39edo: Difference between revisions
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== Theory == | == Theory == | ||
39edo's [[3/2|perfect fifth]] is 5.8{{c}} sharp. Together with its best [[5/4|classical major third]] which is the familiar 400{{c}} of [[12edo]] | 39edo's [[3/2|perfect fifth]] is 5.8{{c}} sharp. Together with its best [[5/4|classical major third]] which is the familiar 400{{c}} of [[12edo]]. We have two choices for a tuning of [[7/1|7]]. The sharp one yields [[superpyth]] temperament, while the flat (patent) one yields [[semaphore]] (and also [[hemifamity]]) temperament. | ||
As a [[superpyth]] system, 39edo is intermediate between [[17edo]] and [[22edo]] {{nowrap|(39 {{=}} 17 + 22)}}; its fifth thus falls in the "shrub region" where the diatonic thirds are between standard neogothic thirds and septimal thirds. The specific 7-limit variant supported by 39d is [[quasisuper]]. Alternatively, it can be seen as a [[hemifamity]] semaphore (that is, immunity) system in the patent val. While 17edo is superb for melody (as documented by [[George Secor]]), it does not approximate the 5th harmonic at all and only poorly approximates the 7th. 22edo is much better for 5-limit and 7-limit harmony but is less effective for melody assuming that the MOS diatonic is used, because the [[diatonic semitone]] is [[quartertone]]-sized. 39edo offers a compromise, since it still supports good 5- and 7-limit harmonies (though less close than 22edo), while at the same time having a diatonic semitone of 61.5 cents, as the ideal diatonic semitone for melody is somewhere in between 60 and 80 cents, i.e. a third tone, by Secor's estimates. | |||
As a [[superpyth]] system, 39edo is intermediate between [[17edo]] and [[22edo]] {{nowrap|(39 {{=}} 17 + 22)}}; its fifth thus falls in the "shrub region" where the diatonic thirds are between standard neogothic thirds and septimal thirds. The specific 7-limit variant supported by | |||
Alternatively, if we take 22\39 as a fifth, 39edo can be used as a tuning of [[mavila]], and from that point of view it seems to have attracted the attention of the [[Armodue]] school, an Italian group that use the scheme of [[7L 2s|superdiatonic]] LLLsLLLLs like a base scale for notation and theory, suited in [[16edo]], and allied systems: [[25edo]] [1/3-tone 3;2]; [[41edo]] [1/5-tone 5;3]; and [[57edo]] [1/7-tone 7;4]. The [[hornbostel]] temperament is included too with: [[23edo]] [1/3-tone 3;1]; 39edo [1/5-tone 5;2] & [[62edo]] [1/8-tone 8;3]. The mavila fifth in 39edo like all mavila fifths is very, very flat, in this case, 25{{c}} flat. | Alternatively, if we take 22\39 as a fifth, 39edo can be used as a tuning of [[mavila]], and from that point of view it seems to have attracted the attention of the [[Armodue]] school, an Italian group that use the scheme of [[7L 2s|superdiatonic]] LLLsLLLLs like a base scale for notation and theory, suited in [[16edo]], and allied systems: [[25edo]] [1/3-tone 3;2]; [[41edo]] [1/5-tone 5;3]; and [[57edo]] [1/7-tone 7;4]. The [[hornbostel]] temperament is included too with: [[23edo]] [1/3-tone 3;1]; 39edo [1/5-tone 5;2] & [[62edo]] [1/8-tone 8;3]. The mavila fifth in 39edo like all mavila fifths is very, very flat, in this case, 25{{c}} flat. | ||
