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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | {{interwiki |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | | en = Semaphore and godzilla |
| : This revision was by author [[User:hstraub|hstraub]] and made on <tt>2017-04-04 04:46:43 UTC</tt>.<br>
| | | de = Semiphor, Semaphor, Godzilla |
| : The original revision id was <tt>610203435</tt>.<br>
| | | es = |
| : The revision comment was: <tt></tt><br>
| | | ja = |
| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
| | }} |
| <h4>Original Wikitext content:</h4>
| | {{Infobox regtemp |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"><span style="display: block; text-align: right;">[[xenharmonie/Semiphor, Semaphor, Godzilla|Deutsch]]
| | | Title = {{nowrap|Semaphore; Godzilla}} |
| </span> | | | Subgroups = 2.3.7, 2.3.5.7, 2.3.5.7.13 |
| Semaphore, of the [[Semiphore family]], is characterized by the vanishing of [[49_48|49/48]], so the generator represents [[8_7|8/7]] and [[7_6|7/6]] equally. This results in a very low [[complexity]] 2.3.7 [[temperament]], with the drawback that most intervals of 7 must be out of tune by at least half of the comma 49/48, or about 18 [[cent]]s. Semaphore is a play on the words "semi-" and "fourth." | | | Comma basis = [[49/48]] (2.3.7); <br> [[49/48]], [[81/80]] (2.3.5.7); <br> [[49/48]], [[81/80]], [[91/90]] (L7.13) |
| | | Edo join 1 = 5 | Edo join 2 = 19 |
| | | Mapping = 1; 2 8 1 11 |
| | | Generators = 7/4 |
| | | Generators tuning = 947.8 |
| | | Optimization method = CWE |
| | | Pergen = (P8, P4/2) |
| | | Color name = Zozoti |
| | | MOS scales = [[4L 1s]], [[5L 4s]], [[5L 9s]], [[5L 14s]] |
| | | Odd limit 1 = 9 | Mistuning 1 = 20.5 | Complexity 1 = 9 |
| | | Odd limit 2 = 2.3.5.7.13 15 | Mistuning 2 = 20.5 | Complexity 2 = 14 |
| | }} |
| | '''Semaphore''', of the [[semaphoresmic clan]], is characterized by [[49/48]] being [[tempering out|tempered out]], so the [[generator]] represents [[7/4]] and [[12/7]] (or [[8/7]] and [[7/6]]) equally. This results in a very low [[complexity]] 2.3.7-[[subgroup]] [[regular temperament|temperament]], with the drawback that most intervals of 7 must be out of tune by at least half of the comma 49/48, or about 18 [[cent]]s. ''Semaphore'' is a play on the words "semi-" and "fourth". |
|
| |
|
| If 5 is mapped at all, it can be sensibly mapped to -8 [[generator]]s by [[tempering out]] [[81_80|81/80]], making it a [[Meantone family#Godzilla|meantone temperament]]. This temperament is called [[Meantone family#Godzilla|godzilla]]. | | If the [[5/1|5th harmonic]]'s intervals are desired, [[5/4]] can be sensibly mapped to +8 generators by tempering out [[81/80]], making it a [[Meantone family #Extensions|meantone temperament]]. This temperament is '''godzilla'''. Moreover, the generator can be taken to be [[26/15]], which maps [[13/8]] to +11 generators by tempering out [[91/90]] and [[105/104]]. This extends the temperament to the 2.3.5.7.13 subgroup, with an abundance of harmonic resource and little additional damage. |
|
| |
|
| ==Interval chains==
| | A more accurate but complex mapping of 5 can be found in [[immunity]], or 5/4 itself can be made the period by tempering out [[128/125]], resulting in [[triforce]]. |
