26edt: Difference between revisions
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{{Infobox ET}} | {{Infobox ET}} | ||
{{ED intro}} | |||
== Theory == | |||
26edt corresponds to 16.404…[[edo]]. It is [[contorted]] in the 7-limit, tempering out the same commas, [[245/243]] and [[3125/3087]], as [[13edt]]. In the 11-limit it tempers out 125/121 and 3087/3025, in the 13-limit 175/169, 147/143, and 847/845, and in the 17-limit 119/117. It is the seventh [[The Riemann zeta function and tuning#Removing primes|zeta peak tritave division]]. | |||
== Harmonics == | A reason to double 13edt to 26edt is to approximate the [[8/1|8th]], [[13/1|13th]], [[17/1|17th]], [[20/1|20th]], and [[22/1|22nd]] [[harmonic]]s particularly well{{dubious}}. Moreover, it has an exaggerated [[5L 2s (3/1-equivalent)|triatonic]] scale with 11:16:21 supermajor triads, though only the 16:11 is particularly just due to its best 16 still being 28.04 cents sharp, or just about as bad as the 25 of 12edo (which is 27.373 cents sharp, an essentially just 100:63). | ||
{{Harmonics in equal|26|3|1| | |||
While retaining 13edt's mapping of primes 3, 5, and 7, 26edt adds an accurate prime 17 to the mix, tempering out [[2025/2023]] to split the [[BPS]] generator of [[9/7]] into two intervals of [[17/15]]. This 17/15 generates [[Dubhe]] temperament and mos scales of {{mos scalesig|8L 1s<3/1>|link=1}} and {{mos scalesig|9L 8s<3/1>|link=1}} that can be used as a simple traversal of 26edt. Among the 3.5.7.17-[[subgroup]] intervals, the accuracy of [[21/17]] should be highlighted, forming a 21-strong [[consistent circle]] that traverses the edt. | |||
26 also supports the temperaments: [[mizar]] (generators ~1097.8c, ~49.7c) and [[bohlenic]] (1\13edt, ~11/1). | |||
Additionally, while still far from perfect, 26edt does slightly improve upon 13edt's approximation of harmonics 11 and 13, which turns out to be sufficient to allow 26edt to be [[consistent]] to the no-twos [[21-odd-limit]], and is in fact the first edt to achieve this. | |||
=== Harmonics === | |||
{{Harmonics in equal|26|3|1}} | |||
{{Harmonics in equal|26|3|1|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 26edt (continued)}} | |||
== Intervals == | == Intervals == | ||
{| class="wikitable center-all right-2 right-3" | |||
{| class="wikitable center- | |||
|- | |- | ||
! Steps | ! Steps | ||
! [[Cent]]s | ! [[Cent]]s | ||
! [[Hekt]]s | ! [[Hekt]]s | ||
! | ! [[4L 5s (3/1-equivalent)|Enneatonic]] degree | ||
! Corresponding<br>3.5.7.17 subgroup intervals | |||
! Corresponding | ! Dubhe<br>(LLLLLLLLs,<br />J = 1/1) | ||
! | ! [[Lambda ups and downs notation|Lambda]]<br>(sLsLsLsLs,<br />E = 1/1) | ||
! | |- | ||
| 0 | |||
| 0 | |||
| 0 | |||
| P1 | |||
| 1/1 | |||
| J | |||
| E | |||
|- | |- | ||
| 1 | | 1 | ||
| Line 24: | Line 40: | ||
| 50 | | 50 | ||
| Sa1/sd2 | | Sa1/sd2 | ||