39edo offers not one, but many, possible ways of extending tonality beyond the diatonic scale, even if it does not do as good of a job at approximating [[JI]] as some other systems do. Because it can also approximate [[mavila]] as well as "anti-mavila" ([[oneirotonic]]), the latter of which it inherits from [[13edo]], this makes 39edo an extremely versatile temperament usable in a wide range of situations (both harmonic and inharmonic). | 39edo offers not one, but many, possible ways of extending tonality beyond the diatonic scale, even if it does not do as good of a job at approximating [[JI]] as some other systems do. Because it can also approximate [[mavila]] as well as "anti-mavila" ([[oneirotonic]]), the latter of which it inherits from [[13edo]], this makes 39edo an extremely versatile temperament usable in a wide range of situations (both harmonic and inharmonic). | ||
39edo is a reasonable tuning of [[triforce]] beyond 15edo, and optimizes both its semaphore and augmented components by tuning the fifth sharp. | |||
=== Odd harmonics === | === Odd harmonics === | ||
{{Harmonics in equal|39}} | {{Harmonics in equal|39|columns=11}} | ||
{{Harmonics in equal|39|columns=11|start=12|collapsed=1|title=Approximation of odd harmonics in 39edo (continued)}} | |||
=== | === As a tuning of other temperaments === | ||
39edo | 39edo, with its 400{{c}} major third, [[tempering out|tempers out]] the [[diesis]] (128/125), and using the 39d val, the septimal comma, [[64/63]], as well as [[126/125]] are added to the comma list. Alternatively, the patent val tempers out 49/48 to yield semaphore. In the 11-limit we find that the equal temperament tempers out [[99/98]] and [[121/120]]. Tempering out both 128/125 and 64/63 makes 39et, in some few ways, allied to [[12edo|12et]] in [[support]]ing [[augene]], and is in fact, an excellent choice for a 7-limit augene tuning. It also tempers out the [[amity comma]] (1600000/1594323), and supports the variant of amity known as [[accord]]. | ||
=== Subsets and supersets === | === Subsets and supersets === | ||
Since 39 factors into {{nowrap| 3 × 13 }}, 39edo contains [[3edo]] and [[13edo]] as subsets. Multiplying 39edo by 2 yields [[78edo]], which corrects several harmonics. | Since 39 factors into primes as {{nowrap| 3 × 13 }}, 39edo contains [[3edo]] and [[13edo]] as subsets. Multiplying 39edo by 2 yields [[78edo]], which corrects several harmonics. | ||
== Intervals == | == Intervals == | ||
{| class="wikitable center-all right-2 left-3 right-9 right-10" | {| class="wikitable center-all right-2 left-3 left-4 left-5 right-9 right-10" | ||
|- | |- | ||
! Steps | ! rowspan="2" | Steps | ||
! Cents | ! rowspan="2" | Cents | ||
! | ! rowspan="2" | Ratios of the<br>[[2.3.5.11 subgroup]] | ||
! colspan="2" | Intervals of 7 | |||
! colspan="3" | [[ | ! colspan="3" rowspan="2" | [[Ups and downs notation]] | ||
|- | |||
! Patent val | |||
! 39d val | |||
|- | |- | ||
| 0 | | 0 | ||
| 0.0 | | 0.0 | ||
| [[1/1]] | | colspan=3 | [[1/1]] | ||
| P1 | | P1 | ||
| perfect unison | | perfect unison | ||
| D | | D | ||
|- | |- | ||
| 1 | | 1 | ||
| 30.8 | | 30.8 | ||
| ''[[ | | [[55/54]], [[81/80]] | ||