| ===Semaphore===
| |
| || 198.46 || 448.85 || 699.23 || 949.62 || 0 || 250.38 || 500.77 || 751.15 || 1001.54 ||
| |
| || [[9_8|9/8]] || [[9_7|9/7]] || [[3_2|3/2]] || 12/7~7/4 || [[1_1|1/1]] || 8/7~7/6 || [[4_3|4/3]] || [[14_9|14/9]] || [[16_9|16/9]] ||
| |
| ===Godzilla===
| |
| || 378.92 || 631.56 || 884.19 || 1136.83 || 189.46 || 442.10 || 694.73 || 947.37 || 0 || 252.63 || 505.27 || 757.90 || 1010.54 || 63.17 || 315.81 || 568.44 || 821.08 ||
| |
| || [[5_4|5/4]] || [[10_7|10/7]] || [[5_3|5/3]] || 27/14 || 10/9~9/8 || 9/7 || 3/2 || 12/7~7/4 || 1/1 || 8/7~7/6 || 4/3 || 14/9 || 16/9~9/5 || 28/27~21/20 || [[6_5|6/5]] || [[7_5|7/5]] || [[8_5|8/5]] ||
| |
| ==MOSes==
| |
| ===5-note (proper)===
| |
| || Small ("minor") interval || 198.46 || 448.85 || 699.23 || 949.62 ||
| |
| || [[JI]] intervals represented || 9/8 || 9/7 || 3/2 || 12/7~7/4 ||
| |
| || Large ("major") interval || 250.38 || 500.77 || 751.15 || 1001.54 ||
| |
| || JI intervals represented || 8/7~7/6 || 4/3 || 14/9 || 16/9 ||
| |
| ===9-note (improper)===
| |
| || Small ("minor") interval || 63.17 || 252.63 || 315.81 || 505.27 || 568.44 || 757.90 || 821.08 || 1010.54 ||
| |
| || JI intervals represented || || 8/7~7/6 || 6/5 || 4/3 || 7/5 || 14/9 || 8/5 || 16/9~9/5 ||
| |
| || Large ("major") interval || 189.46 || 378.92 || 442.10 || 631.56 || 694.73 || 884.19 || 947.37 || 1136.83 ||
| |
| || JI intervals represented || 10/9~9/8 || 5/4 || 9/7 || 10/7 || 3/2 || 5/3 || 12/7~7/4 || ||
| |
|
| |
|
| In 19edo, godzilla[9] has steps 3 3 1 3 1 3 1 3 1, and contains the following useful scales as subsets:
| | For technical information, see [[Semaphoresmic clan #Semaphore]] and [[Semaphoresmic clan #Godzilla|#Godzilla]]. For a discussion on 11- and 13-limit extensions, see [[Godzilla extensions]]. |
|
| |
|
| * Meantone pentatonic (5 3 5 3 3). | | == Interval chains == |
| | In the following tables, odd harmonics 1–13 and their inverses are in '''bold'''. |
| | |
| | === Semaphore === |
| | {| class="wikitable center-1 right-2" |
| | |- |
| | ! # !! Cents* !! Approximate ratios |
| | |- |
| | | 0 || 0.0 || '''1/1''' |
| | |- |
| | | 1 || 950.7 || '''7/4''', 12/7 |
| | |- |
| | | 2 || 701.4 || '''3/2''' |
| | |- |
| | | 3 || 452.1 || 9/7, 21/16 |
| | |- |
| | | 4 || 202.8 || '''9/8''' |
| | |- |
| | | 5 || 1153.4 || 27/14, 63/32 |
| | |} |
| | <nowiki/>* In 2.3.7-subgroup CWE tuning, octave reduced |
| | |
| | === Godzilla === |
| | {| class="wikitable center-1 right-2" |
| | |- |
| | ! # !! Cents* !! Approximate ratios |
| | |- |
| | | 0 || 0.0 || '''1/1''' |
| | |- |
| | | 1 || 948.0 || '''7/4''', 12/7, 26/15 |
| | |- |
| | | 2 || 696.0 || '''3/2''' |
| | |- |
| | | 3 || 444.0 || 9/7, 13/10, 21/16 |
| | |- |
| | | 4 || 192.0 || '''9/8''', 10/9 |
| | |- |
| | | 5 || 1140.0 || 27/14, 39/20, 40/21, 52/27, 63/32 |
| | |- |
| | | 6 || 888.0 || 5/3 |
| | |- |
| | | 7 || 636.0 || 10/7, 13/9 |
| | |- |
| | | 8 || 384.0 || '''5/4''' |
| | |- |
| | | 9 || 132.0 || 13/12, 15/14 |
| | |- |
| | | 10 || 1080.0 || 13/7, 15/8 |
| | |- |
| | | 11 || 828.0 || '''13/8''' |
| | |- |
| | | 12 || 576.0 || 25/18, 39/28, 45/32 |
| | |- |
| | | 13 || 324.0 || 39/32 |
| | |- |
| | | 14 || 72.1 || 25/24, 50/49 |
| | |} |
