Overtone scale: Difference between revisions
→See also: -random self promo |
→Over-5 scales: Remove unsourced claim |
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[[File:Ji-5-6-7-8-9-10-csound-foscil-220hz.mp3|right|thumb|270px|Mode 5: 5:6:7:8:9:10]] | [[File:Ji-5-6-7-8-9-10-csound-foscil-220hz.mp3|right|thumb|270px|Mode 5: 5:6:7:8:9:10]] | ||
; [[5afdo|Mode 5]]: 5:6:7:8:9:10 – This is essentially a [[7-limit]] fully-diminished seventh chord. [[7/5]] makes a very nice tritone above the bass – the simplest one available in JI – and it is available in all the higher Over-5 modes as well | ; [[5afdo|Mode 5]]: 5:6:7:8:9:10 – This is essentially a [[7-limit]] fully-diminished seventh chord. [[7/5]] makes a very nice tritone above the bass – the simplest one available in JI – and it is available in all the higher Over-5 modes as well. | ||
[[File:Ji-10-11-12-13-14-15-16-17-18-19-20-csound-foscil-220hz.mp3|right|thumb|270px|Mode 10 scale]] | [[File:Ji-10-11-12-13-14-15-16-17-18-19-20-csound-foscil-220hz.mp3|right|thumb|270px|Mode 10 scale]] | ||