| ''[[28/27]]'', [[64/63]] | |||
| ''[[36/35]]'', [[50/49]], ''[[56/55]]'' | |||
| ^1, <br>vm2 | | ^1, <br>vm2 | ||
| up unison, <br>downminor 2nd | | up unison, <br>downminor 2nd | ||
| ^D, <br>vEb | | ^D, <br>vEb | ||
|- | |- | ||
| 2 | | 2 | ||
| 61.5 | | 61.5 | ||
| [[ | | [[33/32]] | ||
| ''[[21/20]]'', [[36/35]] | |||
| [[28/27]], ''[[49/48]]'' | |||
| m2 | | m2 | ||
| minor 2nd | | minor 2nd | ||
| Eb | | Eb | ||
|- | |- | ||
| 3 | | 3 | ||
| 92.3 | | 92.3 | ||
| ''[[16/15]]'', [[ | | ''[[16/15]]'', ''[[25/24]]'' | ||
| ''[[50/49]]'' | |||
| [[21/20]] | |||
| ^m2 | | ^m2 | ||
| upminor 2nd | | upminor 2nd | ||
| ^Eb | | ^Eb | ||
|- | |- | ||
| 4 | | 4 | ||
| 123.1 | | 123.1 | ||
| | |||
| | |||
| [[15/14]] | | [[15/14]] | ||
| ^^m2 | | ^^m2 | ||
| dupminor 2nd | | dupminor 2nd | ||
| ^^Eb | | ^^Eb | ||
|- | |- | ||
| 5 | | 5 | ||
| 153.8 | | 153.8 | ||
| [[11/10]], [[12/11]] | | [[11/10]], [[12/11]] | ||
| ''[[15/14]]'' | |||
| | |||
| vvM2 | | vvM2 | ||
| dudmajor 2nd | | dudmajor 2nd | ||
| vvE | | vvE | ||
|- | |- | ||
| 6 | | 6 | ||
| 184.6 | | 184.6 | ||
| [[10/9]] | | [[10/9]] | ||
| | |||
| | |||
| vM2 | | vM2 | ||
| downmajor 2nd | | downmajor 2nd | ||
| vE | | vE | ||
|- | |- | ||
| 7 | | 7 | ||
| 215.4 | | 215.4 | ||
| [[9/8]] | | [[9/8]] | ||
| | |||
| ''[[8/7]]'' | |||
| M2 | | M2 | ||
| major 2nd | | major 2nd | ||
| E | | E | ||
|- | |- | ||
| 8 | | 8 | ||
| 246.2 | | 246.2 | ||
| | |||
| [[8/7]], ''[[7/6]]'' | |||
| [[81/70]] | | [[81/70]] | ||
| ^M2, <br>vm3 | | ^M2, <br>vm3 | ||
| upmajor 2nd, <br>downminor 3rd | | upmajor 2nd, <br>downminor 3rd | ||
| ^E, <br>vF | | ^E, <br>vF | ||
|- | |- | ||
| 9 | | 9 | ||
| 276.9 | | 276.9 | ||
| | |||
| ''[[81/70]]'' | |||
| [[7/6]] | | [[7/6]] | ||
| m3 | | m3 | ||
| minor 3rd | | minor 3rd | ||
| F | | F | ||
|- | |- | ||
| 10 | | 10 | ||
| 307.7 | | 307.7 | ||
| [[6/5]] | | [[6/5]] | ||
| | |||
| | |||
| ^m3 | | ^m3 | ||
| upminor 3rd | | upminor 3rd | ||
| ^F | | ^F | ||
|- | |- | ||
| 11 | | 11 | ||
| 338.5 | | 338.5 | ||
| [[11/9]] | | [[11/9]] | ||
| | |||
| | |||
| ^^m3 | | ^^m3 | ||
| dupminor 3rd | | dupminor 3rd | ||
| ^^F | | ^^F | ||
|- | |- | ||
| 12 | | 12 | ||
| 369.2 | | 369.2 | ||
| [[27/22]] | | [[27/22]] | ||
| | |||
| | |||
| vvM3 | | vvM3 | ||
| dudmajor 3rd | | dudmajor 3rd | ||
| vvF# | | vvF# | ||
|- | |- | ||
| 13 | | 13 | ||
| 400.0 | | 400.0 | ||
| [[5/4]] | | [[5/4]] | ||
| ''[[14/11]]'' | |||
| | |||
| vM3 | | vM3 | ||
| downmajor 3rd | | downmajor 3rd | ||
| vF# | | vF# | ||
|- | |- | ||
| 14 | | 14 | ||
| 430.8 | | 430.8 | ||
| | |||
| ''[[35/27]]'' | |||
| [[9/7]], [[14/11]] | | [[9/7]], [[14/11]] | ||
| M3 | | M3 | ||
| major 3rd | | major 3rd | ||
| F# | | F# | ||
|- | |- | ||
| 15 | | 15 | ||
| 461.5 | | 461.5 | ||
| | |||
| ''[[9/7]]'' | |||
| [[35/27]] | | [[35/27]] | ||
| v4 | | v4 | ||
| down 4th | | down 4th | ||
| vG | | vG | ||
|- | |- | ||
| 16 | | 16 | ||
| 492.3 | | 492.3 | ||
| [[4/3]] | | [[4/3]] | ||
| | |||
| | |||
| P4 | | P4 | ||
| perfect 4th | | perfect 4th | ||
| G | | G | ||
|- | |- | ||
| 17 | | 17 | ||
| 523.1 | | 523.1 | ||
| [[27/20]] | | [[27/20]] | ||
| | |||
| | |||
| ^4 | | ^4 | ||
| up 4th | | up 4th | ||
| ^G | | ^G | ||