| | <nowiki/>* In 2.3.5.7.13-subgroup CWE tuning, octave reduced |
| | |
| | == Scales == |
| | Scala files: |
| | * [[Semaphore5]] |
| | * [[Semaphore9]] |
| | * [[Semaphore14]] |
| | |
| | === 5-note (proper) === |
| | {| class="wikitable center-all" |
| | |- |
| | ! Small ("minor") interval |
| | | 202.8 |
| | | 452.1 |
| | | 701.4 |
| | | 950.7 |
| | |- |
| | ! [[JI]] intervals represented |
| | | 9/8 |
| | | 9/7~13/10 |
| | | 3/2 |
| | | 7/4~12/7 |
| | |- |
| | ! Large ("major") interval |
| | | 249.3 |
| | | 498.6 |
| | | 747.9 |
| | | 997.2 |
| | |- |
| | ! JI intervals represented |
| | | 7/6~8/7 |
| | | 4/3 |
| | | 14/9~20/13 |
| | | 16/9 |
| | |} |
| | |
| | === 9-note (improper) === |
| | {{Main| 5L 4s }} |
| | |
| | {| class="wikitable center-all" |
| | |- |
| | ! Small ("minor") interval |
| | | 60.0 |
| | | 252.0 |
| | | 312.0 |
| | | 504.0 |
| | | 564.0 |
| | | 756.0 |
| | | 816.0 |
| | | 1008.0 |
| | |- |
| | ! JI intervals represented |
| | | |
| | | 7/6~8/7 |
| | | 6/5 |
| | | 4/3 |
| | | 7/5~18/13 |
| | | 14/9~20/13 |
| | | 8/5~13/8 |
| | | 9/5~16/9 |
| | |- |
| | ! Large ("major") interval |
| | | 192.0 |
| | | 384.0 |
| | | 444.0 |
| | | 636.0 |
| | | 696.0 |
| | | 888.0 |
| | | 948.0 |
| | | 1140.0 |
| | |- |
| | ! JI intervals represented |
| | | 9/8~10/9 |
| | | 5/4 |
| | | 9/7~13/10 |
| | | 10/7~13/9 |
| | | 3/2 |
| | | 5/3 |
| | | 7/4~12/7 |
| | | |
| | |} |
| | |
| | In 19edo, Godzilla[9] has steps 3 3 1 3 1 3 1 3 1, and contains the following useful scales as subsets: |
| | * Meantone pentic (5 3 5 3 3) |
| * Altered diatonic I (3 4 3 1 3 4 1) | | * Altered diatonic I (3 4 3 1 3 4 1) |
| * Altered diatonic II (3 4 3 1 4 3 1) | | * Altered diatonic II (3 4 3 1 4 3 1) |
| Line 39: |
Line 174: |
| * Altered diatonic IV (3 3 4 1 3 4 1) | | * Altered diatonic IV (3 3 4 1 3 4 1) |
|
| |
|
| It does not, however, contain the ordinary diatonic scale. Godzilla[9] thus expands on the pentatonic scale, but in a different way than diatonic scales do. | | It does not, however, contain the ordinary diatonic scale. Godzilla[9] thus expands on the pentic scale, but in a different way than diatonic scales do. |
| | |
| | The four heptatonic subsets can be regarded as chromatic alterations of the diatonic scale, or alternatively as variants of Archytas' septimal diatonic scale, but with a greatly exaggerated difference between the two different whole tone sizes. All five of these subsets are very expressive melodically. Godzilla[9] combines all of these and is expressive in its own right; it could even be thought of as 19edo's answer to the well-loved Supra[7] diatonic scale of [[17edo]], as both are improper and made up of whole-tones and third-tones. |
|
| |
|
| The four heptatonic subsets can be regarded as chromatic alterations of the diatonic scale, or alternatively as variants of Archytas' septimal diatonic scale, but with a greatly exaggerated difference between the two different whole tone sizes. All five of these subsets are very expressive melodically. Godzilla[9] combines all of these and is expressive in its own right; it could even be thought of as 19edo's answer to the well-loved supra[7] diatonic scale of [[17edo]], as both are improper and made up of whole-tones and third-tones.
