%20Scientific%20Method%20in%20Ptolemy%27s%20Harmonics.pdf/77982655/Barker%202001%20-%20Scientific%20Method%20in%20Ptolemy%27s%20Harmonics.pdf');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/application/pdf.png" height="32" width="32" alt="Barker 2001 - Scientific Method in Ptolemy's Harmonics.pdf" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/Barker%202001%20-%20Scientific%20Method%20in%20Ptolemy%27s%20Harmonics.pdf/77982655/Barker%202001%20-%20Scientific%20Method%20in%20Ptolemy%27s%20Harmonics.pdf" onclick="ws.common.trackFileLink('/file/view/Barker%202001%20-%20Scientific%20Method%20in%20Ptolemy%27s%20Harmonics.pdf/77982655/Barker%202001%20-%20Scientific%20Method%20in%20Ptolemy%27s%20Harmonics.pdf');" class="filename" title="Barker 2001 - Scientific Method in Ptolemy's Harmonics.pdf"&gt;Barker 2001 - Scientific Method in Ptolemy's Harmonics.pdf&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/Barker%202001%20-%20Scientific%20Method%20in%20Ptolemy%27s%20Harmonics.pdf"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/Barker%202001%20-%20Scientific%20Method%20in%20Ptolemy%27s%20Harmonics.pdf/77982655/Barker%202001%20-%20Scientific%20Method%20in%20Ptolemy%27s%20Harmonics.pdf"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;1 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:88 --&gt;&lt;/li&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextFileRule:89:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/Barker%202007%20-%20The%20Science%20of%20Harmonics%20in%20Classical%20Greece.pdf?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@Barker 2007 - The Science of Harmonics in Classical Greece.pdf&amp;quot; title=&amp;quot;File: Barker 2007 - The Science of Harmonics in Classical Greece.pdf&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/Barker%202007%20-%20The%20Science%20of%20Harmonics%20in%20Classical%20Greece.pdf/77982175/Barker%202007%20-%20The%20Science%20of%20Harmonics%20in%20Classical%20Greece.pdf" onclick="ws.common.trackFileLink('/file/view/Barker%202007%20-%20The%20Science%20of%20Harmonics%20in%20Classical%20Greece.pdf/77982175/Barker%202007%20-%20The%20Science%20of%20Harmonics%20in%20Classical%20Greece.pdf');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/application/pdf.png" height="32" width="32" alt="Barker 2007 - The Science of Harmonics in Classical Greece.pdf" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/Barker%202007%20-%20The%20Science%20of%20Harmonics%20in%20Classical%20Greece.pdf/77982175/Barker%202007%20-%20The%20Science%20of%20Harmonics%20in%20Classical%20Greece.pdf" onclick="ws.common.trackFileLink('/file/view/Barker%202007%20-%20The%20Science%20of%20Harmonics%20in%20Classical%20Greece.pdf/77982175/Barker%202007%20-%20The%20Science%20of%20Harmonics%20in%20Classical%20Greece.pdf');" class="filename" title="Barker 2007 - The Science of Harmonics in Classical Greece.pdf"&gt;Barker 2007 - The Science of Harmonics in Classical Greece.pdf&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/Barker%202007%20-%20The%20Science%20of%20Harmonics%20in%20Classical%20Greece.pdf"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/Barker%202007%20-%20The%20Science%20of%20Harmonics%20in%20Classical%20Greece.pdf/77982175/Barker%202007%20-%20The%20Science%20of%20Harmonics%20in%20Classical%20Greece.pdf"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;6 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:89 --&gt;&lt;/li&gt;&lt;li&gt;Helmholtz, Hermann von, 1862, &lt;a class="wiki_link_ext" href="http://www.archive.org/details/onsensationsofto00helmrich" rel="nofollow"&gt;On the Sensations of Tone&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="See also"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;See also&lt;/h1&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Music%20Cognition%20Literature"&gt;Music Cognition Literature&lt;/a&gt;&lt;/li&gt;&lt;li&gt;[[WebCite citatTheory&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
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