|- | |- | ||
| 18 | | 18 | ||
| 553.8 | | 553.8 | ||
| [[11/8]] | | [[11/8]] | ||
| ''[[7/5]]'' | |||
| | |||
| ^^4 | | ^^4 | ||
| dup 4th | | dup 4th | ||
| ^^G | | ^^G | ||
|- | |- | ||
| 19 | | 19 | ||
| 584.6 | | 584.6 | ||
| | |||
| | |||
| [[7/5]] | | [[7/5]] | ||
| vvA4, <br>^d5 | | vvA4, <br>^d5 | ||
| dudaug 4th, <br>updim 5th | | dudaug 4th, <br>updim 5th | ||
| vvG#, <br>^Ab | | vvG#, <br>^Ab | ||
|- | |- | ||
| 20 | | 20 | ||
| 615.4 | | 615.4 | ||
| | |||
| | |||
| [[10/7]] | | [[10/7]] | ||
| vA4, <br>^^d5 | | vA4, <br>^^d5 | ||
| downaug 4th, <br>dupdim 5th | | downaug 4th, <br>dupdim 5th | ||
| vG#, <br>^^Ab | | vG#, <br>^^Ab | ||
|- | |- | ||
| 21 | | 21 | ||
| 646.2 | | 646.2 | ||
| [[16/11]] | | [[16/11]] | ||
| ''[[10/7]]'' | |||
| | |||
| vv5 | | vv5 | ||
| dud 5th | | dud 5th | ||
| vvA | | vvA | ||
|- | |- | ||
| 22 | | 22 | ||
| 676.9 | | 676.9 | ||
| [[40/27]] | | [[40/27]] | ||
| | |||
| | |||
| v5 | | v5 | ||
| down 5th | | down 5th | ||
| vA | | vA | ||
|- | |- | ||
| 23 | | 23 | ||
| 707.7 | | 707.7 | ||
| [[3/2]] | | [[3/2]] | ||
| | |||
| | |||
| P5 | | P5 | ||
| perfect 5th | | perfect 5th | ||
| A | | A | ||
|- | |- | ||
| 24 | | 24 | ||
| 738.5 | | 738.5 | ||
| | |||
| ''[[14/9]]'' | |||
| [[54/35]] | | [[54/35]] | ||
| ^5 | | ^5 | ||
| up 5th | | up 5th | ||
| A^ | | A^ | ||
|- | |- | ||
| 25 | | 25 | ||
| 769.2 | | 769.2 | ||
| | |||
| ''[[54/35]]'' | |||
| [[11/7]], [[14/9]] | | [[11/7]], [[14/9]] | ||
| m6 | | m6 | ||
| minor 6th | | minor 6th | ||
| Bb | | Bb | ||
|- | |- | ||
| 26 | | 26 | ||
| 800.0 | | 800.0 | ||
| [[8/5]] | | [[8/5]] | ||
| ''[[11/7]]'' | |||
| | |||
| ^m6 | | ^m6 | ||
| upminor 6th | | upminor 6th | ||
| ^Bb | | ^Bb | ||
|- | |- | ||
| 27 | | 27 | ||
| 830.8 | | 830.8 | ||
| [[44/27]] | | [[44/27]] | ||
| | |||
| | |||
| ^^m6 | | ^^m6 | ||
| dupminor 6th | | dupminor 6th | ||
| ^^Bb | | ^^Bb | ||
|- | |- | ||
| 28 | | 28 | ||
| 861.5 | | 861.5 | ||
| [[18/11]] | | [[18/11]] | ||
| | |||
| | |||
| vvM6 | | vvM6 | ||
| dudmajor 6th | | dudmajor 6th | ||
| vvB | | vvB | ||
|- | |- | ||
| 29 | | 29 | ||
| 892.3 | | 892.3 | ||
| [[5/3]] | | [[5/3]] | ||
| | |||
| | |||
| vM6 | | vM6 | ||
| downmajor 6th | | downmajor 6th | ||
| vB | | vB | ||
|- | |- | ||
| 30 | | 30 | ||
| 923.1 | | 923.1 | ||
| | |||
| ''[[140/81]]'' | |||
| [[12/7]] | | [[12/7]] | ||
| M6 | | M6 | ||
| major 6th | | major 6th | ||
| B | | B | ||
|- | |- | ||
| 31 | | 31 | ||
| 953.8 | | 953.8 | ||
| | |||
| [[7/4]], ''[[12/7]]'' | |||
| [[140/81]] | | [[140/81]] | ||
| ^M6, <br>vm7 | | ^M6, <br>vm7 | ||
| upmajor 6th, <br>downminor 7th | | upmajor 6th, <br>downminor 7th | ||
| ^B, <br>vC | | ^B, <br>vC | ||
|- | |- | ||
| 32 | | 32 | ||
| 984.6 | | 984.6 | ||
| | | [[16/9]] | ||
| | |||
| ''[[7/4]]'' | |||
| m7 | | m7 | ||
| minor 7th | | minor 7th | ||
| C | | C | ||
|- | |- | ||
| 33 | | 33 | ||
| 1015.4 | | 1015.4 | ||
| [[9/5]] | | [[9/5]] | ||
| | |||
| | |||
| ^m7 | | ^m7 | ||
| upminor 7th | | upminor 7th | ||
| ^C | | ^C | ||
|- | |- | ||
| 34 | | 34 | ||
| 1046.2 | | 1046.2 | ||
| [[11/6]], [[20/11]] | | [[11/6]], [[20/11]] | ||
| ''[[28/15]]'' | |||
| | |||
| ^^m7 | | ^^m7 | ||
| dupminor 7th | | dupminor 7th | ||