| | Like Supra[7], Godzilla[9] is well stocked with subminor and supermajor triads; in this case they can be viewed as 6:7:9 and 10:13:15 since 19edo is a [[The Biosphere|biome]] temperament. Godzilla[9] has only ''one'' each of the more stable 5-limit major and minor triads, which might be considered a drawback, but could also be considered a strength for helping to establish a clearer tonal center (since all triads other than the tonic have tension in them). |
|
| |
|
| Like supra[7], godzilla[9] is well stocked with subminor and supermajor triads; in this case they can be viewed as 6:7:9 and 10:13:15 since 19edo is a [[biome]] temperament. Godzilla[9] has only //one// each of the more stable 5-limit major and minor triads, which might be considered a drawback, but could also be considered a strength for helping to establish a clearer tonal center (since all triads other than the tonic have tension in them).
| | == Tunings == |
| | {| class="wikitable mw-collapsible mw-collapsed" |
| | |+ style="font-size: 105%; white-space: nowrap;" | 2.3.7-subgroup norm-based tunings |
| | |- |
| | ! rowspan="2" | |
| | ! colspan="3" | Euclidean |
| | |- |
| | ! Constrained |
| | ! Constrained & skewed |
| | ! Destretched |
| | |- |
| | ! Tenney |
| | | CTE: ~7/4 = 952.2948{{c}} |
| | | CWE: ~7/4 = 950.6890{{c}} |
| | | POTE: ~7/4 = 949.6154{{c}} |
| | |} |
|
| |
|
| =Music=
| | {| class="wikitable mw-collapsible mw-collapsed" |
| [[http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/S__no_Contratempo_by_Roncevaux_on_SoundCloud___Hear_the_world_s_sounds.mp3|Só no Contratempo]] by [[https://soundcloud.com/lois-lancaster/s-no-contratempo|Roncevaux (Löis Lancaster)]]
| | |+ style="font-size: 105%; white-space: nowrap;" | 7-limit norm-based tunings |
| [[http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/__O_que_a_gente_quer__em_19_TET__temperamento_Godzilla__9___by_Roncevaux.mp3|O que a gente quer]] by[[https://soundcloud.com/lois-lancaster/o-que-a-gente-quer-em-19-tet|Roncevaux]]</pre></div>
| | |- |
| <h4>Original HTML content:</h4>
| | ! rowspan="2" | |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Semaphore and Godzilla</title></head><body><span style="display: block; text-align: right;"><a class="wiki_link" href="http://xenharmonie.wikispaces.com/Semiphor%2C%20Semaphor%2C%20Godzilla">Deutsch</a><br />
| | ! colspan="3" | Euclidean |
| </span><br />
| | |- |
| Semaphore, of the <a class="wiki_link" href="/Semiphore%20family">Semiphore family</a>, is characterized by the vanishing of <a class="wiki_link" href="/49_48">49/48</a>, so the generator represents <a class="wiki_link" href="/8_7">8/7</a> and <a class="wiki_link" href="/7_6">7/6</a> equally. This results in a very low <a class="wiki_link" href="/complexity">complexity</a> 2.3.7 <a class="wiki_link" href="/temperament">temperament</a>, with the drawback that most intervals of 7 must be out of tune by at least half of the comma 49/48, or about 18 <a class="wiki_link" href="/cent">cent</a>s. Semaphore is a play on the words &quot;semi-&quot; and &quot;fourth.&quot;<br />