| | | [[51/49]] (+3.9¢); [[85/81]] (−10.3¢) | ||
| J# | |||
| | | ^E, vF | ||
| | |||
|- | |- | ||
| 2 | | 2 | ||
| Line 33: | Line 48: | ||
| 100 | | 100 | ||
| A1/m2 | | A1/m2 | ||
| | | [[49/45]] (−1.1¢); [[27/25]] (+13.1¢) | ||
| Kb | |||
| | | F | ||
| | |||
|- | |- | ||
| 3 | | 3 | ||
| Line 42: | Line 56: | ||
| 150 | | 150 | ||
| N2 | | N2 | ||
| | | [[135/119]] (+1.1¢); [[17/15]] (+2.8¢) | ||
| K | |||
| | | ^F, vF#, vGb | ||
| | |||
|- | |- | ||
| 4 | | 4 | ||
| Line 51: | Line 64: | ||
| 200 | | 200 | ||
| M2/d3 | | M2/d3 | ||
| | | [[25/21]] (−9.2¢) | ||
| K# | |||
| | | F#, Gb | ||
| | |||
|- | |- | ||
| 5 | | 5 | ||
| Line 60: | Line 72: | ||
| 250 | | 250 | ||
| Sa2/sd3 | | Sa2/sd3 | ||
| | | [[21/17]] (−0.06¢) | ||
| | | Lb | ||
| vG, ^F#, ^Gb | |||
| | |||
|- | |- | ||
| 6 | | 6 | ||
| Line 69: | Line 80: | ||
| 300 | | 300 | ||
| A2/P3/d4 | | A2/P3/d4 | ||
| | | [[9/7]] (+3.8¢) | ||
| L | |||
| | | G | ||
| | |||
|- | |- | ||
| 7 | | 7 | ||
| Line 78: | Line 88: | ||
| 350 | | 350 | ||
| Sa3/sd4 | | Sa3/sd4 | ||
| | | [[85/63]] (−6.5¢) | ||
| L# | |||
| | | ^G, vH | ||
| | |||
|- | |- | ||
| 8 | | 8 | ||
| Line 87: | Line 96: | ||
| 400 | | 400 | ||
| A3/m4/d5 | | A3/m4/d5 | ||
| | | [[7/5]] (+2.7¢) | ||
| Mb | |||
| | | H | ||
| | |||
|- | |- | ||
| 9 | | 9 | ||
| Line 96: | Line 104: | ||
| 450 | | 450 | ||
| N4/sd5 | | N4/sd5 | ||
| | | [[51/35]] (+6.6¢); [[119/81]] (−7.6¢); [[25/17]] (−9.3¢) | ||
| M | |||
| | | ^H, vH#, vJb | ||
| | |||
|- | |- | ||
| 10 | | 10 | ||
| Line 105: | Line 112: | ||
| 500 | | 500 | ||
| M4/m5 | | M4/m5 | ||
| | | [[75/49]] (−5.4¢) | ||
| M# | |||
| | | H#, Jb | ||
| | |||
|- | |- | ||
| 11 | | 11 | ||
| Line 114: | Line 120: | ||
| 550 | | 550 | ||
| Sa4/N5 | | Sa4/N5 | ||
| | | [[119/75]] (+5.5¢); [[27/17]] (+3.8¢) | ||
| Nb | |||
| | | vJ, ^H#, ^Jb | ||
| | |||
|- | |- | ||
| 12 | | 12 | ||
| 877.8 | | 877.8 | ||
| 600 | | 600 | ||
| A4/M5 | | A4/M5 | ||
| [[5/3]] (−6.5¢) | |||
| 5/3 | | N | ||
| | | J | ||
| | |||
|- | |- | ||
| 13 | | 13 | ||
| Line 132: | Line 136: | ||
| 650 | | 650 | ||
| Sa5/sd6 | | Sa5/sd6 | ||
| | | [[85/49]] (−2.6¢), [[147/85]] (+2.6¢) | ||
| N# | |||
| | | ^J, vA | ||
| | |||
|- | |- | ||
| 14 | | 14 | ||
| Line 141: | Line 144: | ||
| 700 | | 700 | ||
| A5/m6/d7 | | A5/m6/d7 | ||
| | | [[9/5]] (+6.5¢) | ||
| Ob | |||
| | | A | ||
| | |||
|- | |- | ||
| 15 | | 15 | ||
| Line 150: | Line 152: | ||
| 750 | | 750 | ||
| N6/sd7 | | N6/sd7 | ||
| | | [[225/119]] (−5.5¢); [[17/9]] (−3.8¢) | ||
| O | |||
| | | ^A, vA#, vBb | ||
| | |||
|- | |- | ||
| 16 | | 16 | ||
| Line 159: | Line 160: | ||
| 800 | | 800 | ||
| M6/m7 | | M6/m7 | ||
| | | [[49/25]] (+5.4¢) | ||
| O# | |||
| | | A#, Bb | ||
| | |||
|- | |- | ||
| 17 | | 17 | ||
| Line 168: | Line 168: | ||
| 850 | | 850 | ||
| Sa6/N7 | | Sa6/N7 | ||
| | | [[35/17]] (−6.6¢); [[243/119]] (+7.6¢); [[51/25]] (+9.3¢) | ||