| ^^C | | ^^C | ||
|- | |- | ||
| 35 | | 35 | ||
| 1076.9 | | 1076.9 | ||
| | |||
| | |||
| [[28/15]] | | [[28/15]] | ||
| vvM7 | | vvM7 | ||
| dudmajor 7th | | dudmajor 7th | ||
| vvC# | | vvC# | ||
|- | |- | ||
| 36 | | 36 | ||
| 1107.7 | | 1107.7 | ||
| ''[[15/8]]'', [[ | | ''[[15/8]]'', ''[[48/25]]'' | ||
| ''[[49/25]]'' | |||
| [[40/21]] | |||
| vM7 | | vM7 | ||
| downmajor 7th | | downmajor 7th | ||
| vC# | | vC# | ||
|- | |- | ||
| 37 | | 37 | ||
| 1138.5 | | 1138.5 | ||
| [[ | | [[64/33]] | ||
| [[35/18]], ''[[40/21]]'' | |||
| [[27/14]], ''[[96/49]]'' | |||
| M7 | | M7 | ||
| major 7th | | major 7th | ||
| C# | | C# | ||
|- | |- | ||
| 38 | | 38 | ||
| 1169.2 | | 1169.2 | ||
| | | [[108/55]], [[160/81]] | ||
| [[63/32]], ''[[27/14]]'' | |||
| ''[[35/18]]'', [[49/25]] | |||
| ^M7, <br>v8 | | ^M7, <br>v8 | ||
| upmajor 7th, <br>down 8ve | | upmajor 7th, <br>down 8ve | ||
| ^C#, <br>vD | | ^C#, <br>vD | ||
|- | |- | ||
| 39 | | 39 | ||
| 1200.0 | | 1200.0 | ||
| [[2/1]] | | colspan=3 | [[2/1]] | ||
| P8 | | P8 | ||
| perfect 8ve | | perfect 8ve | ||
| D | | D | ||
|} | |} | ||
Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[Ups and downs notation #Chords and chord progressions]]. | Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[Ups and downs notation #Chords and chord progressions]]. | ||
== Notation == | == Notation == | ||
=== | === Stein–Zimmermann–Gould notation === | ||
39edo can be notated with [[ups and downs]], spoken as up, dup, dudsharp, downsharp, sharp, upsharp etc. and down, dud, dupflat etc. Note that dudsharp is equivalent to trup (triple-up) and dupflat is equivalent to trud (triple-down). | [[Stein–Zimmermann–Gould notation]] uses sharps and flats with arrows: | ||
{{ | {{Sharpness-sharp5-szg}} | ||
=== Kite's ups and downs notation === | |||
39edo can also be notated with [[Kite's ups and downs notation|Kite's ups and downs]], spoken as up, dup, dudsharp, downsharp, sharp, upsharp etc. and down, dud, dupflat etc. Note that dudsharp is equivalent to trup (triple-up) and dupflat is equivalent to trud (triple-down). | |||
{{Ups and downs sharpness}} | |||
=== Sagittal notation === | === Sagittal notation === | ||
This notation uses the same sagittal sequence as [[46edo #Sagittal notation|46edo]]. | This notation uses the same sagittal sequence as [[46edo #Sagittal notation|46edo]]. | ||
| Line 724: | Line 684: | ||
== Approximation to JI == | == Approximation to JI == | ||
=== | === Interval mappings === | ||
{{ | {{Q-odd-limit intervals}} | ||
{{Q-odd-limit intervals|39.1|apx=val|header=none|tag=none|title=15-odd-limit intervals by 39df val mapping}} | |||
| | |||
| | |||
| | |||
| | |||
| | |||
}} | |||
== Regular temperament properties == | == Regular temperament properties == | ||
| Line 903: | Line 853: | ||
| [[13L 13s]] | | [[13L 13s]] | ||
|} | |} | ||
<nowiki/>* [[Normal | <nowiki/>* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct | ||
== Octave stretch or compression == | |||
39edo is a [[zeta valley edo]] and is generally poor at approximating primes for its size. Its poor approximations of harmonics 3, 5, 7, and 13 can all be improved by slightly [[octave shrinking|compressing the octave]], to get a tuning like [[ed6|101ed6]] or [[173zpi]]. | |||