| | ! Constrained |
| <br />
| | ! Constrained & skewed |
| If 5 is mapped at all, it can be sensibly mapped to -8 <a class="wiki_link" href="/generator">generator</a>s by <a class="wiki_link" href="/tempering%20out">tempering out</a> <a class="wiki_link" href="/81_80">81/80</a>, making it a <a class="wiki_link" href="/Meantone%20family#Godzilla">meantone temperament</a>. This temperament is called <a class="wiki_link" href="/Meantone%20family#Godzilla">godzilla</a>.<br />
| | ! Destretched |
| <br />
| | |- |
| <!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-Interval chains"></a><!-- ws:end:WikiTextHeadingRule:0 -->Interval chains</h2>
| | ! Tenney |
| <!-- ws:start:WikiTextHeadingRule:2:&lt;h3&gt; --><h3 id="toc1"><a name="x-Interval chains-Semaphore"></a><!-- ws:end:WikiTextHeadingRule:2 -->Semaphore</h3>
| | | CTE: ~7/4 = 948.7959{{c}} |
|
| | | CWE: ~7/4 = 947.8216{{c}} |
| | | POTE: ~7/4 = 947.3650{{c}} |
| | |} |
|
| |
|
| <table class="wiki_table">
| | {| class="wikitable mw-collapsible mw-collapsed" |
| <tr>
| | |+ style="font-size: 105%; white-space: nowrap;" | 2.3.5.7.13-subgroup norm-based tunings |
| <td>198.46<br />
| | |- |
| </td>
| | ! rowspan="2" | |
| <td>448.85<br />
| | ! colspan="3" | Euclidean |
| </td>
| | |- |
| <td>699.23<br />
| | ! Constrained |
| </td>
| | ! Constrained & skewed |
| <td>949.62<br />
| | ! Destretched |
| </td>
| | |- |
| <td>0<br />
| | ! Tenney |
| </td>
| | | CTE: ~7/4 = 948.9311{{c}} |
| <td>250.38<br />
| | | CWE: ~7/4 = 948.0037{{c}} |
| </td>
| | | POTE: ~7/4 = 947.5708{{c}} |
| <td>500.77<br />
| | |} |
| </td>
| |
| <td>751.15<br />
| |
| </td>
| |
| <td>1001.54<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><a class="wiki_link" href="/9_8">9/8</a><br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/9_7">9/7</a><br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3_2">3/2</a><br />
| |
| </td>
| |
| <td>12/7~7/4<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/1_1">1/1</a><br />
| |
| </td>
| |
| <td>8/7~7/6<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/4_3">4/3</a><br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/14_9">14/9</a><br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/16_9">16/9</a><br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <!-- ws:start:WikiTextHeadingRule:4:&lt;h3&gt; --><h3 id="toc2"><a name="x-Interval chains-Godzilla"></a><!-- ws:end:WikiTextHeadingRule:4 -->Godzilla</h3>
| | === Tuning spectrum === |
|
| | {| class="wikitable center-all left-4" |
| | |- |
| | ! Edo <br>generator |
| | ! [[Eigenmonzo|Unchanged interval <br>(eigenmonzo)]]* |
| | ! Generator (¢) |
| | ! Comments |
| | |- |
| | | |
| | | 7/6 |
| | | 933.129 |
| | | |
| | |- |
| | | [[9edo|7\9]] |
| | | |
| | | 933.333 |
| | | 9cff val |
| | |- |
| | | [[14edo|11\14]] |
| | | |
| | | 942.857 |
| | | 14cf val, lower bound of 7- and 9-odd-limit diamond monotone |
| | |- |
| | | |
| | | 9/7 |
| | | 945.028 |
| | | |
| | |- |
| | | |
| | | 7/5 |
