User:Holger Stoltenberg/embed: Difference between revisions

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Fig.8 shows four varieties of what I call a ''crossover (x-over)'' ~~triad~~, all rooted at ~~the same pitch of~~ 0 cents. Crossover triads are neither diminished nor augmented. From a major ~~point of view~~, x-over chords incorporate a flattened third and a raised fifth.

Fig.8 shows four varieties of what I call ''crossover (x-over) triads'', all of which are rooted at 0 cents. Crossover triads are neither diminished nor augmented. From a major perspective, x-over chords incorporate a flattened third and a raised fifth.

[[File:Fig-8_tonal_space_867j_x-over_03.png|thumb|430px|right|Fig.8: Selection of 4 different ''crossover (x-over)'' triads.

Unlike minor or major chords, crossover triads are neither diminished nor augmented and do not incorporate a pure fifth.]]

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-|mode8 dim (9:11:13)<br>   ||[[File:TS_dim_L9-11-13_Eb_V03.mp3|80px]]
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-Fig.8 shows four varieties of what I call a ''crossover (x-over)'' triad, all rooted at the same pitch of 0 cents. Crossover triads are neither diminished nor augmented. From a major point of view, x-over chords incorporate a flattened third and a raised fifth. <br>
+Fig.8 shows four varieties of what I call ''crossover (x-over) triads'', all of which are rooted at 0 cents. Crossover triads are neither diminished nor augmented. From a major perspective, x-over chords incorporate a flattened third and a raised fifth. <br>
 [[File:Fig-8_tonal_space_867j_x-over_03.png|thumb|430px|right|<u>Fig.8</u>: Selection of 4 different ''crossover (x-over)'' triads.<br>
 Unlike minor or major chords, crossover triads are neither diminished nor augmented and do not incorporate a pure fifth.]]