39edo can be usefully mapped onto the val 39dfgijk. The [[Tenney-Euclidean]] tuning of this regular temperament is 30.67475 cents per step, which is closely approximated by [[62edt]] and 173zpi. | |||
== 39edo and world music == | == 39edo and world music == | ||
39edo | Some might consider 39edo a candidate for a "universal tuning" in that it offers reasonable approximations of many different world music [[approaches to musical tuning|traditions]]; it is one of the simplest edos that can make this claim. Because of this, composers wishing to combine multiple world music traditions (for example, [[gamelan]] with [[maqam]] singing) within one unified framework might find 39edo an interesting possibility. | ||
=== Western === | === Western === | ||
| Line 945: | Line 900: | ||
Many Asian{{clarify|which ones specifically}} and [[African music|African]] {{clarify|which ones specifically}} musical styles can thus be accommodated. | Many Asian{{clarify|which ones specifically}} and [[African music|African]] {{clarify|which ones specifically}} musical styles can thus be accommodated. | ||
== Scales == | |||
* [[Quasisuper]][7] [[MOS scale]]: 7 7 2 7 7 7 2 | |||
* Quasisuper[7] [[5-limit|pental]] [[modmos]]: 7 6 3 7 6 7 3 | |||
* [[3L 6s]] modmos: 7 3 3 3 7 3 3 7 3 | |||
* Extended quasisuper: 4 3 6 3 4 3 6 4 3 3 | |||
* Quasisuper[22] MOS scale (resembles [[Indian]] [[sruti]]): 2 2 1 2 2 2 1 2 2 2 1 2 2 2 2 1 2 2 2 1 2 2 | |||
* Slendro approximations: 9 7 7 9 7 or 8 8 8 8 7 or 8 8 7 8 8 | |||
* An expressive [[oneirotonic]] subset: 9 6 9 9 6 | |||
* ''The scales listed in: [[User:BudjarnLambeth/Quasipelog theory]]'' | |||
== Instruments == | == Instruments == | ||
=== Lumatone mapping === | === Lumatone mapping === | ||
See [[Lumatone mapping for 39edo]] | See [[Lumatone mapping for 39edo]] | ||
| Line 977: | Line 941: | ||
== Music == | == Music == | ||
=== Modern renderings === | |||
; {{W|HOYO-MiX}} | |||
* [https://www.youtube.com/shorts/4y11CWLIHNA "Sinner's Finale" from ''Genshin Impact OST''] (2023) – covered by [[Bryan Deister]] (2025) | |||
=== 21st century === | |||
; [[Bryan Deister]] | ; [[Bryan Deister]] | ||
* [https://www.youtube.com/shorts/oeFI957W-xg ''39edo''] (2023) | * [https://www.youtube.com/shorts/oeFI957W-xg ''39edo''] (2023) | ||
* [https://www.youtube.com/watch?v=XLRaG_pBN7k ''39edo jam''] (2025) | * [https://www.youtube.com/watch?v=XLRaG_pBN7k ''39edo jam''] (2025) | ||
* [https://www.youtube.com/shorts/ | * [https://www.youtube.com/shorts/1T_xrZpUslQ ''39edo improv''] (2025) | ||
* [https://www.youtube.com/watch?v=kYQyRY7xFJs ''Waltz in 39edo''] (2025) | |||
* [https://www.youtube.com/watch?v=Vzife15uUU4 ''Tilt Your Head Down''] (2026) | |||
; [[groundfault]] | |||
* From ''Souvenirs of the Affliction'' (2025) – [https://groundfco.bandcamp.com/album/souvenirs-of-the-affliction Bandcamp] | [https://www.youtube.com/watch?v=rrjuGmmodn0 YouTube] | |||
** "Resolute Prelude" | |||
** "Residual Soliloquy" | |||
; [[Randy Wells]] | ; [[Randy Wells]] | ||
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[[Category:Listen]] | [[Category:Listen]] | ||
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