| | | 945.355 |
| | | |
| | |- |
| | | |
| | | 13/7 |
| | | 947.170 |
| | | |
| | |- |
| | | [[19edo|15\19]] |
| | | |
| | | 947.368 |
| | | Lower bound of {{nowrap|no-11}} 13-odd-limit diamond monotone <br>{{nowrap|No-11}} 15-odd-limit diamond monotone (singleton) |
| | |- |
| | | |
| | | 5/3 |
| | | 947.393 |
| | | |
| | |- |
| | | |
| | | 13/9 |
| | | 948.088 |
| | | |
| | |- |
| | | |
| | | 5/4 |
| | | 948.289 |
| | | 7-, 9-odd-limit, {{nowrap|no-11}} 13- and 15-odd-limit minimax |
| | |- |
| | | |
| | | 13/12 |
| | | 948.730 |
| | | |
| | |- |
| | | |
| | | 13/8 |
| | | 949.139 |
| | | |
| | |- |
| | | [[24edo|19\24]] |
| | | |
| | | 950.000 |
| | | |
| | |- |
| | | |
| | | 3/2 |
| | | 950.978 |
| | | |
| | |- |
| | | |
| | | 13/10 |
| | | 951.405 |
| | | |
| | |- |
| | | [[5edo|4\5]] |
| | | |
| | | 960.000 |
| | | Upper bound of 7-, 9-odd-limit, and {{nowrap|no-11}} 13-odd-limit diamond monotone |
| | |- |
| | | |
| | | 7/4 |
| | | 968.826 |
| | | |
| | |} |
| | <nowiki/>* Besides the octave |
|
| |
|
| <table class="wiki_table">
| | == Music == |
| <tr>
| | ; [[Cameron Bobro]] |
| <td>378.92<br />
| | * [https://web.archive.org/web/20201127014130/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Bobro/GodzillaExample.mp3 ''Godzilla Example''] |
| </td>
| |
| <td>631.56<br />
| |
| </td>
| |
| <td>884.19<br />
| |
| </td>
| |
| <td>1136.83<br />
| |
| </td>
| |
| <td>189.46<br />
| |
| </td>
| |
| <td>442.10<br />
| |
| </td>
| |
| <td>694.73<br />
| |
| </td>
| |
| <td>947.37<br />
| |
| </td>
| |
| <td>0<br />
| |
| </td>
| |
| <td>252.63<br />
| |
| </td>
| |
| <td>505.27<br />
| |
| </td>
| |
| <td>757.90<br />
| |
| </td>
| |
| <td>1010.54<br />
| |
| </td>
| |
| <td>63.17<br />
| |
| </td>
| |
| <td>315.81<br />
| |
| </td>
| |
| <td>568.44<br />
| |
| </td>
| |
| <td>821.08<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><a class="wiki_link" href="/5_4">5/4</a><br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/10_7">10/7</a><br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/5_3">5/3</a><br />
| |
| </td>
| |
| <td>27/14<br />
| |
| </td>
| |
| <td>10/9~9/8<br />
| |
| </td>
| |
| <td>9/7<br />
| |
| </td>
| |
| <td>3/2<br />
| |
| </td>
| |
| <td>12/7~7/4<br />
| |
| </td>
| |
| <td>1/1<br />
| |
| </td>
| |
| <td>8/7~7/6<br />
| |
| </td>
| |
| <td>4/3<br />
| |
| </td>
| |
| <td>14/9<br />
| |
| </td>
| |
| <td>16/9~9/5<br />
| |
| </td>
| |
| <td>28/27~21/20<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/6_5">6/5</a><br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/7_5">7/5</a><br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/8_5">8/5</a><br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <!-- ws:start:WikiTextHeadingRule:6:&lt;h2&gt; --><h2 id="toc3"><a name="x-MOSes"></a><!-- ws:end:WikiTextHeadingRule:6 -->MOSes</h2>
| | ; [[Igliashon Jones]] |
| <!-- ws:start:WikiTextHeadingRule:8:&lt;h3&gt; --><h3 id="toc4"><a name="x-MOSes-5-note (proper)"></a><!-- ws:end:WikiTextHeadingRule:8 -->5-note (proper)</h3>