| Pb | |||
| | | vB, ^A#, ^Bb | ||
| | |||
|- | |- | ||
| 18 | | 18 | ||
| Line 177: | Line 176: | ||
| 900 | | 900 | ||
| A6/M7/d8 | | A6/M7/d8 | ||
| | | [[15/7]] (−2.7¢) | ||
| P | |||
| | | B | ||
| | |||
|- | |- | ||
| 19 | | 19 | ||
| Line 186: | Line 184: | ||
| 950 | | 950 | ||
| Sa7/sd8 | | Sa7/sd8 | ||
| | | [[189/85]] (+6.5¢) | ||
| P# | |||
| | | ^B, vC | ||
| | |||
|- | |- | ||
| 20 | | 20 | ||
| 1463.0 | | 1463.0 | ||
| 1000 | | 1000 | ||
| | | P8/d9 | ||
| | | [[7/3]] (−3.8¢) | ||
| Qb | |||
| | | C | ||
| | |||
|- | |- | ||
| 21 | | 21 | ||
| Line 204: | Line 200: | ||
| 1050 | | 1050 | ||
| Sa8/sd9 | | Sa8/sd9 | ||
| | | [[17/7]] (+0.06¢) | ||
| | | Q | ||
| ^C, vC#, vDb | |||
| | |||
|- | |- | ||
| 22 | | 22 | ||
| Line 213: | Line 208: | ||
| 1100 | | 1100 | ||
| A8/m9 | | A8/m9 | ||
| | | [[63/25]] (+9.2¢) | ||
| Q# | |||
| | | C#, Db | ||
| | |||
|- | |- | ||
| 23 | | 23 | ||
| Line 222: | Line 216: | ||
| 1150 | | 1150 | ||
| N9 | | N9 | ||
| | | [[119/45]] (−1.1¢); [[45/17]] (−2.8¢) | ||
| Rb | |||
| | | vD, ^C#, ^Db | ||
| | |||
|- | |- | ||
| 24 | | 24 | ||
| Line 231: | Line 224: | ||
| 1200 | | 1200 | ||
| M9/d10 | | M9/d10 | ||
| | | [[135/49]] (+1.1¢); [[25/9]] (−13.1¢) | ||
| R | |||
| | | D | ||
| | |||
|- | |- | ||
| 25 | | 25 | ||
| Line 240: | Line 232: | ||
| 1250 | | 1250 | ||
| Sa9/sd10 | | Sa9/sd10 | ||
| | | [[49/17]] (−3.9¢); [[243/85]] (+10.3¢) | ||
| R#, Jb | |||
| | | ^D, vE | ||
| | |||
|- | |- | ||
| 26 | | 26 | ||
| Line 249: | Line 240: | ||
| 1300 | | 1300 | ||
| A9/P10 | | A9/P10 | ||
| | | [[3/1]] | ||
| J | |||
| | | E | ||
| | |||
|} | |} | ||
It is a weird coincidence how 26edt intones | === Connection to 26edo === | ||
It is a weird coincidence{{dubious}} how 26edt intones many [[26edo]] intervals within ±6.5{{c}} when it is supposed to have nothing to do with this other tuning: | |||
{| class="wikitable right-all" | {| class="wikitable right-all" | ||
| Line 265: | Line 256: | ||
| 365.761 | | 365.761 | ||
| 369.231 | | 369.231 | ||
| | | −3.470 | ||
|- | |- | ||
| 512.065 | | 512.065 | ||
| Line 277: | Line 268: | ||
| 1243.586 | | 1243.586 | ||
| 1246.154 | | 1246.154 | ||
| | | −2.168 | ||
|- | |- | ||
| 1389.890 | | 1389.890 | ||
| Line 289: | Line 280: | ||
| 2121.411 | | 2121.411 | ||
| 2123.077 | | 2123.077 | ||
| | | −1.666 | ||
|- | |- | ||
| 2633.476 | | 2633.476 | ||
| Line 298: | Line 289: | ||
== Music == | == Music == | ||
; [[Omega9]] | |||
*''The Eel And Loach To Attack In Lasciviousness Are Insane'' | * ''The Eel And Loach To Attack In Lasciviousness Are Insane'' – [https://www.youtube.com/watch?v=AhWJ2yJsODs video] | [https://web.archive.org/web/20201127012842/http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Omega9%20-%20The%20Eel%20And%20Loach%20To%20Attack%20In%20Lasciviousness%20Are%20Insane.mp3 play] | ||