| | * [http://tinyurl.com/4uyumk9 "Change is on the Wind"]{{dead link}} in Godzilla[9] |
|
| |
|
| |
|
| <table class="wiki_table">
| | ; [[Roncevaux]] |
| <tr>
| | * [https://web.archive.org/web/20201127013241/http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/S__no_Contratempo_by_Roncevaux_on_SoundCloud___Hear_the_world_s_sounds.mp3 ''Só no Contratempo''] |
| <td>Small (&quot;minor&quot;) interval<br />
| | * [https://web.archive.org/web/20201127013653/http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/__O_que_a_gente_quer__em_19_TET__temperamento_Godzilla__9___by_Roncevaux.mp3 ''O que a gente quer''] |
| </td>
| |
| <td>198.46<br />
| |
| </td>
| |
| <td>448.85<br />
| |
| </td>
| |
| <td>699.23<br />
| |
| </td>
| |
| <td>949.62<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><a class="wiki_link" href="/JI">JI</a> intervals represented<br />
| |
| </td>
| |
| <td>9/8<br />
| |
| </td>
| |
| <td>9/7<br />
| |
| </td>
| |
| <td>3/2<br />
| |
| </td>
| |
| <td>12/7~7/4<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>Large (&quot;major&quot;) interval<br />
| |
| </td>
| |
| <td>250.38<br />
| |
| </td>
| |
| <td>500.77<br />
| |
| </td>
| |
| <td>751.15<br />
| |
| </td>
| |
| <td>1001.54<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>JI intervals represented<br />
| |
| </td>
| |
| <td>8/7~7/6<br />
| |
| </td>
| |
| <td>4/3<br />
| |
| </td>
| |
| <td>14/9<br />
| |
| </td>
| |
| <td>16/9<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <!-- ws:start:WikiTextHeadingRule:10:&lt;h3&gt; --><h3 id="toc5"><a name="x-MOSes-9-note (improper)"></a><!-- ws:end:WikiTextHeadingRule:10 -->9-note (improper)</h3>
| | ; [[Starshine]] |
|
| | * [https://soundcloud.com/starshine99/rins-ufo-ride ''Rin's UFO Ride''] (2020) – in Semaphore[9], 19edo tuning |
|
| |
|
| <table class="wiki_table">
| | == See also == |
| <tr>
| | * [[Diasem]], a [[maximum variety|max-variety-3]] JI [[detempering]] of semaphore |
| <td>Small (&quot;minor&quot;) interval<br />
| | * [[Semaphore–chromatic equivalence continuum]] |
| </td>
| |
| <td>63.17<br />
| |
| </td>
| |
| <td>252.63<br />
| |
| </td>
| |
| <td>315.81<br />
| |
| </td>
| |
| <td>505.27<br />
| |
| </td>
| |
| <td>568.44<br />
| |
| </td>
| |
| <td>757.90<br />
| |
| </td>
| |
| <td>821.08<br />
| |
| </td>
| |
| <td>1010.54<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>JI intervals represented<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>8/7~7/6<br />
| |
| </td>
| |
| <td>6/5<br />
| |
| </td>
| |
| <td>4/3<br />
| |
| </td>
| |
| <td>7/5<br />
| |
| </td>
| |
| <td>14/9<br />
| |
| </td>
| |
| <td>8/5<br />
| |
| </td>
| |
| <td>16/9~9/5<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>Large (&quot;major&quot;) interval<br />
| |
| </td>
| |
| <td>189.46<br />
| |
| </td>
| |
| <td>378.92<br />
| |
| </td>
| |
| <td>442.10<br />
| |
| </td>
| |
| <td>631.56<br />
| |
| </td>
| |
| <td>694.73<br />
| |
| </td>
| |
| <td>884.19<br />
| |
| </td>
| |
| <td>947.37<br />
| |
| </td>
| |
| <td>1136.83<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>JI intervals represented<br />
| |
| </td>
| |
| <td>10/9~9/8<br />
| |
| </td>
| |
| <td>5/4<br />
| |
| </td>
| |
| <td>9/7<br />
| |
| </td>
| |
| <td>10/7<br />
| |
| </td>
| |
| <td>3/2<br />
| |
| </td>
| |
| <td>5/3<br />
| |
| </td>
| |
| <td>12/7~7/4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | [[Category:Semaphore| ]] <!-- main article --> |
| In 19edo, godzilla[9] has steps 3 3 1 3 1 3 1 3 1, and contains the following useful scales as subsets:<br />
| | [[Category:Godzilla]] <!-- main article --> |
| <br />
| | [[Category:Rank-2 temperaments]] |
| <ul><li>Meantone pentatonic (5 3 5 3 3).</li><li>Altered diatonic I (3 4 3 1 3 4 1)</li><li>Altered diatonic II (3 4 3 1 4 3 1)</li><li>Altered diatonic III (4 3 3 1 4 3 1)</li><li>Altered diatonic IV (3 3 4 1 3 4 1)</li></ul><br />
| | [[Category:Semaphoresmic clan]] |
| It does not, however, contain the ordinary diatonic scale. Godzilla[9] thus expands on the pentatonic scale, but in a different way than diatonic scales do.<br />
| | [[Category:Meantone family]] |
| <br />
| | [[Category:Sensamagic clan]] |
| The four heptatonic subsets can be regarded as chromatic alterations of the diatonic scale, or alternatively as variants of Archytas' septimal diatonic scale, but with a greatly exaggerated difference between the two different whole tone sizes. All five of these subsets are very expressive melodically. Godzilla[9] combines all of these and is expressive in its own right; it could even be thought of as 19edo's answer to the well-loved supra[7] diatonic scale of <a class="wiki_link" href="/17edo">17edo</a>, as both are improper and made up of whole-tones and third-tones.<br />
| |
| <br />
| |
| Like supra[7], godzilla[9] is well stocked with subminor and supermajor triads; in this case they can be viewed as 6:7:9 and 10:13:15 since 19edo is a <a class="wiki_link" href="/biome">biome</a> temperament. Godzilla[9] has only <em>one</em> each of the more stable 5-limit major and minor triads, which might be considered a drawback, but could also be considered a strength for helping to establish a clearer tonal center (since all triads other than the tonic have tension in them).<br />
| |
| <br />
| |
| <!-- ws:start:WikiTextHeadingRule:12:&lt;h1&gt; --><h1 id="toc6"><a name="Music"></a><!-- ws:end:WikiTextHeadingRule:12 -->Music</h1>
| |
| <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/S__no_Contratempo_by_Roncevaux_on_SoundCloud___Hear_the_world_s_sounds.mp3" rel="nofollow">Só no Contratempo</a> by <a class="wiki_link_ext" href="https://soundcloud.com/lois-lancaster/s-no-contratempo" rel="nofollow">Roncevaux (Löis Lancaster)</a><br />
| |
| <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/__O_que_a_gente_quer__em_19_TET__temperamento_Godzilla__9___by_Roncevaux.mp3" rel="nofollow">O que a gente quer</a> by<a class="wiki_link_ext" href="https://soundcloud.com/lois-lancaster/o-que-a-gente-quer-em-19-tet" rel="nofollow">Roncevaux</a></body></html></pre></div>
| |